jeff beck tour 1999

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Jeff Beck 1999 Tokyo Int'l Forum Japan NHK R.I.P.

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Live in Tokyo 1999

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EU-only live archive release from the guitar great, recorded at the Tokyo International Forum in Tokyo, Japan on February 6, 1999 on this set, Beck is joined by Jennifer Batten, Randy Hope-Taylor and Steve Alexander. Immortal.

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• Is Discontinued By Manufacturer ‏ : ‎ No
• Package Dimensions ‏ : ‎ 5.55 x 4.97 x 0.54 inches; 3.53 ounces
• Manufacturer ‏ : ‎ 101 DISTRIBUTION
• Date First Available ‏ : ‎ October 22, 2011
• Label ‏ : ‎ 101 DISTRIBUTION
• ASIN ‏ : ‎ B005XO9ATK
• Number of discs ‏ : ‎ 1
• #143,288 in Rock (CDs & Vinyl)

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Jeff Beck (born June 24, 1944) is a notoriously influential and inspiring English rock guitarist, who has played with the Yardbirds, the The Jeff Beck Group and Beck, Bogert & Appice.

Born in the London Borough of Sutton, UK, Beck began his musical excursions singing in his local church choir before learning to play a borrowed guitar and making his instruments. Inspired to play after hearing Les Paul, B.B. King and Steve Cropper, throughout the early ‘60s Beck played in a string of bands including the Rumbles and the Tridents and made his first vinyl appearance as a session guitarist on the Fitz and Startz single “I’m Not Running Away”.

At the request of session man Jimmy Page, The Yardbirds recruited Beck to replace Eric Clapton as lead guitarist, during Beck’s 20-month tenure The Yardbirds recorded the majority of their most popular and revered songs.

After being kicked out of the Yardbirds for rarely showing up and completing a short solo project which resulted in the two solo UK hit singles “Hi Ho Silver Lining” and “Tallyman”, Beck formed the Jeff Beck Group. The Jeff Beck Group temporarily had a line-up of Beck, ex-Shadow man Jet Harris on bass, Rod Stewart on vocals, Ronnie Wood on guitar and Nicky Hopkins on piano. The band’s first release “Truth” (1968) performed significantly better than the second “Beck-Ola” (1969) and resentment ended the band in 1969.

After a serious car accident in 1970 and a failed idea to start a power-trio with Carmine Appice and Tim Bogert, Beck formed a new version of the Jeff Beck Group. The reformation however didn’t cause much of a stir with the albums “Rough and Ready (1971) and “Jeff Beck Group” (1972), and with the the breakup of the band Cactus, Beck, Appice and Bogert formed a power-trio in 1973.

In 1975 after a quiet period for the guitarist, Beck release the instrumental jazz-fusion album “Blow by Blow” which garnered critical acclaim as did his follow-up with Jan Hammer on the 1976 album “Wired”. Releases from Beck after this time appeared fewer and further between with his next release the Jan Hammer-contributed “There and Back” arrived in 1980 after which Beck toured extensively, before retiring again.

Five years later in 1986 Beck released the pop/rock album “Flash” produced by Nile Rodgers. On the album the single “People Get Ready” features vocals from Rod Stewart, as well as featuring the Grammy winning instrumental single “Escape”. Prior to the release of the Grammy award winning “Jeff Beck’s Guitar Shop with Terry Bozzio and Tony Hymas” in 1989, Beck played lead guitar on Mick Jagger’s second solo album “Primitive Cool”.

In 1992 Beck contributed lead guitar on the Roger Water comeback album “Amused to Death” before releasing a tribute album to Gene Vincent entitled “Crazy Legs” in 1993. After a six-year break came “Who Else! You Had It Coming” in 1999, followed by “Jeff” in 2001, the live set “Performing This Week: Live at Ronnie Scott’s Jazz Club” in 2008, and “Emotion & Commontion” in 2010. The album won two Grammys for Best Pop Instrumental Performance and Best Rock Instrumental Performance. Beck subsequently release a live album titled “Live and Exclusive from the Grammy Museum in 2010, followed by a tribute album to Les Paul entitled “Rock & Roll Party” the same year.

Live reviews

It's just so hard to describe Jeff Beck. You have to see him. Being one of the pioneers of rock, playing with the Yardbirds in the 60's, went from their wailing blues to psychedelic blues as the three (Beck Clapton Page) guitarists divulged into Cream and Led Zeppelin. Jeff evolved into a modern guitar God enigma.

He has smooth riffs, blending into another with complete control of his effects, never using them repeatedly for lack of musicality. His quality of playing is always forefront to the gimmicks. You could give him a cheap guitar and he will sound like Jeff Beck because of his skill of playing.

His "People Get Ready" live instrumental rendition blew me off my seat when He played with Jeff Healy, Stevie Ray Vaughn at the now called Rogers Centre. The fans that had the pleasure to see him at Ronny Scotts are probably still shaking their heads on how he played the strat with slide and whammy harmonics, simultaneously. He will sustain a bend; climaxing in a flurry riff that you would have to play it back slowly to figure out what he was playing.

He has evolved in uncharted territory. He plays with raw, controlled emotion and mastery of his instrument. He can play so soulful (Definitely Maybe - Jeff Beck Group70's), he can make the Strat cry. He once quoted that a lot of good music comes by accident and rarely repeats his riffs, unless they are patented JB riffs. He builds a sculpture, then breaks the mold. He always comes up with something new,keeping you on edge until he pulls it out unexpectedly, like he did with "People Get Ready". He is one of England's National Treasures and I am a very happy man to be a witness to the journey he has taken.

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Well to start with, the show for Jeff Beck was very disappointing. Most of his songs were just screaming distorted sounds that sounded the same throughout the entire performance. We mainly purchased tickets to see him on stage with bassist Tal Wilkenfeld, who was not on his show! Instead he had a mediocre bass player who did nothing to add to the songs played. Tal makes Jeff play more melodic with feeling. Even on his ballad song "Cause We Ended As Lovers" had no bass solo, a staple part for Tal in which she steals the song from Jeff.

To make the show even worse than it could ever be, guitarist Buddy Guy performed right after Jeff Beck and all you heard was him saying the "F Bomb" word all night long, so disrespectful to the audience & minors that were present. If Buddy thinks by laying his guitar down while beating it with a towel while it feedsback, he should record himself & see how immature if really is, that's not music, nor beating the guitar strings with a bow. I've seen him 2xs before, and each time he has been intoxicated on stage. The worse was when he put his guitar up in the ceiling rafter while it was

feeding back & he couldn't get it down!! The entire show sucked.

Perhaps one of Britain's most celebrated musicians, guitarist Jeff Beck had the coveted opportunity to play alongside The Yardbirds as well as other iconic performers Eric Clapton and Jimmy Page. Now performing solo at the grand age of 70, the guitarist has not lost any of his abilities or stage presence.

An eccentric through and through, Beck was born to be onstage and you can understand why he refuses to take early retirement as you listen to the deafening cheers as he steps proudly out to his adoring crowd. Playing a bold cover of Jimi Hendrix's 'Little Wing' he easily demonstrates his masterful abilities and this level of expertise continues throughout the evening. His accompanying musicians are talented within their own rights, but the whole attention is well and truly on Jeff and his guitar. The complexity of 'Big Block' evokes mass cheers from the crowd and as he exits the stage they are left under the impression that Beck will not be hanging up the strings and plectrum anytime soon.

I was glad an excited to see this venue, for two of the finest, at Denver's premier stages outside this summer. Buddy Guy landed his licks, among the crowd when he walked round expressing the sources of bluesdom mixed with rock. His performance was outstanding, loved his Blues,totally.

The Jeff Beck Band was more ,of an up to date format ,moving to the next level of his career. At his age, traveling through his past,didn't seem to slow his performance one bit. His band showed their energy and flowed to us in every song played... moved the lyrics into our brains n out of our tearful eyes. The vocalists (times two) showed how to get it right. My gratitude is heart felt, Thanks to both of you, splendidly.

A terrific show on August 7th, 2016. One that will be talked about, reviewed, over all He is a Rock Legend, true to form.

Kevin Walsh,

I've been a jeff beck fan since the mid 60's (yes I'm an old burnout).his playing was as crisp and smooth as it was in 1971,when i last saw him live.his play list was a good representation of his work for the last several years with just enough of his early tunes thrown in to please us older fans.i would strongly recommend younger folks to go and see beck play.remember he came onto the British rock/blues scene with guitarists eric clapton,jimmy page and peter green.

The crowd was of mixed age with plenty of young folks there to check this guy out.from what i saw there were no concert antics like the 70's.my take on this show was time and money well spent. The venue daily's place ampatheatre was a pleasant surprise.thanks songkick i sure could have used you back in the day.you now have a customer for life,great experience.

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This was a first class concert. I had not seen Jeff live before but was extremely impressed with the whole package, his playing, the band and the material they played. I was really impressed with the two young girls who were outstanding and the drummer was incredible. I would like to know if the drummer was Simon Phillips who played with him some years back and is, of that standard. All in all a great concert. The band was so surprised to be asked to do an encore that they had not planned for one and took a few minutes to agree on what to play. if he tours again in this country I would go back and see him again.

Great show overall - but a bit short at just over 90 minutes (including an encore). Front of house mix was a bit hit and miss for first 15-20 mins (drums and bass a bit overpowering) but settled down when the male vocalist - who was outstanding- came on. Backing musicians were outstanding and Jeff was in good form with Big Block, Superstition, A Day in the Life and Cause We’ve Ended as Lovers stand outs.

Jeff lets his guitar do the talking but the show would benefit from a few more words from Jeff - he was even quieter than usual but the singer was excellent and helped communication with the audience.

I'm from Hermosillo, Sonora, Mexico, my name is Casimiro Monge...yesterday after 30 or more years wanting to see and listen live this genius of electric guitar, i made it ! something memorable for me, a form of happiness that transcends me, his passion, his taste, his technique, his everything is really great ... for me the least predesible...you do not know what note interpret...today I can say, I will die happy !! Excellent show, great set list, although I would have liked to interpret Blue Wind of his album Wired.

Long live to Jeff Beck!!!

Jeff Beck has 5 decades of music, on Saturday night he played for only 70 minutes. 25 of those minutes we were forced to listen to Johnny Depp sing. It was the worst concert I've ever been to. Compare this concert to Santana a month ago. Santana played for 3.5 hours, tickets were only $35 and when the tickets arrived included was a copy of his latest CD. That was a concert to remember.

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Jeff beck / definitive tokyo 1999 / 2cd.

in 1990s , Jeff Beck , Wardour 2018/03/28 875 Views

Jeff Beck / Definitive Tokyo 1999 / 2CD /Wardour

Translated Text:

Live at Tokyo International Forum, Tokyo, Japan 2nd June 1999 Stereo SBD(Upgrade)Wardour-275 35Live at Tokyo International Forum, Tokyo, Japan 2nd June 1999 Stereo SBD(Upgrade)

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The transcendent soundboard album of “WHO ELSE!” Era is appearing in permanent preservation press 2CD. That sound board is “June 2, 1999: Tokyo International Forum” performance. This show was also a Pro Shot broadcast, famous as a concert representative of 1999. But this time the sound is different from the past. It is the best live album of a level that exceeds understanding why it is such a terrible sound as well as being the highest ever. It is a place where such quality is anxious, but first of all it is the position of the show. In our store, we have archived tours that came to Japan for the first time in ten years with a number of masterpiece live albums. Let’s organize the collection on a schedule.

· May 23: Tokyo Bay NK Hall · May 25th: Kanagawa Prefectural Hall “BLAST FROM THE EAST” · May 26th: Aichi Health Pension Center · May 28: Fukuoka City Hall · May 29th: ZEPP OSAKA “ZEPP OSAKA 1999” · May 30: Osaka Festival Hall · May 31: Tokyo International Forum · June 2: Tokyo International Forum 【this work】 · June 3: Tokyo International Forum “TOKYO 1999 FINAL NIGHT”

Over all, nine performances. There were three consecutive performances at the Tokyo International Forum, and this work was a concert that was the mid day of that. Well, the key quality. It is a master brought on its own route, but this is truly amazing. In our shop we have also introduced the high quality Pro shot which was digitally recorded (it was also attached to the bonus of this work), but it is even more wonderful than that DVD which was said to be ultimate · zero deterioration, far more rich It is. The difference is clear in listening, the ringing is totally different. One sound rises, it reaches the peak, and disappears to the darkness of silence. The process depicts a smooth mountain and has a firm presence. The best masters so far have also been fiercely clear, but the peak is a flat plate, and after that it disappears completely without telling the lingering finish. For example, in “Psycho Sam” intro, grain of fine phrases flies to the left and right with stereo, but the response and depth of each grain are different. Furthermore, the heavy bass synth roaring in “Star Cycle” also has a difference in detail and stereoscopic feeling of the vibrations. These points are just examples, and all notes are totally different dimension. Of course, this is not a mastering effect. For example, if the sound beyond the peak disappears quickly, it is impossible to master the subsequent sounds by mastering. If you slip it poorly or apply effects, the edge will be blurred. There is no such blur in this work, it obviously makes the master’s own taste heard. How did you record the sound so far? I think that the composition and mix in which “Led Boots / Drum Solo” and “Where Were You” were cut is the same as the television broadcast … …. As a matter of fact, the master of this work is Eric Clapton’s “BUDOKAN 2009 5 TH NIGHT (Tricone 159/160)”, SADE’s “PROMISE IN TOKYO (Wardour-194)”, JOURNEY’s “BUDOKAN 2013 (Zion-110) The same route as the super masterpiece such as. While these are also standard classic sound boards, we received extraordinary high-quality sounds and no-one listeners. That miracle was also realized at Jeff Beck. When drawn with the transcendental sound so far, the show will become even more wonderful. To be honest, this morning there is a mistake in “Blast From The East”, or the string is broken in “Blue Wind”, so it can not be said that it is “the best of the best”. However, the performances themselves are full of enthusiasm for Beck, which is conscious of broadcast recording, and even if you chop a rhythm or even spin a phrase freely, it is full of bishibishi. The motivation is vividly colored richly and vividly, and it builds an exquisite sound world.

Despite being a large classic sound board, the microcosm of sounds that have never been heard. Although it is easy to call a word “official grade”, there is no such beautiful sound as any official work. It is a goods in the inscription which plenty expands “art of sound” which is no longer just a good sound. It is a masterpiece of music art that “Beauty” which dissolves the heart even one sound is constantly overflowing for about 88 minutes and can be fully immersed in the world. Please, enjoy yourself to your heart’s content.

『WHO ELSE!』時代の超絶サウンドボード・アルバムが永久保存プレス２CDで登場です。そのサウンドボードとは「1999年６月２日：東京国際フォーラム」公演。このショウはプロショット放送もされ、1999年を代表するコンサートとして有名。しかし、今回のサウンドはこれまでとはわけが違う。過去最高峰なのはもちろんのこと、なぜここまで凄まじいサウンドなのか理解を超えたレベルの極上ライヴアルバムなのです。 そんなクオリティが気になるところですが、まずはショウのポジション。当店では、10年ぶりの来日に湧いたツアーを数々の傑作ライヴアルバムでアーカイヴして参りました。そのコレクションを日程で整理してみましょう。

・５月23日：東京ベイNKホール ・５月25日：神奈川県民ホール『BLAST FROM THE EAST』 ・５月26日：愛知厚生年金会館 ・５月28日：福岡市民会館 ・５月29日：ZEPP OSAKA　『ZEPP OSAKA 1999』 ・５月30日：大阪フェスティバルホール ・５月31日：東京国際フォーラム ・６月２日：東京国際フォーラム　【本作】 ・６月３日：東京国際フォーラム『TOKYO 1999 FINAL NIGHT』

以上、全９公演。東京国際フォーラムでは３連続公演があり、本作はその中日にあたるコンサートでした。 さて、肝心のクオリティ。独自ルートでもたらされたマスターなのですが、これが本当に驚異的。当店ではデジタル録画されたハイクオリティ・プロショットもご紹介したことがあります（本作のボーナスにも付属しました）が、究極的・劣化ゼロと言われたあのDVDよりも更に素晴らしく、遙かにリッチなのです。その違いは一聴瞭然で、鳴りがまったく違う。１音１音が立ち上がり、ピークを迎え、そして無音の闇に消えていく。その過程が滑らかな山を描いており、しっかりとした存在感を持っている。これまでのベスト・マスターも激しくクリアではあったのですが、ピークは平板ですし、そこを過ぎると余韻を伝えきらずに消えてしまう。例えば「Psycho Sam」のイントロで細かいフレーズの粒がステレオで左右に飛び交いますが、その１粒１粒の手応え、深みがまるで違う。さらに「Star Cycle」で轟く重低音シンセもヴァイヴレーションの細かさ・立体感がケタ違い。こうしたポイントはあくまで例であり、すべてのノートがまったく別次元なのです。 もちろん、これはマスタリング効果ではありません。例えば、ピークを過ぎた音が早々に消えてしまえば、その後の鳴りをマスタリングで生み出すことは不可能。下手にズラしたり、エフェクトをかければエッジがボヤけてしまうでしょう。本作にはそのボケが一切なく、明らかにマスター自身の凄味を聴かせてくれるのです。どうしてここまでのサウンドを記録できたのか。「Led Boots/Drum Solo」や「Where Were You」がカットされた構成やミックスはテレビ放送と同じとは思うのですが……。実のところ、本作のマスターは、エリック・クラプトンの『BUDOKAN 2009 5TH NIGHT（Tricone 159/160）』やSADEの『PROMISE IN TOKYO（Wardour-194）』、JOURNEYの『BUDOKAN 2013（Zion-110）』といった超名盤と同じルート。これらも大定番サウンドボードながら、誰も聴いたことのない超ハイクオリティ・サウンドと大絶賛を賜りました。あの奇跡がジェフ・ベックでも実現したのです。 ここまでの超絶サウンドで描かれると、ショウも一層素晴らしくなる。正直なところ、この日は「Blast From The East」でミスがあったり、「Blue Wind」で弦が切れてしまうなど、“ベストの名演”とは言えません。しかし、演奏自体は放送収録を意識したベックの熱気が籠もり、リズムを刻んでも気紛れにフレーズを紡いでもビッシビシに切れている。そのやる気が猛烈に鮮やかなままリッチに彩られ、絶品の音世界を築いていくのです。

大定番サウンドボードでありながら、これまで聴いたこともない音の小宇宙。一言「オフィシャル級」と呼ぶのはカンタンですが、いかな公式作品でもここまでの美音はそうはない。もはや単なる良いサウンドでは済まない“音の芸術”がたっぷりと広がる銘品中の銘品です。１音でも心を溶かす“美”が約88分間絶え間なく溢れ、その世界に全身で浸りきれる音楽アートの傑作。どうぞ、心ゆくまで存分にご堪能ください。

Disc 1(43:38) 1. What Mama Said 2. Psycho Sam 3. Brush With The Blues 4. Star Cycle 5. Savoy 6. Blast From The East 7. A Day In The Life 8. Declan 9. THX 138

Disc 2(44:43) 1. The Pump 2. ‘Cause We’ve Ended As Lovers 3. Space For The Papa 4. Angel (Footsteps) 5. Even Odds 6. You Never Know 7. Blue Wind 8. Big Block

STEREO SOUNDBOARD RECORDING

Wardour-275

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• September 18, 1999 Setlist

Jeff Beck Setlist at Queen Elizabeth Theatre, Vancouver, BC, Canada

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• What Mama Said Play Video
• Psycho Sam Play Video
• Brush With the Blues Play Video
• Star Cycle Play Video
• Savoy Play Video
• Blast From the East Play Video
• A Day in the Life ( The Beatles  cover) Play Video
• Declan Play Video
• Thx138 Play Video
• The Pump Play Video
• Roll and Tumble Blues ( Hambone Willie Newbern  cover) Play Video
• Cause We've Ended as Lovers ( Syreeta  cover) Play Video
• Rice Pudding ( Jeff Beck Group  song) ( > Going Down > Peter Gunn > Rice Pudding ) Play Video
• Angel (Footsteps) Play Video
• You Never Know Play Video
• Sling Shot Play Video
• Where Were You Play Video
• Big Block Play Video

Edits and Comments

10 activities (last edit by TopHatTapes , 27 Jan 2023, 03:08 Etc/UTC )

Songs on Albums

• Angel (Footsteps)
• Blast From the East
• Brush With the Blues
• What Mama Said
• Where Were You
• A Day in the Life by The Beatles
• Cause We've Ended as Lovers by Syreeta
• Rice Pudding by Jeff Beck Group
• Roll and Tumble Blues by Hambone Willie Newbern
• You Never Know

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Jeff beck gig timeline.

• Sep 11 1999 Northrop Auditorium Minneapolis, MN, USA Add time Add time
• Sep 13 1999 Walker Theatre Winnipeg, MB, Canada Add time Add time
• Sep 18 1999 Queen Elizabeth Theatre This Setlist Vancouver, BC, Canada Add time Add time
• Sep 21 1999 Western Washington Fair 1999 Puyallup, WA, USA Add time Add time
• Sep 22 1999 Civic Auditorium Portland, OR, USA Add time Add time

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<div style="text-align: center;" class="setlistImage"><a href="https://www.setlist.fm/setlist/jeff-beck/1999/queen-elizabeth-theatre-vancouver-bc-canada-1bcb39cc.html" title="Jeff Beck Setlist Queen Elizabeth Theatre, Vancouver, BC, Canada 1999" target="_blank"><img src="https://www.setlist.fm/widgets/setlist-image-v1?id=1bcb39cc" alt="Jeff Beck Setlist Queen Elizabeth Theatre, Vancouver, BC, Canada 1999" style="border: 0;" /></a> <div><a href="https://www.setlist.fm/edit?setlist=1bcb39cc&amp;step=song">Edit this setlist</a> | <a href="https://www.setlist.fm/setlists/jeff-beck-2bd6b0f2.html">More Jeff Beck setlists</a></div></div>

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[url=https://www.setlist.fm/setlist/jeff-beck/1999/queen-elizabeth-theatre-vancouver-bc-canada-1bcb39cc.html][img]https://www.setlist.fm/widgets/setlist-image-v1?id=1bcb39cc[/img][/url] [url=https://www.setlist.fm/edit?setlist=1bcb39cc&amp;step=song]Edit this setlist[/url] | [url=https://www.setlist.fm/setlists/jeff-beck-2bd6b0f2.html]More Jeff Beck setlists[/url]

Tour Update

Marquee memories: foster the people.

• Foster the People
• Aug 27, 2024
• Aug 26, 2024
• Aug 25, 2024
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• Aug 23, 2024
• Aug 22, 2024
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