jason isbell tour 2022 stockholm

Jason Isbell and the 400 Unit

Age limit 13

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No bags are allowed at this event.

Go see Jason Isbell and the 400 Unit at Annexet on November 8th!

Ten years ago, Americana star Jason Isbell sang about our capital in the song "Stockholm." Now, he returns to the city, bringing along his backing band, The 400 Unit. Supported by S.G. Goodman!

"In this frozen old city of silver and stone," sang Jason Isbell about Stockholm in the song of the same name. Appropriately, he returns to the city as winter approaches once again. Isbell made a name for himself in the Americana scene as a member of the Drive-By Truckers. However, it was as a solo artist that he truly emerged as an extraordinary talent, with a rare knack for meticulous songwriting and storytelling. Today, he stands as one of the most important and influential artists in contemporary Americana music.

Datum & tider

• Friday 8 November 2024 19:30

Inför besöket

Bag ban policy.

The police authority has introduced a total ban on bringing bags to major events.

Read more at Polismyndigheten .

Time schedule

We usually get holding times from the organizer a few days before the event. As soon as the times are confirmed, they will be published here! Please keep in mind that the nature of live events means that times are often approximate.

Getting here

Annexet is located in Johanneshov in south of Stockholm. Within easy walking distance there are six metro stations including Gullmarsplan - Stockholm's second largest hub for public transport with trams and buses.  Find your best itinerary Find your entrance and section

Eat & drink

How many kiosks and bars are open varies depending on the nature of the event. Specific offerings and opening hours are presented here closer to the event, but simpler food is always available. See general food and drink supply

Practical information

No bags, including small handbags, fanny packs, canvas bags and plastic bags, may be brought inside. It is also not permitted to bring umbrellas, bottles, system cameras, food and drinks into the arena.

Many visitors are expected and as the level of security is high, entry may take time. Please arrive in advance.

A safe event

You should feel safe and secure during the event. Read more about how we work to ensure a safe experience at our venues .

Is anything still uncertain you can find our most frequently asked questions in  our FAQ .  Along with the answers, of course!

Live is Life

Show us you were here. As it happened. LIVE! Tag  @stockholmlive   in your pictures from the event to share the experience with us!

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Jason Isbell and the 400 Unit Concert Setlists & Tour Dates

Weathervanes tour 2023 tour, jason isbell and the 400 unit, upcoming shows.

• Date and Venue Doors Scheduled
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• Aug 08 2024 The Factory Chesterfield, MO, USA Doors 6:30 PM  –  Start time: 9:11 PM (Est.) 6:30 PM 9:11 PM Estimated

Jason Isbell and the 400 Unit at Shrine Mosque, Springfield, MO, USA

• When We Were Close
• Save the World
• King of Oklahoma
• Alabama Pines
• Last of My Kind
• Cast Iron Skillet
• Strawberry Woman
• Honeysuckle Blue
• Something More Than Free
• Middle of the Morning
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Jason Isbell and the 400 Unit at Liberty Hall, Lawrence, KS, USA

• If You Insist
• Flying Over Water

Jason Isbell and the 400 Unit at Cain's Ballroom, Tulsa, OK, USA

• Wichita Lineman
• Traveling Alone

Jason Isbell and the 400 Unit at Red Rocks Amphitheatre, Morrison, CO, USA

• White Beretta

Jason Isbell and the 400 Unit at Mission Ballroom, Denver, CO, USA

Jason isbell and the 400 unit at the astro amphitheater, la vista, ne, usa.

• If We Were Vampires

Jason Isbell and the 400 Unit at Raising Cane's River Center Arena, Baton Rouge, LA, USA

• Cover Me Up
• This Ain't It

Jason Isbell and the 400 Unit at The Sound Amphitheater, Gautier, MS, USA

Jason isbell and the 400 unit at tabernacle, atlanta, ga, usa.

• Different Days
• Speed Trap Town
• Vestavia Hills

More from this Artist

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Most played songs

• Cover Me Up ( 763 )
• 24 Frames ( 668 )
• Stockholm ( 616 )
• Decoration Day ( 557 )
• Alabama Pines ( 532 )

More Jason Isbell and the 400 Unit statistics

The Campfire Camaraderie DOKIS Drive‐By Truckers Exchecker Gavin Creel Paul Hoffman Jason Isbell Jason Isbell & Amanda Shires Noah Kahan William Ryan Key Kyle Chadburn & the Earthbound Spirits The Lumineers Lydmor James McMurtry Me Nd Adam Bobby Mitchell One Big Dark Room Punch Brothers Ian Siegal Tacoma Washington Weekday Club Various Artists

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Artists covered

The Allman Brothers Band Big Star The Black Crowes Scott Boyer James Brown Precious Bryant Bo Carter Cat Power Cream Creedence Clearwater Revival Crosby, Stills & Nash Crosby, Stills, Nash & Young The Cure Dire Straits Drive‐By Truckers Drivin’ n’ Cryin’ Bob Dylan Fleetwood Mac Galaxie 500 Merle Haggard Roy Hawkins The Jimi Hendrix Experience Mildred J. Hill & Patty Hill Patterson Hood Jason Isbell Will Johnson Freddie King Ray LaMontagne Men at Work Metallica The Meters Van Morrison Now It’s Overhead Tom Petty Tom Petty and the Heartbreakers John Prine R.E.M. Otis Redding The Rolling Stones Otis Rush Amanda Shires Patti Smith Group Todd Snider Bruce Springsteen Candi Staton Sun Kil Moon Talking Heads Thin Lizzy Richard Thompson Gillian Welch

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Gigs seen live by

3,960 people have seen Jason Isbell and the 400 Unit live.

theaugz PBruce JasonOlen5543 jnkenne mbpeters75 josh_carson20 jagraham Coachcox Cmanning18 BrainOfJHA esgeo JoelEstes82 rocklaholic joeyclark okhipfan robintx mattavius RollWaveRoll ccross3163 umdmariachi tlavtunes ChattSongbird blues55 Emgee1129 johnsocd elleawood brettrogers gregkirk rpricha cowling23 Tomsulli123 dayyyo bmdfromnova DaGarun mmoles cricket3800 summerdawn54 fitzwilletal bmarencel m_abbatello RotoRanger Devline samfox Tacs5 FozzieBearMan Shua27 90Gator Broc1123 msfeinstein MusicIsLove

Jason Isbell and the 400 Unit on the web

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Jason Isbell And The 400 Unit: 2022 Tour [Concert Review]

Brian Q. Newcomb | January 31, 2022 January 31, 2022 | Concert Reviews , Reviews

Jason Isbell And The 400 Unit w/ Adia Victoria :  Palace Theatre; Columbus, OH; Thursday, January 27, 2022

For live music fans, one of the biggest challenges of the on-going pandemic has been the shut-down of concerts, but Jason Isbell repeatedly told the two-thirds full crowd in Columbus’ Palace Theatre Thursday night that he and his band, the 400 Unit, missed playing for an audience just as much as we did. But this concert had originally been scheduled for Sunday, Jan. 16, and was postponed when it was reported that he had caught a breakthrough infection with the virus. And while the audience had to show proof of vaccination and masks were required, Isbell said he was happy to be playing again for his fans.

After that quick introduction, Isbell and his fine backing band, including his wife Amanda Shires on fiddle, launched into the opening track of the 2022 release, Reunions , “What Have I Done to Help,” with most of the band singing the vocal harmonies. Isbell started the song on acoustic guitar, but as the arrangement stretched out, with a brief bass solo by Jimbo Hart followed by a turn by Shires on violin, during which the singer/songwriter switched to a Gibson SG and took a smart melodic slides solo. They moved quickly into the big electric power chords that open “Hope the High Road,” with second guitarist Sadler Vaden emphasizing the rock song staples with Pete Townshend windmills, indicating as Isbell had said, this band came to rock.

Isbell moved to a Strat for “Overseas,” with its repeated refrain that “our love won’t change a thing,” and lyric about the distance he experienced when his wife is off touring to support her own albums, that ironically benefitted from her harmony vocals, and elicited another lengthy slide solo from Isbell. For “24 Frames,” Isbell moved to a Telecaster, with Vaden playing the fills and main slide guitar solo on a Rickenbacker. Isbell often gets categorized as Americana or country rock, but as he dove into the catchy vocal hook of “It Gets Easier,” a song that deals with the struggle of an alcoholic to stay sober, it’s clear that he writes songs with big, organic pop melodies. And here, Shire’s fiddle shines through as well, and stood out as well on Isbell’s “Letting You Go,” a song about their daughter, who Isbell said was watching from the wings of the stage. Vaden was playing a slide solo on an SG, and Isbell egged him on, saying “c’mon Sadler.”

Isbell & his fine band of players had settled into a nice groove, all playing with a mix of skill and intensity as the emotions in the music called for it, but things stepped up a notch on “Decoration Day,” a song dating back to Isbell’s days with Drive-By Truckers, which built from to the intense rocker with Isbell talking a slide solo and Vaden delivering a fast, ripping electric response on a Gibson Les Paul. For balance then, they turned to the acoustic ballad “The Last of My Kind,” which allowed the keyboards of Derry DeBorja and Shire’s violin to shine through, and a fun call and response between Vaden playing slide on a Strat and Shire matching him lick for lick.

Isbell next introduced songs from a covers album, Georgia Blue , all songs by that state, with proceeds going to protect the right to vote. First up was R.E.M.’s “Nightswimming,” with Isbell on acoustic doing a fairly strong approximation of Michael Stipes voice, emphasizing the song’s accessible melody even more than the original recording. Then Vedar sang lead and played the dominant lead guitar on a rockin’ version of “Honeysuckle Blue,” by Drivin’ ‘n’ Cryin’s Kevin Kenney. Then as if to play a song from Isbell’s own home state, the offered up “Alabama Pines,” the only song they played from the 2011 album, “ Here We Rest .” Which they followed with a tender version of “Elephant,” about the passing of a cancer patient, Isbell on acoustic, with DeBorja’s piano and Shire’s violin adding to the song’s delicate delivery.

Then, as if to shake off the somber demons, they dived into the fun, “Super 8,” with that great line “Don’t wanna die in a Super 8 motel/Just because somebody’s evening didn’t go so well.” At this point, it was pretty clear to me that the 400 Unit, many members like Isbell coming from Muscle Shoals Alabama, is one of the best live bands working today, each player quite exceptional on their chosen instruments. And as if to demonstrate their versatility, they played the acoustic leaning “Only Children,” with Vaden on acoustic and Isbell playing a Strat solo that captured the guitar sound and tone of Mark Knopfler of Dire Straits.

Next, Isbell invited Amanda Shires to sing the lead on “Cross Bones Style,” a shouter by Cat Power that she recorded with the band on Georgia Blue . Then, to celebrate their relationship and show his appreciation to have her back playing live with the 400 Unit, they gave another gentle, intimate rendering of “If We Were Vampires,” his acoustic ballad, a defiant love song that faces down mortality, that sounded appropriately moody and haunted. Then picking things up musically, but continuing that married life theme, the band delivered the big rocker, “Stockholm.” Then for the acoustic opening of “The River,” most of the band left the stage, just Isbell on acoustic and Shires on harmony vocal and violin, until Vaden joins in on slide guitar and the rest of the band slowly joins in as the song builds to a soaring slide solo. They closed the set with “Cover Me Up,” with Isbell alone playing the acoustic ballad, much like the performance on Live From the Ryman , which builds toward the end with the full band and Shires joining in.

When they returned for the encores, Isbell talked briefly about how great it was to be at a point in his career where he could name an artist he loved listening to and they’d come out and open for him, by way of re-introducing Adia Victoria, who sang her song from the Georgia Blue , album “The Truth,” originally recorded by Precious Bryant, with a rustic, back country blues feel. And then, as if to say, “hey, we could play all night,” the band slowly eased into “In Memory of Elizabeth Reed,” written by Dickey Betts of The Allman Bros. Band, starting with the jazzy intro, locking into the classic double lead harmony guitar melody, best played by Betts and the late Duane Allman. And the 400 Unit dug in and sought to give the blues rock classic its due, with Vaden and Isbell playing those classic runs together, then Vaden taking a long solo on a Les Paul, followed by De Borja giving his Hammond B3 a Gregg Allman workout, and finally Isbell closing out on his SG, before pulling things back together to repeat that signature double lead outro and allow drummer Chad Gamble a brief solo, the song altogether lasting at least 15 minutes of classic blues rock nostalgia. As someone who spent way too many teenage hours absorbing “ Live at the Fillmore East ,” Jason Isbell and the 400 Unit did it up just fine. A great conclusion to a fine evening of live music.

Adia Victoria and her three-piece support band – bass and drums and lead electric guitar – delivered a strong opening set, drawing largely on her latest album, A Southern Gothic . Playing older vintage acoustic guitars, she opened with “Far From Dixie,” while her guitarist and the band laid down an echo-laden haunted vibe that served her songs spirit well. First introduced to the music of classic bluesmen, Victoria said they always sang about some “Mean-Hearted Woman,” but they never explained what broke her heart and made her so mean. To introduce “Magnolia Blues,” she quoted her producer T Bone Burnett, who said she never needed to explain herself to the audience, her job was to make them feel something. After playing two more from here third album – “Whole World Knows” and “My Oh My” – Victoria put down her guitar to deliver the dark narrative of “Troubled Mind,” which her band extended with a bluesy psychedelic feel that segued into “Different Kind of Love,” which she picked up a tambourine and shook it to the throbbing beat. She closed her solid set with “South Gotta Change,” a message that speaks for itself.

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from Live at the Tabernacle - Atlanta, GA - 12​/​19​/​2021 by Jason Isbell and the 400 Unit

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Amanda Shires Didn't Hide From Her Divorce at First Show With Jason Isbell

Amanda Shires played the first of two scheduled concerts opening for Jason Isbell and the 400 Unit on Thursday night, more than three months after news broke in February that the beloved Americana couple were divorcing . According to those in attendance at Mission Ballroom in Denver and social media posts, including several shared from her Instagram account, Shires delivered a stunning performance, storming headlong into any awkwardness that appearing on a bill with Isbell - announced back in October - might suggest.

Even Isbell said so, thanking Shires onstage and adding, "I've seen a lot of Amanda Shires sets, but that was one of my very favorites. It was a real honor and a real pleasure to have her and her fantastic band out here."

But Shires held nothing back from the moment she walked onstage to Leonard Cohen's "You Want It Darker" and immediately sang the chorus to Beyoncé's "Single Ladies (Put a Ring on It)."  "If anybody here is, like, a single mom, that shit's fucking hard," she said. "Also, being a single dad, that's probably hard too. Whatever. Here comes the fun!" With that, she launched into "My Own Galaxy," off 2022's Take It Like a Man .

Over the course of her 11-song set, she made veiled references to her former relationship with Isbell. When singing "Stupid Love," she asked the band to start over and changed the opening lyric to, "You were smiling so much you kissed me with your crooked teeth," an apparent nod to Isbell, who had his teeth repaired last year.

Shires dropped a pair of songs by the Highwomen - her collective with Maren Morris, Natalie Hemby, and Brandi Carlile - near the final third of her set, including "Highwomen" and "Don't Call Me." In the latter, she screamed one of the last lines, "Don't call me!"

Shires will open for Isbell and the 400 Unit again on Friday when the tour heads to Red Rocks Amphitheater in Morrison, Colorado.

Neither artist has spoken in depth about their divorce so far. During an appearance on a podcast in February, Isbell addressed the matter vaguely. "I think I'm just going to try and be honest in all the ways that I legally can. There's certain things we've agreed not to talk about," he said. "But I think I can still manage to tell people who I am and what the truth is from my perspective. It's one of those things where not everything that ends was a failure, you know? I think we did a lot of really beautiful things together and I have really fond memories of all of that, and I don't regret any of it, even the hard stuff."

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