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• April 20, 2024 Setlist

Hozier Setlist at Coastal Credit Union Music Park at Walnut Creek, Raleigh, NC, USA

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Tour: Unreal Unearth Tour statistics Add setlist

• De Selby (Part 1) Play Video
• De Selby (Part 2) Play Video
• Too Sweet ( Live debut ) Play Video
• Jackie and Wilson Play Video
• To Be Alone Play Video
• Dinner & Diatribes Play Video
• Francesca Play Video
• It Will Come Back ( First time since 2017 ) Play Video
• Cherry Wine Play Video
• Unknown/Nth Play Video
• Like Real People Do Play Video
• Abstract (Psychopomp) Play Video
• Would That I Play Video
• Almost (Sweet Music) ( With band jam ) Play Video
• Eat Your Young Play Video
• Movement Play Video
• Take Me to Church Play Video
• Nina Cried Power Play Video
• Wildflower and Barley (with Allison Russell ) ( Live debut ) Play Video
• Work Song (with Allison Russell ) Play Video

Edits and Comments

27 activities (last edit by Idealism , 21 Apr 2024, 02:34 Etc/UTC )

Songs on Albums

• Cherry Wine
• It Will Come Back
• Jackie and Wilson
• Like Real People Do
• Take Me to Church
• To Be Alone
• Abstract (Psychopomp)
• De Selby (Part 1)
• De Selby (Part 2)
• Eat Your Young
• Unknown/Nth
• Almost (Sweet Music)
• Dinner & Diatribes
• Nina Cried Power
• Would That I
• Wildflower and Barley

Complete Album stats

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Hozier gig timeline.

• Mar 23 2024 Lollapalooza Brazil 2024 São Paulo, Brazil Start time: 5:45 PM 5:45 PM
• Apr 18 2024 Mavis Staples 85th All-Star Birthday Concert Inglewood, CA, USA Add time Add time
• Apr 20 2024 Coastal Credit Union Music Park at Walnut Creek This Setlist Raleigh, NC, USA Start time: 8:45 PM 8:45 PM
• Apr 21 2024 High Water Fest 2024 North Charleston, SC, USA Start time: 9:15 PM 9:15 PM
• Apr 23 2024 PNC Music Pavilion Charlotte, NC, USA  –  Find tickets Add time Tickets Add time

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<div style="text-align: center;" class="setlistImage"><a href="https://www.setlist.fm/setlist/hozier/2024/coastal-credit-union-music-park-at-walnut-creek-raleigh-nc-6ba8ca32.html" title="Hozier Setlist Coastal Credit Union Music Park at Walnut Creek, Raleigh, NC, USA 2024, Unreal Unearth" target="_blank"><img src="https://www.setlist.fm/widgets/setlist-image-v1?id=6ba8ca32" alt="Hozier Setlist Coastal Credit Union Music Park at Walnut Creek, Raleigh, NC, USA 2024, Unreal Unearth" style="border: 0;" /></a> <div><a href="https://www.setlist.fm/edit?setlist=6ba8ca32&amp;step=song">Edit this setlist</a> | <a href="https://www.setlist.fm/setlists/hozier-63da4a6f.html">More Hozier setlists</a></div></div>

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[url=https://www.setlist.fm/setlist/hozier/2024/coastal-credit-union-music-park-at-walnut-creek-raleigh-nc-6ba8ca32.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=6ba8ca32[/img][/url] [url=https://www.setlist.fm/edit?setlist=6ba8ca32&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/hozier-63da4a6f.html]More Hozier setlists[/url]

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Hozier  

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Andrew Hozier-Byrne known by the stage name Hozier, is an Irish musician from Bray, County Wicklow who rose to prominence in 2014 following the release of his debut album and the single 'Take Me To Church'.

Andrew began his pursuit of music with a degree at Trinity College, Dublin yet decided to drop out after his first year after Universal Music showed interest in his demos so he decided to focus on this avenue. Luckily he made the right decision, in 2013 the 'Take Me to Church' EP was released through Rubyworks, Island Records and became an instant success.

The title track was an unexpected hit single in the States, peaking at #3 on the US Billboard charts. It also charted at #2 and #25 in Ireland and the UK, respectively. The huge response Hozier has received in the US has accumulated in 'Take Me To Church' receiving a nomination for Song of the Year at the 2015 Grammy awards. After the success of the single and early EPs, Hozier played a number of European festivals in the summer of 2014 including Reading & Leeds, Pukkelpop and Electric Picnic.

His debut self titled album followed in September and topped the Irish album charts, debuted at #2 in the US and #5 in the UK. It also appeared on numerous charts around the world. It features two more hit singles in his native Ireland, 'From Eden' and 'Sedated'. The album was also received well critically, holding a MetaCritic score of 78/100. He supported the release with a tour of the US and the UK which was his first chance to play the debut in full.

Live reviews

Hozier or Andrew Hozier-Byrne is an Irish singer who debuted with a serious song, Take Me To Church, which questioned religious organizations on same-sex companionship ban.

You might think he could be a super serious and intense guy, but! Andrew is actually very nice and sweet in person. He’s young and humble and constantly shows love and appreciation to his fans throughout the concert with the happiest face, and he respects everyone on the stage.

In the middle of the show, he was doing an acoustic number when he stopped mid-song as he saw someone fainted in the audience. He called the staff to take care of the person and most importantly, he stopped the show to wait for her to feel better so that she wouldn’t miss anything. He simply asked the rest of the crowd, “We’re not in a hurry, are we?”

We all stood there waiting for quite a while until Andrew picked up his guitar and started that song again from the top.

The whole performance in general was beyond awesome with his powerful voice, accompanied by fantastic chorus and violin, among the other great talents on the stage.

Later in the show, he told everybody that it was one of the band members’ birthday and opened his arm towards the drummer. He began singing Happy Birthday To You and we all sang along with him. As we got to the verse where you include the person’s name in the song, almost nobody knew his name, so we all sang:

"Happy birthday dear… drummer," and we all laughed.

The atmosphere was phenomenon. Andrew said constantly that he always has a great time every time he comes to Montreal and told everyone that he would come back again next year.

This was all the good things in the world combined.

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Andrew Hozier-Byrne, better known just as Hozier, is one talented Irish singer songwriter. Hailing from Bray, County Wicklow, Ireland, Hozier has only just begun to take the music world by storm. His two EPs have been on repeat for as long as they’ve existed.

During his live show he has a live band with him, and always has guitar in hand. He also has two backup female vocalists that will join him during some of the songs. He draws a very large crowd, having gained a lot of fans through various social media and word of mouth, but unlike other crowds that I’ve encountered, the crowd is very loving as well as respectful. He is very soft spoken when he speaks, but when he starts to sing he really opens up, pouring all his emotions into his songs. Between each song he’d thank the crowd and introduce each song and would occasionally switch his guitars. He even talked about the songs a bit, like when he performed “To Be Alone” he spoke a bit about who influenced him in writing this particular song.

His music is appealing to a large crowd because he is so versatile. His set contained some light rock, some bluesy stuff, and acoustic songs as well. His vocals are absolutely beautiful and he does a great job of showcasing his wonderful talent.

The Irish singer/songwriter Hozier gripped me initially with his alternative style of music for singer/songwriters, as he specialises in indie rock, blues and soul. His song Take Me to Church was the track that I first fell in love with, and his gently voice accompanied by his talented backing singers is simply stunning.

Seeing him play live in a large venue, I was a bit worried that he was only going to play with a full band, and that some of the raw emotion would be lost that he transfers across in his acoustic sets. However, he played a good balance of tracks with his band, and just solo with his guitar. He opened the show with the EP From Eden, which he played through in its entirety, before moving on to his self titled album. About half way through the show he played his single Take Me To Church, which had everyone in the audience singing along from start to finish. His humble yet confident manner won over the audience, and his banter between tracks had everyone cheering and laughing for him. It was a great environment, and a brilliant artist to see live, he is incredibly talented, and will hopefully be touring for many years.

The stage was simple. No curtain or big screen. There were a few fancy swirling lights that augmented some of the more energetic selections, but the majority of the set focused on the music. Things opened up with “Angel of Small Death and the Codine Scene”. The natural granite backdrop was bathed in blue light as Hozier sang of ‘sweetened breath’ and tongues ‘so mean’ with the assistance of heavy percussion and a tough bass line that vibrated through the amphitheater. I was immediately impressed. Having found her voice and dance moves again, our daughter and her friend seemed to be feeling it as well. They could be found swaying and clapping along with everyone else during “From Eden”…and there on after. But it wasn’t until Alana Henderson got intimate with her cello that the sound really opened up. She became more than just a fixture from that point on, and as they made their way through the majority of the album, Hozier was the one to listen to, but she was the one to watch. - See more at: http://ilistensoyoudonthaveto.com/2015/08/03/hozier-dawes-red-rocks-08-02-15/#sthash.FPtbDJZs.dpuf

When I heard that Hozier was coming to Chicago, I knew I had to manage to grab a ticket to see him! I waited to buy a ticket until they were re-released and got the 10th row for $75! Hozier performed songs off of his self titled debut album and his EP From Eden.

Leading up to Hozier, the crowd thoroughly enjoyed listening to Dawes. They thoroughly entertained the crowd and were very appreciative of the crowd listening so intently. Dawes' set was about 40 minutes, so it was the perfect warm up act.

Hozier's set included a wonderful mix of his ballads and upbeat tunes and kept the crowd thoroughly entertained throughout the night. The crowd was mesmerized by Hozier's vocal range and his talents playing the guitar. He got the crowd into 'Work Song' and 'Take Me To Church' by having the audience clap and sing along. Hozier really interacted with the crowd and made everyone feel happy and welcome. Overall, it was a very memorable concert and I would definitely see him again!

If there's anything you should take from this review, it's that you should definitely try to see Hozier if you get the chance!

I am absolutely in love with Hozier's voice and talent. It was my wish since years to go to his concert. That finally happened in Munich last night.

The location was great. Unfortunately the opening of the concert was far from anything good!

A solo singer (Kevin) who had a powerful voice but could not really be able to have audiences and at some point it got really boring after the second song... He sang 5-6 songs and you could feel that the crowd is getting resltess wants him to finish up and leave.

Then we had to wait for more than 45 min for the band to show up on the stage! I have never been waiting this long in all the concerts attended to so far! We were waiting, they did not bother to give some information or some sign... Finally when the band show up nobody even apologised for such a long delay!

Despite all these, Hozier / band was great on the stage! He sang for 2 hours and almost all the songs I was so looking forward to hearing them live! I do hope to see them again but this time with much better time management and organisation!

Hozier, the soulful genius who can reach deep into your being and grab a hold of your essence is the best musician I've had the pleasure to watch live on stage. The experience was a cross between magical, spiritual and familiar. The sound was perfect, the music and lyrics fantastic as always and the voices from heaven. Hozier's voice has a depth and warmth that allows him to sing the tales of the coldest and most morbid things and make them sound romantic.

I went to all 3 shows at the Wiltern in Los Angeles and was impressed with everything. The venue is large but still very intimate, the staff were nice and friendly. There was not one bad seat in the house. The sound was clear and powerful. His high beat songs were as pleasant as his solo acoustic number with Cherry Wine that made a few people (including me) tear up. I was in the GA Pit area two of the nights. The experience was surreal. I'm still walking on cloud 9.

was out of this world, best night of my life. one drawback was when andrew encouraged people to leave their seats and come down to the stage, but the venue staff turned everyone away when they tried. was pretty disheartening and upsetting but didn't let it ruin my night.

andrew and the band were in top form, and got everyone out if their seats and standing and singing along (society has so beaten everyone down in terms of expressing themselves and caring what everyone else thinks that even among a thousand people who loved one man and his music, we found difficult to show it.) so thanks andrew for not taking us at face value (a theatre full of blinking goldfish in their seats for the first few songs, forgive us, i know that i was pretty overwhelmed. and i already have huge issues with confidence without adding 1k+ people to the mix)

love you hozier, hope to see you soon, and even meet you next time <3<3<3

I first heard his stuff on Spotify and his song 'Take me to Church' became the song I kept on a repeated loop for pretty much a whole month. So when I got the email alert that Hozier was performing in Manchester, I knew then and there I had to get tickets. I'm so glad I got tickets because the gig was absolutely incredible. He sounds the same, if not better, live as he does on his album/EPs.

There weren't any techy light displays, which I thought worked better as we focused more on the music. He performed most of the material from his album with a few songs not by him, including Amerie's '1 Thing'. I wasn't familiar with the opening act, Wyvern Lingo, but despite that, I really liked them and felt their music complemented Hozier's quite well.

Overall, the gig was amazing and is definitely one of the highlights of my year so far, and I would definitely see him live again.

The gig itself was incredible. Hozier and the family sound as pure and perfect as they do on recordings - it's insane how amazing they are! The engagement with the audience was on point too - Hozier is a warm and welcoming showman, with a definite ear for his audience and a love for performing that shows at every turn.

Kudos to David Keenan for opening the show. He has a unique style that I'm sure will serve him well in the years to come. Purchased the vinyl to play as soon as I got home.

As for City Hall itself, I have never been to watch music before (just stand-up shows or 'An Audience With...' nights) but I have to say, the acoustics are phenomenal. Because of the layout, everything feels intimate and the view was outstanding from most points in the auditorium.

A fantastic night!

Posters (72)

Past concerts

High Water Festival Sunday

Costal Credit Union Music Park at Walnut Creek

Lollapalooza

View all past concerts

Hozier tour dates and tickets 2024-2025 near you

Want to see Hozier in concert? Find information on all of Hozier’s upcoming concerts, tour dates and ticket information for 2024-2025.

Hozier is not due to play near your location currently - but they are scheduled to play 84 concerts across 10 countries in 2024-2025. View all concerts.

Next 3 concerts:

• Charlotte, NC, US
• Southaven, MS, US
• Southhaven, MS, US

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Concerts played in 2024:

Touring history

Most played:

• London (28)
• Dublin (27)
• New York (NYC) (21)
• Los Angeles (LA) (19)
• Chicago (11)

Appears most with:

• Madison Cunningham (31)
• George Ezra (30)
• David Keenan (29)
• James Bay (28)
• Jade Bird (27)

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Hozier returns to Raleigh to kick off tour’s second leg — and outdoor concert season

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The calendar says April, but the summer outdoor concert season kicked off Saturday in a big way with Hozier ’s sold-out show at Coastal Credit Union Music Park in Raleigh.

Hozier just performed in Raleigh in October at Red Hat Amphitheater on the heels of his latest album, “Unreal Unearth.” The tour was extended into 2024 with a return visit to Raleigh kicking off the second leg of the tour with 37 new shows.

Saturday, he was joined by the Grammy-nominated Allison Russell as his opening act. Both will perform in Charlotte’s PNC Music Pavilion on Tuesday.

“Unreal Unearth” debuted at No. 3 on the Billboard 200 albums chart when it was released in August. Hozier, whose name is Andrew John Hozier-Byrne, is perhaps best known for “Take Me to Church,” his debut single from 2013. His followup album, “Wasteland, Baby!,” hit No. 1 on the Billboard Top 200 charge in 2019.

This fall, he collaborated with Noah Kahan on a new version of Kahan’s single, “Northern Attitude.”

Here are photos from Saturday’s concert.

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Live updates, hozier announces ‘unreal unearth’ 2023 tour: get tickets today.

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Forget church — take us to Hozier’s 2023 ‘Unreal Unearth’ tour .

The bluesy rocker will embark on his first North American tour since 2019 from September through November this year in support of his new EP ‘Eat Your Young’ and upcoming album ‘Unreal Unearth.’

Midway through the 27-concert trek, he’s set to take the Big Apple by storm when he plays NYC’s Madison Square Garden on Sept. 30.

This arena show will be his first at the vaunted venue; on his last tour, he played NYC’s Hammerstein Ballroom five times.

And if you need tickets to hear the Irish singer-songwriter live ASAP, we’ve got a hot tip.

Although inventory isn’t available on Ticketmaster until Friday, March 24, fans who want to ensure they have tickets ahead of time can purchase on sites like Vivid Seats before tickets are officially on sale.

Vivid Seats is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

They have a 100% buyer guarantee that states your transaction will be safe and secure and will be delivered before the event.

Hozier 2023 tour schedule

A complete calendar including all ‘Unreal Unearthed’ tour dates, venues and links to buy tickets can be found below.

Hozier festival appearances

On top of the tour, Hozier will also perform at two major U.S. festivals in 2023.

Up first, he’ll lend his talents to Louisville, KY’s Bourbon and Beyond from Sept. 14-17.

Fellow headliners include Bruno Mars, The Killers, Brandi Carlile, The Black Keys and Duran Duran.

You can grab four-day passes here .

Two weeks later, the “Would That I” singer joins big names Red Hot Chili Peppers, John Mayer, Alanis Morissette, Trey Anastasio Band and Nathaniel Rateliff at the Sound On Sound Festival on Sept. 30 and Oct. 1 in Bridgeport, CT.

Click here to pick up tickets .

Hozier opening act

For the U.S. leg of his tour, Hozier is bringing special guest Madison Cunningham to all shows.

Cunningham, 26, walks the line between folk and rock; if you’re looking to sample her sound, we suggest starting with her most-streamed track, the slow burning “Song In My Head.”

Hozier new music

On March 17 aka St. Patrick’s Day aka Hozier’s 33rd birthday, he celebrated by announcing his upcoming tour.

That’s not all though.

Hozier also dropped his new three-song EP ‘Eat Your Young’ and revealed his new album ‘Unreal Unearth’ is coming later this year.

While we wait for the full record to hit shelves, you can listen to the soulful, mini-offering here .

Huge concert tours in 2023

If you’ve recently had the thought “it’s been too long since I’ve gone to a live show,” now is the perfect time to fix that.

While it isn’t easy to find the right concert, here are five that might be perfect for a Hozier fan.

•  Ed Sheeran

•  Bon Iver

•  Coldplay

•  The Lumineers

•  The Avett Brothers

Want to see who else is bringing their hits all over the U.S. and Canada this year? Check out our nifty list of the 52 biggest concert tours in 2023 here .

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PNC Music Pavilion | Charlotte, NC

Hozier - unreal unearth tour 2024.

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BankPlus Amphitheater at Snowden Grove | Southaven, MS

Walmart amp | rogers, ar, dos equis pavilion | dallas, tx.

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Moody Center ATX | Austin, TX

The cynthia woods mitchell pavilion presented by huntsman | woodlands, tx, oak mountain amphitheatre | birmingham, al.

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VyStar Veterans Memorial Arena | Jacksonville, FL

Kia center | orlando, fl.

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iTHINK Financial Amphitheatre | West Palm Beach, FL

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MIDFLORIDA Credit Union Amphitheatre at the FL State Fairgrounds | Tampa, FL

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Live Oak Bank Pavilion | Wilmington, NC

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• Clear Bag Voucher - Hozier (Not A Concert Ticket)
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Veterans United Home Loans Amphitheater at Virginia Beach | Virginia Beach, VA

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Merriweather Post Pavilion | Columbia, MD

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Broadview Stage at SPAC | Saratoga Springs, NY

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• SPAC Terrace Club Presented By Jack Daniel's: Hozier
• Saratoga - SPAC Blanket Voucher: Hozier
• Saratoga - SPAC Early Entry Parking: Hozier

Empower Federal Credit Union Amphitheater at Lakeview | Syracuse, NY

• Premier Parking - Hozier - Not a Concert Ticket
• Lawn Chair Rental - Hozier - Not a Concert Ticket
• Live Nation Blanket- Hozier - Not a Concert Ticket

Darien Lake Amphitheater | Darien Center, NY

• Darien Lake Amphitheater Parking Upgrades: Hozier
• Darien Lake Amphitheater VIP Club Access: Hozier
• Darien Lake Amphitheater The Deck Access: Hozier
• Darien Lake Amphitheater Lawn Chair Rental: Hozier
• Darien Lake Amphitheater The Porch Access: Hozier
• Darien Lake Amphitheater Blanket Offer: Hozier

HARVARD ATHLETIC COMPLEX | Boston, MA

Boston calling music festival, freedom mortgage pavilion | camden, nj.

• Premier Parking: Hozier
• VIP Club Access: Hozier
• River Garden Deck Access: Hozier
• Freedom Mortgage Lounge Access: Hozier
• Lawn Chair Rental: Hozier
• Live Nation Blanket: Hozier - NOT a Concert Ticket
• Riverlink Ferry Pass: Hozier

Ruoff Music Center | Noblesville, IN

• Premier Parking: Hozier - NOT a Concert Ticket
• VIP Parking: Hozier - Not a Concert Ticket
• VIP Club: Hozier - NOT a Concert Ticket
• Premier Club: Hozier - Not a Concert Ticket
• Green Room: Hozier - Not a Concert Ticket
• Overlook Lawn Deck: Hozier - Not a Concert Ticket
• Lone Pine Lounge: Hozier - Not a Concert Ticket
• Lawn Chair Rental: Hozier - NOT a Concert Ticket

Van Andel Arena | Grand Rapids, MI

Pine knob music theatre | clarkston, mi.

• Pine Knob Premier Parking: Hozier

The Infield at Red Mile | Lexington, KY

Railbird festival, forest hills stadium | forest hills , ny.

Vorst Nationaal/Forest National | Brussels, BELGIUM

Hozier – unreal unearth tour 2024.

WiZink Center | Madrid, SPAIN

Lytham Green | Lytham St, Annes, UNITED KINGDOM

Tk maxx presents lytham festival (5 day pass), marlay park | dublin, ireland, finsbury park | london, united kingdom, chepstow racecourse | chepstow, united kingdom, glasgow green | glasgow, united kingdom, maine savings amphitheater | bangor, me.

• Off-Site Parking: Hozier - Located at 100 Broad Street

Bethel Woods Center for the Arts | Bethel, NY

• Premium Parking - Hozier
• The Green Room - Hozier
• Lawn Chair Rental - Hozier (NOT A CONCERT TICKET)
• Reserved Lawn - Hozier (NOT A CONCERT TICKET)

The Pavilion at Star Lake | Burgettstown, PA

• RE/MAX Select Party Deck: Hozier (Not a Concert Ticket)
• The Cabana: Hozier (Not a Concert Ticket)
• Star Lake Lounge: Hozier (Not a Concert Ticket)
• Early Tailgate Parking: Hozier (Not a Concert Ticket)

Grant Park | Chicago, IL

Lollapalooza, blossom music center | cuyahoga falls, oh.

• VIP Parking: Hozier (NOT A CONCERT TICKET)
• The Huntington Club: Hozier (NOT A CONCERT TICKET)
• Green Room Access: Hozier (NOT A CONCERT TICKET)
• Oversized Parking: Hozier (NOT A CONCERT TICKET)

Schottenstein Center | Columbus, OH

Azura amphitheater | bonner springs, ks.

• VIP Parking - Hozier

BOK Center | Tulsa, OK

Hollywood casino amphitheatre - st. louis, mo | maryland heights, mo.

• Ultra Premier Parking: Hozier - NOT A Concert Ticket
• Lawn Terrace: Hozier - NOT a Concert Ticket
• Green Room Access: Hozier - NOT a Concert Ticket
• Academy Air Cool Zone: Hozier - NOT a Concert Ticket
• Red Carpet Concierge Experience: Hozier - NOT A Concert Ticket
• Hollywood Casino Shuttle: Hozier - NOT a Concert Ticket
• Rockstar Parking: Hozier - NOT a Concert Ticket

Pinnacle Bank Arena | Lincoln, NE

Breese stevens field | madison, wi, xcel energy center | saint paul, mn.

• Parking - Hozier

Canada Life Centre | Winnipeg, MB

Latest setlist, hozier on april 21, 2024.

Unreal Unearth

Riverfront Park, North Charleston, South Carolina

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• Sat / Aug 17 8:00 PM Buy Tickets

Award-winning, RIAA-Diamond certified singer/songwriter  Hozier 's most extensive headlining run in North America – The Unreal Unearth Tour – will continue into 2024 adding a whopping 37 new shows, including stadium, arena, and amphitheater performances nationwide.

Hozier has continued to hook audiences worldwide with his provocative, energetic, and organic live performances that span his extensive decade-long catalog of hits. He has stayed true to his ethos as his shows have grown into larger venues, continuing to draw inspiration from performing entirely live with his expanding band. Hozier’s unique connection with his audience has grown more apparent over the years and stems from the enduring intimate nature of his shows. His dedicated following of die-hard fans quickly showed their enthusiasm for his third studio album,  Unreal Unearth , learning the lyrics to the songs through his live performances and singing along to every word prior to the release. Released August 18 via Columbia Records, the 16-track LP debuted at #3 on the Billboard 200 albums chart and follows a captivating thematic arc informed by the turbulence of the world and the fight for a better and brighter tomorrow.

Ticket Information

Hozier wants to give fans the best chance to buy tickets at face value. For fans who purchase tickets for the Unreal Unearth Tour 2024 through Ticketmaster and can't attend, they will have the option to resell their ticket to other fans at the original price paid using Ticketmaster’s Face Value Exchange. To help protect the Face Value Exchange, Hozier has also chosen to make tickets for this tour mobile only and restricted from transfer. A valid bank account or debit card within the country of your event is required to sell tickets on the Face Value Exchange. More information on how the Ticketmaster Exchange works is available here .

For safety and speed of entry, we strongly discourage guests from bringing bags of any kind to events at Xcel Energy Center. Purses no larger than 12” x 12” x 6” are allowed at designated X-ray entry points. This applies to all purses, including clear bags. Backpacks, coolers or large totes are prohibited. Medical and parenting bags are permitted and subject to X-ray screening. Wristlet, clutch or wallets 4” x 6” x 1.5” or smaller are allowed at all entrances and subject to inspection.

Mobile Entry

Pro tip for faster mobile entry: Add your tickets to your phone's "wallet" and have a fully charged battery. This bypasses the need for Wi-Fi or cellular data at the gates.

Mobile tickets are like an airline boarding pass which can be accessed with a smartphone via the Ticketmaster app or mobile site in a bar code format and scanned at the gate for entry. Mobile tickets are protected by Ticketmaster’s SafeTix™ technology. SafeTix™ continually generates a new and unique barcode that automatically refreshes every few seconds so the barcode cannot be stolen or copied, keeping your tickets safe and secure. Screen shots are not accepted for entry.

Click here for more details on mobile tickets.

Cashless Payment Only

Only credit card and mobile payment (Apple Pay, Google Pay, etc.) are accepted for concessions, retail, parking and box office transactions. Cash is not accepted.

• Consequence

Hozier Extends 2024 North American Tour

Featuring 20 new dates

Hozier has extended the 2024 North American leg of his “The Unreal Unearth Tour” with 20 new dates.

The new run of shows includes additional dates at New York’s Forest Hills Stadium and Los Angeles’ Kia Forum. Plus, Hozier has slated new performances in Jacksonville, Florida; Wilmington, North Carolina; Buffalo, New York; Camden, New Jersey; Detroit, Michigan; Lincoln, Nebraska; Winnipeg, Manitoba; Saskatoon, Saskatchewan; Calgary, Alberta; Edmonton, Alberta; Sacramento, California; and Mountain View, California.

Update – February 26th: Hozier has confirmed six additional shows in Noblesville, IN; Grand Rapids, MI; Tucson, AZ; Albuquerque, NM; San Antonio, TX; and Oklahoma City, OK. According to a press release these are the final US shows of the tour.

Get Hozier Tickets Here

Fans can look for deals or get tickets to sold-out shows via StubHub , where orders are 100% guaranteed through StubHub’s FanProtect program. StubHub is a secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand.

This past September, Hozier sat down with Consequence for an interview   about his most recent album, last August’s  Unreal Unearth . In November, he joined Noah Kahan for a new version of the latter’s song “Northern Attitude.”

Hozier 2024 Tour Dates: 04/20 – Raleigh, NC @ Coastal Credit Union Music Park * 04/23 – Charlotte, NC @ PNC Music Pavilion * 04/25 – Southaven, MS @ BankPlus Amphitheater at Snowden Grove * 04/26 – Rogers, AR @ Walmart AMP * 04/28 – Dallas, TX @ Dos Equis Pavilion * 04/30 – Austin, TX @ Moody Center * 05/02 – Houston, TX @ Cynthia Woods Mitchell Pavilion Presented by Huntsman * 05/05 – Pelham, AL @ Oak Mountain Amphitheatre * 05/07 – Jacksonville, FL @ VyStar Veterans Memorial Arena * 05/08 – Orlando, FL @ Amway Center * 05/10 – West Palm Beach, FL @ iTHINK Financial Amphitheatre * 05/11 – Tampa, FL @ MIDFLORIDA Credit Union Amphitheatre at the FL State Fairgrounds * 05/14 – Wilmington, NC @ Live Oak Bank Pavilion * 05/15 – Virginia Beach, VA @ Veterans United Home Loans Amphitheater at Virginia Beach * 05/17 – Columbia, MD @ Merriweather Post Pavilion * 05/19 – Saratoga Springs, NY @ Broadview Stage at SPAC * 05/21 – Syracuse, NY @ Empower Federal Credit Union Amphitheater at Lakeview * 05/22 – Buffalo, NY @ Darien Lake Amphitheater * 05/25 – Camden, NJ @ Freedom Mortgage Pavilion * 05/28 – Noblesville, IN @ Ruoff Music Center * 05/29 – Grand Rapids, MI @ Van Andel Arena * 05/31 – Detroit, MI @ Pine Knob Music Theatre * 06/04 – Forest Hills, NY @ Forest Hills Stadium * 06/05 – Forest Hills, NY @ Forest Hills Stadium * 06/07 – Forest Hills, NY @ Forest Hills Stadium * 06/08 – Forest Hills, NY @ Forest Hills Stadium * 07/24 – Bangor, ME @ Maine Savings Amphitheater * 07/27 – Bethel, NY @ Bethel Woods Center for the Arts * 07/29 – Pittsburgh, PA @ The Pavilion at Star Lake * 08/04 – St. Charles, IA @ Hinterland Festival 08/06 – Cleveland, OH @ Blossom Music Center 08/07 – Columbus, OH @ Schottenstein Center 08/09 – Kansas City, MO @ Azura Amphitheater 08/10 – Tulsa, OK @ BOK Center 08/13 – St. Louis, MO @ Hollywood Casino Amphitheatre * 08/14 – Lincoln, NE @ Pinnacle Bank Arena * 08/16 – Madison, WI @ Breese Stevens Field * 08/17 – St. Paul, MN @ Xcel Energy Center * 08/20 – Winnipeg, MB @ Canada Life Centre * 08/21 – Saskatoon, SK @ SaskTel Centre * 08/23 – Calgary, AB @ Scotiabank Saddledome * 08/24 – Edmonton, AB @ Rogers Place * 08/27 – Billings, MT @ First Interstate Arena * 08/28 – Casper, WY @ Ford Wyoming Center * 08/30 – Denver, CO @ Fiddler’s Green Amphitheatre * 08/31 – Salt Lake City, UT @ USANA Amphitheatre * 09/03 – Boise, ID @ Ford Idaho Center * 09/04 – Bend, OR @ Hayden Homes Amphitheater * 09/06 – George, WA @ The Gorge Amphitheatre * 09/07 – Ridgefield, WA @ RV Inn Style Resorts Amphitheater * 09/09 – Sacramento, CA @ Golden 1 Center * 09/10 – Mountain View, CA @ Shoreline Amphitheatre * 09/13 – Tucson, AZ @ Tucson Arena * 09/14 – San Diego, CA @ North Island Credit Union Amphitheatre * 09/17 – Los Angeles, CA @ Kia Forum * 09/18 – Los Angeles, CA @ Kia Forum * 09/20 – Los Angeles, CA @ Kia Forum * 09/22 – Albuquerque, NM @ Isleta Amphitheater * 09/24 – San Antonio, TX @ Frost Bank Center * 09/26 – Oklahoma City, OK @ Paycom Center *

* = w/ Allison Russell

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How Hozier found ‘a renewed sense of joy’ while contemplating hell on earth

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“Thank you for suffering through my ramblings,” Andrew Hozier-Byrne says, just before logging off our Zoom call.

The Irish singer-songwriter known as Hozier is speaking from Berlin, in the midst of a U.K. and European tour that extends to the U.S. in the fall, and includes sold-out shows at the Hollywood Bowl and Santa Barbara Bowl.

On this day, he’s eager to discuss a castle at which he performed in Cardiff, Wales. “We were right next to this keep, which has a moat around it, which was originally built by the Romans,” he explains, playing straight into the “bog daddy” and “forest god” personae the Internet has bestowed on him. “The earthworks were used by people for centuries as part of a castle and part of it is still standing. It was a really lovely place to play.”

On Aug. 18, the 33-year-old musician, best known for his haunting 2013 hit “ Take Me to Church ,” will release “Unreal Unearth,” his third studio album and a work that he’s been teasing for months on social media and through the EP “Eat Your Young.” Its 16 tracks are loosely inspired by the first part of the Italian epic poem “Divine Comedy,” Dante Aleghieri’s imagined journey into hell titled “Inferno,” but it doesn’t stray from the singer’s favored themes of love, loss and social consciousness.

“I’m definitely coming out of the last three years having done plenty of internal janitorial work,” he says. “I’m coming back with a renewed sense of gratitude and ease … a renewed sense of joy for what I get to do in this life.”

This interview has been edited for length and clarity.

Musicians tend to be allergic to the idea of a “pandemic album,” but I wonder: How much is “Unreal Unearth” an exploration of hell vis-à-vis Dante’s “Inferno,” and how much is it a pandemic album? It strikes me that the arc of those two things are somewhat similar.

I’d hoped that these songs could live above ground and below ground at the same time, if that makes sense, and that they’re in sympathy or harmony with each other at points. I share that allergy with other musicians, I really do, but I think it’s silly not to credit the experience of the last three years in some way. How I settled on doing that was just to make this collection of songs, let them be what they needed to be in that time period, and then structure them into nine circles as a nod to the journey of descending into this place we didn’t really expect to find ourselves.

You’ve said that the ideas you were workshopping on the road just prior to the pandemic suddenly felt frivolous. Why?

When the pandemic landed on top of everybody, it felt like there was this new precarious situation where fear felt so much more immediate, so much more real, so much more urgent than some of the stuff I was kicking around. I have so many people in my family who are immunocompromised. Some of the concepts I’d been working on were legitimate, but they just seemed cartoonish by comparison.

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You’re known for doing what Nina Simone once called for, which is to reflect the times. That rings clear on songs like “Eat Your Young.”

It was a sentiment I had been walking around with but had never put into words. So when the lyric about skinning the children for the war drum came, and putting food on the table by selling bombs and guns, I decided to write something from an unreliable narrator’s perspective, a voice that is sort of relishing in that activity, that voracious appetite for taking all that you can and damn the expense, damn the human cost. Once I had those lyrics, I thought it could be fun sounding and sort of under the radar, slipping in that subversive line. There’s no money like arms dealer money, and I’m just being straight about it. There’s so much conflict and so much profit from conflict.

That’s a Ho z ier signature, wrapping all this lyrical heaviosity into easy little pop packages. But conversely, the song “Francesca” is an explosive rock song. How do you feel about the state of rock music in 2023?

I think it’s on the way back. People are connecting with music they can write and play themselves, something that can be played live, in social settings. That’s the magic of the guitar. In a way, the laptop has become the new folk instrument; you can really create anything on it. But it’s nice that people are returning to something more tactile with acoustic and electric instruments. I hear a lot of grunge, shoegaze and early ’80s emo stuff today. I can feel the Cure in a lot of modern songwriting.

You recorded the album here in Los Angeles. Where did you stay?

I was Airbnb-ing a lot of that time, and I would just pick a neighborhood and spend a month there. I stayed in Silver Lake, close to Echo Park, West Hollywood, Abbot Kinney in Venice and Studio City. I moved around a lot. I spent upward of six months, maybe more, there, which was my first extended period of time in L.A. Some friends who I went to college with are working there now, and I was able to foster a little community around me.

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Brandi Carlile features on “Damage Gets Done.” Why’d you connect with her?

She’s a total hero, somebody who’s driven by such a vision of community and love. She also has an outrageous voice. We were looking at songs from the ’80s and early ’90s where people really sing out. We were channeling some power-ballad type of stuff. It was clear to me that this song was a duet in the vein of Kate Bush and Peter Gabriel’s “ Don’t Give Up ,” like a “these are hard times but we’re gonna get through them” type of sentiment.

Taking stock of the American musicians you’ve worked with or paid tribute to over the years — Nina Simone, Mavis Staples, Booker T. Jones and many others — I have to imagine you’re a bit of an old soul.

I don’t know. I’ve been called that, and I have felt tired for most of my life.

Songwriters are often subject to the misconception that their lyrics are autobiographical. Where is the line between your life and a character you’ve created?

The character thing is a helpful device to allow the song to live in two worlds. It’s also a helpful device for dodging questions exactly like this! But I don’t mind saying that they do come from a very personal place. In particular, on this album, some of the songs I wrote for my partner at the time, things I sent to them first just as a gift, and then they ended up as part of this. “To Someone From a Warm Climate” was written for someone from a warm climate who I was involved with. Part of it was explaining to somebody the actual lived experience of getting used to warming up a freezing cold bed as a child in winter.

How was the lockdown for you? Did you feel particularly well suited for it because you’re someone who requires alone time?

I definitely feel very comfortable alone. So there was part of me that was thriving in that sort of solitude and quiet, at least for a while. I started keeping bees. I would meet my friends at dawn once a week by the seaside, and we would swim and watch the sunrise. I watched some of my friends have their first children. I got to live a life that was very different from what I’d been living for the majority of my 20s.

That’s very poetic.

Seamus Heaney has this beautiful poem about playing football after dark, and it was sort of similar. It was a time that was … unpredictable, unforeseen and free. There was definitely something to cherish in that.

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Hozier: Unreal Unearth review – turning the emotion up to 11

(Island) The Irish singer-songwriter draws on some classic literary sources for his entrancing but overlong third album

I rish singer-songwriter Andrew Hozier-Byrne’s third album is a lot . A teetering stack of soul and rock teeming with furrow-browed, denim-jacketed, glass-cased emotion. It should come with a reading list – its 16 songs are patterned by way of Dante’s Inferno and he has said that epic poetry such as Metamorphoses inspired him. There’s a great album hiding in here but, like Ovid, Hozier lacks concision. De Selby (Part 1) – named after a Flann O’Brien character – is entrancing, Hozier’s magnificent gale-force voice dialled down to a warming breeze. But what do couplets such as: “Your reflection can’t offer a word / To the bliss of not knowing yourself” mean?

Strengths lie in Eat Your Young’s supple funk, a light-footed take on Jonathan Swift’s A Modest Proposal , and the itchy urgency of De Selby (Part 2). There’s a chilling, unforgettable beauty to closing pair Unknown/Nth and First Light. Damage Gets Done has a nice swing to it; All Things End is solidly soulful. The album’s middle, though, sags with gusty, tension-free music, the lyrics gesturing at profundity yet too self-consciously poetic to deliver real poetry. It’s a shame there wasn’t room for Swan Upon Leda, 2022’s thoughtful single about putrid patriarchy in our post- Roe v Wade era.

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Hozier, Reneé Rapp, Laufey Among Headliners for All Things Go Fest 2024

By Tomás Mier

All Things Go Festival will return for another year of queer and a queer-beloved lineup.

On Tuesday, the Baltimore-based music fest announced that Laufey , Bleachers , and Janelle Monáe will headline the festival’s first day; and Hozier , Reneé Rapp , and Conan Gray will take the baton for Day Two this September. The fest will be held on Sept. 28 and 29 at the Merriweather Post Pavilion.

Laufey’s headlining set on Saturday will see the musician accompanied by the Kennedy Center Orchestra. The festival’s first day will include performances from Remi Wolf, Ethel Cain, Julien Baker (sans Boygenius, which headlined last year), Mannequin Pussy, Maisie Peters, and Rachel Chinouriri. Michael Kiwanuka, Briston Maroney, Allison Ponthier, and Grentperez are also scheduled for Day One.

ALL THINGS GO 2024 ☁️ Fan Presale for #AllThingsGo begins Thursday, 4/18 at 10AM ET. Sign up now to get early access at https://t.co/f9s83jNsjW – link in bio General Onsale starts Friday for any remaining tickets. pic.twitter.com/3xaiz1xIi8 — All Things Go (@AllThingsGo) April 16, 2024

The festival prides itself in booking a majority-queer woman or non-binary lineup, and has earned nicknames such as “Lesbopalooza” and “Gaychella” for the artists featured on the lineup.

General admission tickets start at $199, while VIP entry — including reserved seating and a VIP deck — is $420. Closer pavillion seating is also available for $295 for the weekend. Single day tickets start at $119.

Last year’s festival was headlined by Lana Del Rey, Boygenius, and Maggie Rogers, and featured appearances from Muna, Carly Rae Jepsen, Mt. Joy, and Arlo Parks. Jack Antonoff even joined Del Rey onstage for renditions of “Margaret” and “Venice Bitch” as his wife Margaret Qualley watched from the crowd.

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Hozier 2023 ‘Unreal Unearth’ Tour

• By: Steve Jennings (Photos & Text)
• December 2023 , Production Profile
• December 4, 2023

Hozier 2023 tour photo by Steve Jennings

We at FRONT of HOUSE checked in recently on Hozier’s Unreal Unearth tour, which included nine exceptional musicians on stage with the gifted Irish singer-songwriter and musician. Hozier (Andrew John Hozier-Byrne) is a mixture of folk, blues and soul — his multi-platinum single “Take Me To Church” reached #2 on Billboard’s Hot 100 list in 2013. His debut album is 6x platinum in Ireland and multi-platinum in several other countries. He brought a lively show to the stage where we caught up with the tour and spoke to the artist’s FOH engineer Stephen “Pato” Pattison, monitor engineer Hunter Scoggins and systems engineer/crew chief Nick Sage. The sound company is Nashville-based Spectrum Sound.

From left, FOH engineer Stephen “Pato” Pattison and systems engineer/crew chief Nick Sage. Hozier 2023 tour photo by Steve Jennings

 From the FOH Position

Pattison first met Hozier in 2017 through management and production contacts. He was working for another Irish act called The Script, and Hozier’s management came to see the tour at London’s O2 arena. Hozier’s production manager knew Pattison from a previous tour they’d done together with The Cranberries. Management liked what they heard and approached him for Hozier. “I met up with Andrew (Hozier) and the band in rehearsals in Dublin prior to their Wasteland Baby tour,” Pattison recalls. “We got on great and they also liked that I was a musician and could offer up feedback and ideas for arrangements in the live setting.”

The 2023 tour been an interesting one with Hozier, notes Pattison, as he’s used a number of console brands at FOH. “When we started back in March, we were doing lots of promo, festivals and fan-only events, which meant we could be playing in a TV studio, to 400 people in a club or to 40,000 people at a festival… So I knew every day would be different and I’d have to fit into whatever space was available without sacrificing quality, as Andrew (Hozier) doesn’t really do stripped down versions of songs especially when they’re new or not out yet! Andrew doesn’t use any ‘tracks’ — pre-recorded material live, which means we have a lot of musicians on stage; currently it’s nine people on stage using 60+ inputs. Everyone plays more than one instrument, and everyone sings. So we needed to fit everything in, whether we went from a club to a stadium.”

For the shows in the first half of the year, Pattison chose the Allen & Heath dLive console, which he says are super-scalable. “I actually took a C1500 compact console for the club shows where space was very tight, and an S7000 when space allowed.” Pattison did use a C1500 for the band’s Glastonbury Festival show, where he had plenty of space, but it was just easier to get the smaller console to and from FOH. “I didn’t lose anything other than physical fader count — both handle the same number of inputs (128), have the same number of mix buses (64), same FX, etc. And the exact same show file loads on both without having to put it through a converter or lose anything from my show file, so that was a no-brainer. dLive has almost every type of plug-in you could ask for, great FX and nice sounding preamps. For the rest of the year — after the album was launched in August — we’d mostly be playing arenas, so with more space at FOH, I decided to use a Yamaha Rivage PM7.”

Pattison says the Rivage offers plenty of flexibility and a higher channel and mix bus count along with a more comprehensive way of integrating processing and plug-ins. “Essentially my show file is set up in a very similar fashion: There’s a 64-input stage rack with fantastic-sounding preamps and Neve Silk Texture and a MADI card for digital splits to broadcast. At FOH, I have a Dante card fitted to the surface — once again for recording and virtual sound check.”

Hozier’s tour is currently doing European dates, wrapping up in Dublin in late December. Hozier 2023 tour photo by Steve Jennings

 Outboard Goes Inboard

Pattison is not carrying any outboard or external equipment for several reasons. “It’s nice to have a fancy valve (tube) preamp or compressor, but honestly, when I was using analog gear back in the day, no one ever turned around from the audience and asked ‘was that a dbx 160s on the second backing vocal?’ All those toys are really just for us ‘engineers,’ as we know how to get the result we want from that piece of gear or in some cases there’s even a placebo effect where because you’re looking at some old rack gear it ‘just sounds warmer.’”

Pattison says all the modern consoles have great features and FX onboard but adds that users do have to spend the time to tweak them, as presets are only a starting point. “I like using specific tools for specific jobs and unless it’s an obvious ‘effect’ — I prefer it when you notice the plug-in when you turn it off and suddenly it’s not quite as ‘nice’ as it was before. I like to use many small gains to make a difference — not one obvious change — but many subtleties combining to give me the result I’m after.”

For Pattison, clean and intelligible vocals are the goal. “I can then choose to either distort or add color to them. You can’t add what isn’t there in the first place, but you can take away what you don’t like about the raw signal. I like having processing in the most useful order, and on the Yamaha, I can move the inserts in the chain to get what I want. Once the signal’s at the console, I like to go in the order of Hi Pass filter, fast attack and release compressor like a modeled 1176, dynamic EQ like a BSS901 model, then static channel EQ, then another dynamic EQ, and then a slow compressor like an LA2A model.”

 Capturing that Sound

Hozier’s albums are often sonically dense, and reverb is a major player in the early recordings, notes Pattison. “The new material often features orchestral arrangements, so to keep the live version as rich, I’ll use some modulation FX on instruments and vocals. I always use stereo sends into FX so I can place instruments within the effected “cloud” that I add to the live mix. We have a cellist and violinist on tour, and they have their own pedal boards with FX for overdriven cello sounds, etc., but I also take a clean, dry version that I’ll use for my own reverb sends to build a string section out of a duo. I often use multiple reverbs on the same instrument such as room verbs along with halls and plates too. I’ll sum the instruments to groups and I mostly mix from there.”

Pattison says they’re using Universal Audio OX reactive load boxes with Dynamic Speaker Modeling on Andrew’s guitar amps to control the stage volume as he uses mostly semi-acoustic guitars. “He has a Gibson 330 that would howl near a loud tube amp, especially when he uses fuzz pedals. So I let the P.A. act as his amp and I’ll ride his level when he needs feedback and sustain or not. Me being a guitar player is definitely useful at different points — so do I need to change my EQ or turn the sub down or can we use cardioid subs, or maybe even change the arrangement. If you offer ideas that have a solid foundation and reasoning, and the band is happy on stage, mixing FOH so much easier.”

So far, this tour has been a great experience. “This is such a fantastic camp all around from top to bottom. Andrew is the nicest person, appreciates everything we do and takes any ideas the crew may have if it improves the show in any way. I’m always amazed how he remembers everyone’s name, there’s 50 plus people on the road with this show and he thanks everyone by name every night!”

d&b audiotechnik KSL P.A. hangs at stage left. Hozier 2023 tour photo by Steve Jennings

 The Systems Approach

This is Nick Sage’s second Hozier tour as systems engineer and crew chief. Sage started as the general tech with Spectrum Sound, the tour’s audio company since 2018. “The band and crew have always been staffed by incredibly talented, kind people who seem to rally around the music and are at the top of their game, which makes each day that much easier. Pato has been here since I began and fits that exact mold as someone who is absolutely ‘pro’ at their gig, while always looking to make the day a little more light-hearted. This is also the type of gig where the artist genuinely cares about his band and crew and that trickles down and makes people want to stay, which is a huge part of why a good majority of this crew has been together for a while.”

Sage has been with Spectrum for eight years and, similar to company clients, Hozier is one that they have supported almost from the beginning. “Spectrum had a relationship with the Hozier team since ‘Take Me to Church’ first began to chart and it was quickly decided that the original planned 6-week tour for the self-titled album would have to be extended. Bobby George, our Spectrum Sound account rep and PM Duchess Iredale had a small connection that led to a couple consoles being rented. Fast forward to now in what has blossomed into a 10-year-long partnership for his gigs in the U.S. & Canada.”

Up until 2019, Spectrum supplied consoles and then a control package with P.A. of the day. For the Unreal Unearth tour, Sage says they were able to have the consistency of a d&b KSL rig, while truly throwing it through the wringer of different venue types.

“Between Pato, myself and Bobby George, we were able to build a P.A. rig that would fill a large arena but be adaptable for whatever venue size we’d find ourselves in. The KSL system allows us to adapt to each room while being confident that we have the same coverage and sound every night.  The 12 KSL Subs across the front gives us nice, smooth low-end coverage while also giving that ‘punch’ that you wouldn’t expect from such a small postage stamp footprint of the KSL. With the system being rear-rejecting along with the band being completely on in-ears, it makes for a quiet stage and as much as a clean template as possible for Hunter (Scoggins) on monitors.”

Sage added that his “drive rack setup is pretty straightforward with our DirectOut Prodigy processor. The Prodigy allows for several inputs, which we use for our opener and then drive the amps via Dante with analog backups. I then time and tune in the d&b D80 amplifiers through R1 remote control software.”

Close friends for many years, Pattison helped show Sage the ropes of touring early on in his career. “Because of this, I owe lots of my personal setup and workflow to him,” Sage says. “He’s always had a simple setup that he will tinker with, as most good FOH engineers seem to do. On this run, he is entirely in the box with a PM7, which not only makes my job much easier but also showcases the benefits of having a Yamaha console out with us.”

Monitor engineer Hunter Scoggins. Hozier 2023 tour photo by Steve Jennings

 Meanwhile, in Monitor World

Hunter Scoggins mixes monitors for the band on an AVID S6L-24D connected to the E6L-192 engine, with 64 inputs from stage and tech worlds. Scoggins is currently running 30 outputs to run the show. “I have 14 stereo outs for my IEMs for the band and the techs. We have nine band member and four tech mixes every day with a dedicated IEM mix for guests.”

Scoggins notes that the guitar players no longer have amps on stage; those are placed stage right in the guitar/string tech world. “We have the cabinets of their choice set up and use Universal Audio’s OX amp attenuator and speaker modeling unit. This lets us get the sound of the chosen amp without the added stage volume. It also allows us to have working amps near stage for emergency purposes.”

With all nine performers on stage who sing and play multiple instruments, with several members moving to different positions to play different instruments, keeps things lively for Scoggins. “We also have a Nord keyboard setup far downstage right that is used by our cellist and one of our backing vocalists with a mic in that position. Because of these position and instrument changes, coupled with the many different instrumentations and arrangements during the show it’s imperative that I use my Snapshots diligently.”

Scoggins doesn’t use very many effects or plug-ins for the show. “Hozier and the band have spent countless hours developing the sounds they want in their music, and leading up to the tour, we spent lots of time working together to get the sounds and mixes they wanted on the road. “Hozier thrives in the live environment and the idea from the start was to have the show reflect that. I will add reverb to vocals and acoustic instruments to give a little more space to the mix and give it a more live feel. Occasionally I use a delay on some inputs, but by and large, I’ve managed to stay away from using many plug-ins — just some the AVID has available onboard.”

Hozier’s vocal mic is the Shure KSM11, which Scoggins says gives the vocal an “in your face” presence that really helps him in monitor world.  “Andrew loves a dynamic mix that reflects the live performance environment. The KSM11 lets me keep his vocal present in the mix, while minimizing extemporaneous stage noise and maintaining control of the mix.  There is a top-end bite sort of sound that he likes to hear in his vocal and this mic allows me to provide this with minimal effort from the console. He also uses a Shure 520 DX Green Bullet mic, which is designed for capturing harmonica. It has a lo-fi sound quality that he uses for specific lines in a few songs. I throw a little reverb on that to give it that old-school, lo-fi sound for those moments.”

Ultimate Ears IEMs are being used for the tour. Hozier, Scoggins and Alex the musical director and bass player are on the UE LIVE IEMs. The rest of the band are on UE 7 PRO and UE 11 PRO, depending on their personal preference.

“I couldn’t do my job without the techs we have on stage,” says Scoggins. “Murt Murphy is Hozier’s guitar tech and architect of his guitar rig. Our bass and drum tech Fred Burke’s work setting and tuning the drums makes my days so much easier. Bailey Griffith is our keys and strings tech and he covers our other guitars players on stage.”

Good Vibrations

Scroggins added one feeling shared by the entire crew. “Working with and mixing Hozier has been an incredibly rewarding experience. He knows what he wants to hear and is adept in communicating that to me. Hozier and his band are incredibly talented singers and musicians and they make mixing the show easier than I could’ve imagined.”

The tour is currently doing European and U.K. shows, wrapping up in 3Arena (Dublin, Ireland) on Dec. 22, 2023. A South American leg kicks off in March 2023, soon after followed by a return to U.S. dates in April.

• Sound Company: Spectrum Sound
• FOH Engineer: Stephen “Pato” Pattison
• System Engineer/Audio Crew Chief: Nick Sage
• Monitor Engineer: Hunter Scoggins
• Monitor Tech: Gehrig Duncan,
• P.A. Fly Tech: Shane Linderman
• Tour Manager: Samantha Pauly
• Production Managers: Nick Lawrie, Duchess Iredale
• Backline Techs: Murt Murphy, Fred Burke, Bailey Griffith

• P.A. System: d&b audiotechnik KSL
• Main Hangs/Side: (14) KSL8, (2) KSL12
• Side Hangs/Side: (16) KSL8
• Center Hang: (4) d&b T10
• Subs: (12) KSL
• Front Fills: (4) d&b Y10P
• Amps: (42) d&b D80, (6) DS10
• Processor: DirectOut Prodigy

• FOH Console: Yamaha Rivage PM7
• In-Console Effects: Eventide SP2016 & Bricasti reverbs; Eventide H3000 Harmonizer; Yamaha e1010 modeled delay; SPX delays and verbs; Tremolo; Autopan; DanSe multiband noise suppression; Rupert EQ773, EQ810, 5045 Primary Source Enhancer; Dynamic EQ; 1176 and LA2A comps

• Monitor Console: AVID S6L-24D
• In Console Effects: Revibe II; Pro Multiband Dynamics; Tape Echo; EQ III 5 Band EQ
• Vocal Mic: Shure KSM11
• IEM Hardware: Shure PSM1000
• IEMs: Ultimate Ears
• Wireless System: Shure Axient Digital

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Unreal Unearth Tour 2024

• Date Sep. 3 , 2024
• Event Starts 8:00 PM
• Doors Open One hour prior to event
• Ticket Prices $39.50+
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Event Details

Hozier Unreal Unearth Tour 2024 With special guest Allison Russell September 3, 2024 Ford Idaho Center Amphitheater

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All tickets are subject to applicable taxes and fees. Children under 2 years of age who lap site are free.

Don't get scammed: IC Tickets is the official ticketing provider for Ford Idaho Center. SeatGeek is the exclusive partner reseller for Ford Idaho Center. **Note: Not all events or tickets are elegible for transfer or resale. See deatils at time of purchase.

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CONCERT REVIEW: Hozier Soars To New Heights During Captivating Amsterdam Show

In a tremendous display of musical excellence, Hozier transcended his already soaring popularity in The Netherlands, captivating a massive audience of 17,000 at the illustrious Ziggo Dome. It was a monumental leap from his previous performances in the country, which had seen him command stages before 6,000 fans at the AFAS Live . This exponential growth in his fan base over the past few years attested to the undeniable charisma and musical brilliance that define Hozier’s artistry.

The evening promised an extraordinary experience from the outset, with a last-minute switch in the support act that saw the talented Birdy taking the stage. Despite the challenge of limited preparation time, Birdy’s performance was nothing short of enchanting. Her ethereal voice and adept piano skills resonated through the venue, setting the stage perfectly for the main event.

As Hozier , flanked by his skilled band, emerged under the spotlight, a palpable energy coursed through the audience. From the opening chords, a symbiotic relationship formed between the artist and his fans. The crowd eagerly participated in sing-alongs, rhythmic clapping, and the iconic sea of flashlights that illuminated the arena during the soul-stirring rendition of among others “ Icarus ,” where Hozier , armed only with his guitar, delivered a poignant and stripped-down performance.

The concert unfolded like a carefully curated journey, seamlessly weaving through slower ballads and high-energy anthems. The backdrop, adorned with mesmerizing nature-inspired displays, added a visual layer to the sonic spectacle. Each song was a chapter in an evolving narrative, punctuated by Hozier’s soulful vocals and the collective heartbeat of thousands of fans.

Approaching the climax of the set, Hozier , in a gracious gesture, stepped back, allowing his band members to shine individually. Their musical interlude was met with thunderous applause, a testament to the collective talent that comprised the ensemble. As Hozier reemerged into the spotlight, the opening chords of “Take Me To Church” echoed through the arena, eliciting an enthusiastic response from the audience. This iconic track, a cornerstone of Hozier’s discography, had become an anthem for many, amassing a staggering 2.2 billion streams on Spotify alone.

The resounding applause that followed resonated with the enduring impact of Hozier’s music. It was a moment that underscored the timelessness of a song that had served as the gateway for countless fans into the world of Hozier . The magic of hearing an anthem of such magnitude being sung by 17.000 voices was a testament to the communal power of music.

As the final notes echoed through the venue, it was evident that Hozier had not merely performed; he had orchestrated an immersive and unforgettable experience. The success of the evening was a microcosm of Hozier’s broader trajectory, a trajectory that seems destined for even greater heights with the recent release of his new album, ‘ Unreal Unearth .’

In the hearts and minds of the audience, the hope lingered — a hope that Hozier would soon grace The Netherlands with his musicality once again, forging new memories and further solidifying his place as a musical luminary. The night at the Ziggo Dome was not just a concert; it was a testament to the enduring power of an artist who, with each performance, etches his name deeper into the fabric of musical history.

All Things Go announces 2024 lineup: Janelle Monáe, Reneé Rapp, more

Clear your schedule for the last weekend in September.

On Sept. 28-29, All Things Go returns to Columbia, MD’s Merriweather Post Pavilion for two days of pop, R&B, jazz, rock and folk.

Huge headliners include Janelle Monáe, Reneé Rapp, Hozier, Bleachers and Conan Gray.

They’ll be joined by Laufey , Chappell Roan , Maren Morris , Julien Baker and Ethel Cain .

Other big names on the bill include Michael Kiwanuka, Maisie Peters, Remi Wolf, The Japanese House and Holly Humberstone .

In total, 36 acts have been enlisted to perform at this year’s festivities.

And if you want to be there to jam all weekend long, single and multi-day passes can be scooped up as of today.

At the time of publication, the best price we could find on two-day passes was $383 before fees on Vivid Seats.

Single-day passes start at $121 before fees.

Still need a few more details before checking out?

We’ve got you covered, All Things Go festival goers.

Everything you need to know and more (!) about the 2024 All Things Go Festival can be found below.

All prices listed above are subject to fluctuation.

A breakdown of all the best prices on single and multi-day passes are listed here:

(Note: The New York Post confirmed all above prices at the publication time. All prices are in US dollars, subject to fluctuation and include additional fees at checkout .)

Vivid Seats is a verified secondary market ticketing platform, and prices may be higher or lower than face value, depending on demand. 

They offer a 100% buyer guarantee that states your transaction will be safe and secure and your tickets will be delivered prior to the event.

As you may recall, 36 singers and bands will take the stage at Merriweather Post Pavilion on Sept. 28-29.

For a closer look, you can find the 2024 All Things Go lineup below:

Want to see who else is out there?

Here are just six (!) of the biggest, can’t-miss multi-day musical extravaganzas that should be on your radar.

Check out our list of the 63 biggest music festivals in 2024 to find the one for you.

This article was written by Matt Levy , New York Post live events reporter. Levy stays up-to-date on all the latest tour announcements for your favorite musical artists and comedians, as well as Broadway openings, sporting events and more live shows – and finds great ticket prices online. Since he started his tenure at the Post in 2022, Levy has reviewed Bruce Springsteen and interviewed Melissa Villaseñor of SNL fame, to name a few. Please note that deals can expire, and all prices are subject to change.

Vivid Seats is the New York Post's official ticketing partner. We may receive revenue from this partnership for sharing this content and/or when you make a purchase.

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Hozier Earns ‘Sweet’ U.K. No. 1

It's Hozier's second U.K. top 10 single, joining his signature song "Take Me To Church."

By Lars Brandle

Lars Brandle

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More than a decade after his global breakthrough, Hozier finally bags a U.K. No. 1 single with “Too Sweet”.

The Irish singer and songwriter benefits from the release of an expanded deluxe edition of his third LP Unreal Unearth , which led the national albums chart last August .

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Taylor swift, hozier rule over australia's charts, trending on billboard.

Meanwhile British singer, songwriter and producer Artemas snags a career high with his electronic-pop number “i like the way you kiss me” (Parlophone), up 6-5. This current chart is twice as nice for Artemas, as his followup “if u think i’m pretty” lifts 52-39, for his second U.K top 40 appearance.

As country music cracks the whip in the U.K., Dasha makes her move on the singles chart with “Austin” (Warner Records). It’s up 15-8 as Dasha books her first-ever U.K. top 10 spot.

J. Cole  lifts his tally of top 40 hits to 12, thanks to the surprise release of his mixtape, Might Delete Later (Interscope). Fresh cuts “H.Y.B.” featuring Bas and Central Cee (at No. 29) and the controversial, Kendrick Lamar diss track “7 Minute Drill (at No. 38), open their accounts.

Finally, EDM David Guetta star bags his 48th top 40 hit in the U.K. with “I Don’t Wanna Wait,” a collaboration with OneRepublic , new at No. 37. It’s OneRepublic 10th top 40 appearance.

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Rock and Roll Hall of Fame Announces 2024 Inductees: Cher, Jimmy Buffett, Mary J. Blige, Dave Matthews, Peter Frampton, Foreigner and More

By Chris Willman

Chris Willman

Senior Music Writer and Chief Music Critic

• Brian Quincy Newcomb, Music Journalist and Key Tastemaker in Christian Alt-Rock Scene of ’80s and ’90s, Dies at 67 3 hours ago
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• Rock and Roll Hall of Fame Announces 2024 Inductees: Cher, Jimmy Buffett, Mary J. Blige, Dave Matthews, Peter Frampton, Foreigner and More 17 hours ago

The Rock and Roll Hall of Fame has revealed the names of 16 artists or other musical figures who will be inducted in 2024. It’s a diverse list that stretches from R&B/rock pioneer Big Mama Thornton to pop superstars Cher and Dionne Warwick, and from ’70s-rooted rockers like Peter Frampton, Foreigner and Ozzy Osbourne to ’90s icons the Dave Matthews Band , Mary J. Blige and A Tribe Called Quest.

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For the first time, the inductees were announced as part of an “American Idol” broadcast, during a Sunday night episode themed around the Rock and Roll Hall of Fame.

Following is the complete list of inductees for 2024:

Performer Category:

• Mary J. Blige 
• Dave Matthews Band
• Peter Frampton
• Kool & The Gang
• Ozzy Osbourne
• A Tribe Called Quest

Musical Influence Award:

• Alexis Korner
• John Mayall
• Big Mama Thornton

Musical Excellence Award:

• Jimmy Buffett
• Dionne Warwick
• Norman Whitfield

Ahmet Ertegun Award :

• Suzanne de Passe

The eight “performer” inductees are the ones selected by a ballot sent out to the Hall’s voters after the 15 nominees were announced on Feb. 10.

That leaves seven nominees from this year who will have to wait for another crack at getting in: Mariah Carey, Jane’s Addiction, Sade, Sinead O’Connor, Oasis, Lenny Kravitz and the duo Eric B. and Rakim.

One question mark now is how Cher will react to her induction. Just last December, in an appearance on “The Kelly Clarkson Show,” she aid, “You know what, I wouldn’t be in it now if they gave me a million dollars … I’m never going to change my mind. They can just go you-know-what themselves.” At that point, though, she had never received so much as a nomination, so the odds favor her changing her tune on that vow, now that she got voted in her first time actually appearing on the ballot.

Five out of the eight voted in this year were first-time nominees: Osbourne, Cher, Frampton, Foreigner and Kool & the Gang.

A Tribe Called Quest got in on the hip-hop collective’s third time on the ballot (and their third year in a row being nominated). Blige and Matthews both got in on their second try (she was previously up for it in 2021; DMB had a prior nod in 2020).

Frampton, for his part, beyond the merits of having had one of the biggest albums of all time, may be a sentimental favorite this year, due to his being in the acknowledged twilight of his musical career. He has been out on a farewell tour off and on since 2019, following his diagnosis with the debilitating disease inclusion body myositis in 2015. The rocker just wrapped up the last round of dates he had scheduled, although he has not said there won’t be more.

Osbourne becomes a second-time inductee this year; his group Black Sabbath was voted in all the way back in 2006. Sometimes there is contention over whether singers who are already in the Hall of Fame, as group members, really need to be pushed to the front of the line as solo artists, too, ahead of other contenders. In any case, voters decided that Osborne’s post-Sabbath career established him as one of rock’s major icons, even apart from his initial round of influence and success as a frontman.

De Passe is getting her flowers for a career that included a long stint as one of the major players at Motown, developing the Jackson 5 into superstars and signing the Commodores, among other triumphs, before becoming a film and TV executive. She was profiled by Variety about her long and wide-ranging career in 2022.

Motown is also being celebrated with the induction of Whitfield, a songwriter and producer whose astonishing catalog of hits in the ’60s and ’70s included “I Heard It Through the Grapevine,” “Just My Imagination,” “Papa Was a Rollin’ Stone,” “War,” “Ball of Confusion,” “Ain’t Too Proud to Beg,” “(I Know) I’m Losing You,” “I Wish It Would Rain,” “I Can’t Get Next to You” and “Car Wash.” He died in 2008.

Coming on under the “musical influences” umbrella, Alexis Korner may be the name among this year’s inductees that is least known to contemporary music fans. He was a major player in the British blues scene of the 1960s and became a popular broadcaster as well; he died in 1984 at age 55. With John Mayall also being selected by the committee for the same honor, it’s an unexpected banner year for British blues-rockers.

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