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Journey Lead Singers In Order: History and Band Members

In this article, we delve into the captivating history of Journey, an iconic rock band that has left an indelible mark on the music industry. From their humble beginnings to their meteoric rise to fame, Journey has mesmerized audiences worldwide with their unique sound and timeless hits. Join us on a journey through time as we explore the remarkable story of this legendary band.

Formation of the Band

Journey was formed in 1973 in San Francisco, California, bringing together a group of highly talented musicians. The founding members included Neal Schon, Gregg Rolie, Ross Valory, Aynsley Dunbar, and George Tickner. With their combined musical prowess and creative vision, they set out to create something extraordinary.

Early Years and Musical Style

During their early years, Journey experimented with a fusion of rock, jazz, and progressive influences, creating a distinctive sound that set them apart from their contemporaries. Their self-titled debut album, released in 1975, showcased their musical versatility and marked the beginning of their incredible journey.

Evolution and Breakthrough Success

In 1977, Journey underwent a significant change that would forever shape its destiny. Steve Perry joined the band as their lead vocalist, injecting new energy and unparalleled vocal range into their music. This lineup change proved to be a turning point for Journey, leading to a series of chart-topping albums and unforgettable songs.

Chart-topping albums and Hit Singles

Journey’s breakthrough came in 1978 with the release of their album “Infinity,” which became a massive success. The album spawned the hit singles “Wheel in the Sky” and “Lights,” propelling Journey into the mainstream spotlight. They continued their winning streak with subsequent albums, including “Evolution” (1979) and “Departure” (1980), which produced hits like “Lovin’, Touchin’, Squeezin'” and “Any Way You Want It.”

The Iconic Album: “Escape”

In 1981, Journey released their most iconic album to date, “Escape.” This album elevated their status as rock superstars and solidified their place in music history. Featuring the mega-hits “Don’t Stop Believin’,” “Open Arms,” and “Who’s Crying Now,” “Escape” became an instant classic, captivating audiences with its emotionally charged lyrics and powerful melodies.

The Power Ballad Era

Journey’s success continued into the mid-1980s, defined by the rise of power ballads that struck a chord with fans worldwide. Songs like “Faithfully,” “Separate Ways (Worlds Apart),” and “Send Her My Love” showcased the band’s ability to create heartfelt and anthemic ballads that resonated deeply with listeners.

A Change in Direction

As the 1990s approached, Journey faced challenges and underwent significant lineup changes. Steve Perry departed from the band in 1987, leading to a period of transition as they searched for a new lead vocalist. Despite these challenges, Journey remained resilient and continued to produce music that captivated its loyal fan base.

Journey’s Enduring Legacy

Although the band’s popularity waned in the late 1990s, their music never faded from the hearts of their dedicated fans. Journey’s timeless classics continue to resonate with audiences of all ages, thanks to their emotional depth, infectious melodies, and inspiring lyrics. Their songs have become anthems for perseverance, love, and the power of music itself.

Past Journey band members include the following:

  • Steve Perry (1977-1998)
  • Aynsley Dunbar (1974-1978)
  • Robert Fleischman (1977)
  • Steve Smith (1978-1985, 1995-1998)
  • Randy Jackson (1985-1987)
  • Steve Augeri (1998-2006)

Current Journey band members:

  • Neal Schon – Guitar (1973-present)
  • Jonathan Cain – Keyboards (1980-present)
  • Ross Valory – Bass (1973-1985, 1995-present)
  • Arnel Pineda – Vocals (2007-present)
  • Deen Castronovo – Drums (1998-present)

Lead Singers of Journey

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The Original Journey: Gregg Rolie’s Era

Gregg Rolie

Gregg Rolie, a two-time Rock and Roll Hall of Fame inductee, served as the original lead singer of Journey. He began his musical career as a co-founder and lead vocalist of Santana before joining forces with Neal Schon to form Journey. Rolie’s soulful voice and exceptional skills as a keyboardist and harmonicist contributed to the band’s early success. He showcased his talent on albums like “Journey,” “Look into the Future,” and “Next.” However, Rolie transitioned to co-lead vocals when Steve Perry joined the band in 1977.

Steve Perry: The Voice of Journey’s Greatest Hits

singers with journey

Steve Perry, widely recognized as the quintessential Journey lead singer, propelled the band to unprecedented heights during their most commercially successful era. Born with a gift for singing, Perry’s powerful and emotive vocals struck a chord with audiences worldwide. With Perry at the helm, Journey released a string of chart-topping albums, including “Infinity,” “Escape,” and “Frontiers.” Iconic songs like “Don’t Stop Believin’,” “Open Arms,” and “Faithfully” became anthems for a generation. Perry’s remarkable songwriting abilities and magnetic stage presence contributed to the band’s enduring legacy.

Current Lead Singer: Arnel Pineda

Arnel Pineda

Following Steve Perry’s departure in 1987, Journey experienced a series of lead singer changes. Steve Augeri, known for his vocal range and stage charisma, took over from 1998 to 2006. Jeff Scott Soto briefly joined the band in 2006, leaving his mark with his distinctive style. However, it was Arnel Pineda who breathed new life into Journey as the current lead singer. Pineda’s incredible vocal resemblance to Steve Perry, coupled with his dynamic stage presence, won the hearts of fans worldwide. Since 2008, Pineda has seamlessly integrated into the band, injecting fresh energy and passion into their performances.

Journey’s Enduring Discography: Albums That Defined an Era

Over the past five decades, Journey has released a diverse and extensive discography, showcasing their musical prowess and creativity. Let’s explore some of their most iconic albums:

“ Infinity ” (1978): With Steve Perry as the lead singer, “Infinity” marked a significant turning point for Journey. It featured hit singles like “Wheel in the Sky” and “Lights,” solidifying their place in the rock music landscape.

“ Escape ” (1981): This album became a monumental success, boasting chart-topping hits such as “Don’t Stop Believin'” and “Open Arms.” “Escape” catapulted Journey to international stardom and remains one of their most beloved records.

“ Frontiers ” (1983): Building upon their previous success, “Frontiers” showcased Journey’s evolution with tracks like “Separate Ways (Worlds Apart)” and “Faithfully.” The album’s polished production and memorable hooks solidified Journey’s status as one of the biggest rock bands of the 1980s.

“ Raised on Radio ” (1986): Released during the band’s final years with Steve Perry, “Raised on Radio” featured a more radio-friendly sound and produced hits like “Be Good to Yourself” and “I’ll Be Alright Without You.” Despite tensions within the band, the album showcased their ability to create catchy, melodic rock tunes.

“ Revelation ” (2008): With Arnel Pineda as the lead singer, “Revelation” marked a new chapter for Journey. The album featured new recordings of their classic hits, reaffirming Pineda’s vocal prowess and rekindling the band’s popularity among longtime fans and a new generation.

“ Eclipse ” (2011): Continuing their musical journey with Pineda, Journey released “Eclipse,” a record that showcased their ability to evolve while staying true to their roots. The album demonstrated their enduring songwriting skills and featured tracks like “City of Hope” and “Edge of the Moment.”

“Escape & Frontiers Live in Japan” (2019): As a testament to their enduring appeal, Journey released a live album featuring their performances of the “Escape” and “Frontiers” albums in their entirety. The release showcased the band’s timeless hits in a live setting, capturing the energy and excitement of their concerts.

Journey’s Impact and Legacy

Journey’s impact on the rock music landscape cannot be overstated. With their infectious melodies, anthemic choruses, and powerful vocals, they carved out a unique sound that resonated with millions of listeners. Their music transcended generations, becoming the soundtrack to countless moments and capturing the hearts of fans worldwide.

Steve Perry’s tenure as the lead singer marked the band’s most successful period, and his distinct voice became synonymous with Journey’s sound. His emotional delivery and ability to connect with audiences elevated their songs to new heights and created an unparalleled legacy.

Arnel Pineda’s addition to the band injected new energy into Journey and allowed them to continue their musical journey. Pineda’s remarkable vocal resemblance to Perry breathed new life into the band’s live performances, earning him a dedicated fanbase and ensuring that Journey’s music lives on.

Journey’s timeless hits continue to be celebrated and embraced today. Songs like “Don’t Stop Believin'” have become cultural touchstones, appearing in films, TV shows, and sporting events, and capturing the imaginations of new generations of listeners.

Journey Band Member’s Ages

Here, is the list of all the Journey member’s ages. It seems like all of the Journey band members are above 50 and below 80.

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Complete List Of All Journey Current And Former Band Members

Journey Band Members

Feature Photo: Bruce Alan Bennett / Shutterstock.com

I first fell in love with the band Journey when I was in high school and brought the band’s album Infinity when it was first released. Their record company Columbia Records at the time heavily promoted the album. It was Steve Perry’s first recording with the band and Columbia knew they had a hit on their hands. I was blown away by Steve Perry’s voice and completely floored by how great the songs were on the record. Journey became one of the biggest bands of the seventies. They helped define the term “Stadium Rock.” The band has gone through multiple lineup changes over the years.  This article takes a look at the revolving door of musicians who have come and gone as members of the band Journey .

The Orginal Journey Band Members

Neal Schon, born on February 27, 1954, in Tinker Air Force Base, Oklahoma, is an American musician best known as the lead guitarist for Journey. He was one of the founding members of the band in 1973. Over the years, Schon played a significant role in shaping the band’s sound and has appeared on every Journey album to date, from their self-titled debut album “Journey” (1975) to their most recent releases. He primarily plays the electric guitar but has been known to play acoustic guitar and perform backing vocals as well. Schon co-wrote some of the band’s most iconic songs like “Don’t Stop Believin’,” “Wheel in the Sky,” and “Any Way You Want It.” Besides his work with Journey, Neal Schon has had a rich solo career and has also been a part of other bands like Santana and Bad English .

Ross Valory

Ross Valory, born on February 2, 1949, in San Francisco, California, is an American musician renowned for being Journey’s original bass guitarist. He joined the band at its inception in 1973 and contributed to albums like “Journey” (1975), “Infinity” (1978), “Escape” (1981), and many more. Valory played both the bass guitar and occasionally provided backing vocals. He was a part of Journey until he was fired from the band in 2020. Apart from Journey, Valory was involved in the Steve Miller Band and also had a side project called “The Vu.”

Gregg Rolie

Gregg Rolie was born on June 17, 1947, in Seattle, Washington, and is an American keyboardist and singer. He was a founding member of Journey and joined the band in 1973. Rolie played keyboards and was the lead vocalist on the band’s first three albums: “Journey” (1975), “Look into the Future” (1976), and “Next” (1977). He left Journey in 1980 to pursue other musical endeavors. Notably, he was a member of Santana before joining Journey and co-wrote and sang lead vocals on classics like “Black Magic Woman” and “Evil Ways.” After leaving Journey, he went on to form The Gregg Rolie Band and also joined Ringo Starr & His All-Starr Band .

George Tickner

George Tickner, born on September 8, 1946, in Syracuse, New York, is an American musician who played rhythm guitar for Journey. He was among the original members when the band was founded in 1973 but left shortly after the release of the band’s self-titled debut album in 1975. Tickner contributed to the writing of some early songs but didn’t stay with the band long enough to participate in the more commercial phases of Journey’s career. After leaving Journey, Tickner largely retired from professional music to pursue a career in medicine.

Charles “Prairie” Prince

Charles “Prairie” Prince, born on May 7, 1950, in Charlotte, North Carolina, was the original drummer for Journey when the band was formed in 1973. However, he never officially recorded with the band and left before their debut album was made. He is best known for his work with The Tubes , a San Francisco-based rock band. Though his time with Journey was short-lived, Prince has had a significant career in music, working with artists like Todd Rundgren, and Jefferson Starship, and as a session musician for various other artists.

The Next Phase and Beyond

Aynsley dunbar.

Aynsley Dunbar, born on January 10, 1946, in Liverpool, England, is a British drummer known for his work with various rock and blues bands. He joined Journey in 1974, shortly after the band’s formation, and played on the albums “Journey” (1975), “Look into the Future” (1976), and “Next” (1977). Dunbar’s jazz-influenced drumming style added a unique element to Journey’s early sound. He left the band in 1978 before the band shifted to a more mainstream, commercial sound. Apart from Journey, Dunbar has had an extensive career, playing with artists like Frank Zappa, David Bowie, and Whitesnake.

Robert Fleischman

Robert Fleischman, born on March 11, 1953, in Los Angeles, California, is an American musician who briefly served as Journey’s lead vocalist in 1977. Though he never appeared on any studio albums with Journey, he contributed to songwriting and is credited with co-writing songs like “Wheel in the Sky.” Fleischman was replaced by Steve Perry later in the same year he joined. Outside of Journey, Fleischman had a solo career and was a member of other rock bands like Vinnie Vincent Invasion.

Steve Perry

Steve Perry , born on January 22, 1949, in Hanford, California, is an American singer known for his soaring vocals. He joined Journey in 1977 and quickly became the band’s iconic lead vocalist. Steve Perry played a significant role in Journey’s commercial success and was a key contributor to albums like “Infinity” (1978), “Evolution” (1979), “Escape” (1981), among others. He co-wrote and sang some of Journey’s most famous songs, including “Don’t Stop Believin'” and “Open Arms.” Perry left the band in 1998 due to health issues and to pursue a solo career, which itself has been highly successful, featuring hits like “Oh Sherrie.”

Steve Smith

Steve Smith, born on August 21, 1954, in Whitman, Massachusetts, is an American drummer. He joined Journey in 1978, replacing Aynsley Dunbar, and played on some of their most successful albums like “Evolution,” “Escape,” and “Frontiers.” Known for his technical skill, Smith left the band in 1985 but returned for various stints, the latest being from 2015 to 2020. Outside of Journey, Smith has had a rich career in jazz and has been part of his own jazz fusion band, Vital Information.

Randy Jackson

Randy Jackson, born on June 23, 1956, in Baton Rouge, Louisiana, is an American musician, best known as a judge on the television show “American Idol.” He joined Journey as a bass player for a short stint during the mid-1980s and played on the 1986 album “Raised on Radio.” Jackson was part of the band’s transition towards a more pop-oriented sound during that period. Besides Journey, he has been an in-demand session musician and has produced and performed with a wide array of artists across genres.

Steve Augeri

Steve Augeri, born on January 30, 1959, in Brooklyn, New York, is an American rock singer best known for his work as the lead vocalist for Journey from 1998 to 2006. He was brought in as a replacement for Steve Perry and featured on albums like “Arrival” (2001) and “Generations” (2005). Augeri co-wrote songs for the band but had to leave in 2006 due to vocal issues. Outside of Journey, he has been involved in other bands like Tyketto and has also embarked on a solo career.

Jeff Scott Soto

Jeff Scott Soto, born on November 4, 1965, in Brooklyn, New York, is an American singer who served as Journey’s lead vocalist for a brief period from 2006 to 2007. He stepped in following Steve Augeri’s departure due to vocal issues but was in the band for less than a year. Though his time with Journey was short-lived, he did perform live with the band during that period. Outside of Journey, Soto has a prolific career, having been a part of bands like Yngwie Malmsteen’s Rising Force and Talisman, as well as a successful solo career.

Deen Castronovo

Deen Castronovo, born on August 17, 1964, in Westminster, California, is an American drummer and vocalist. He joined Journey in 1998, replacing Steve Smith, and contributed to albums like “Arrival” (2001), “Generations” (2005), and “Eclipse” (2011). Besides playing drums, Castronovo also performed backing and some lead vocals during his time with the band. He left Journey in 2015 amidst personal issues. Beyond Journey, he has played with bands like Bad English and Hardline and is known for his work in various other musical projects.

Narada Michael Walden

Narada Michael Walden, born on April 23, 1952, in Kalamazoo, Michigan, is an American musician, producer, and songwriter. He joined Journey as a drummer in 2020, replacing Steve Smith. Known for his diverse skill set across genres, Walden has a rich career outside of his time with Journey. He’s a multi-Grammy Award-winning producer and has worked with a myriad of artists including Whitney Houston, Mariah Carey, and Aretha Franklin.

Arnel Pineda

Arnel Pineda, born on September 5, 1967, in Sampaloc, Manila, Philippines, is a Filipino singer and songwriter. He became the lead vocalist for Journey in 2007, discovered by Neal Schon through YouTube videos of Pineda covering Journey songs. He made his studio debut with the band on the 2008 album “Revelation” and has remained with the band since. Outside of Journey, Pineda had been a part of several bands in the Philippines and has a solo career as well.

Jason Derlatka

Jason Derlatka, born on September 8, 1972, in Pittsburgh, Pennsylvania, is an American keyboardist, vocalist, and composer. He joined Journey in 2020 as a touring keyboardist and background vocalist. Though he hasn’t been featured on any studio albums with the band yet, he brings a wide range of musical experience to Journey. Derlatka has worked extensively in television, composing music for series like “House” and “Parenthood.”

Todd Jensen

Todd Jensen, born on October 19, 1965, in Portland, Oregon, is an American bassist. Though he never officially recorded with Journey, Jensen was involved as a touring member following Ross Valory’s departure in 2020. Known for his versatility, he has played with various artists and bands spanning multiple genres, including David Lee Roth, Ozzy Osbourne, and Alice Cooper.

Complete List Of All Journey Current And Former Band Members article published on Classic RockHistory.com© 2023

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Brian Kachejian

Brian Kachejian was born in Manhattan and raised in the Bronx. He is the founder and Editor in Chief of ClassicRockHistory.com. He has spent thirty years in the music business often working with many of the people who have appeared on this site. Brian Kachejian also holds B.A. and M.A. degrees from Stony Brook University along with New York State Public School Education Certifications in Music and Social Studies. Brian Kachejian is also an active member of the New York Press.

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Who Is Arnel Pineda?

After a series of unfortunate events in his childhood, Arnel Pineda found success in Asia as the front man for the group The Zoo. In 2007, he was discovered by Journey guitarist Neal Schon, after a series of YouTube videos were posted of him covering American songs, including the famous hit, "Dont Stop Believin'." In December 2007, Pineda became the new lead singer of Journey. His is noted for having a strikingly similar sound to former Journey front man Steve Perry.

Troubled Childhood

Arnel Pineda was born on September 5, 1967, in Sampaloc, Manila, in the Philippines. Throughout his childhood, Pineda endured grave misfortune. When he was just 13 years old, his mother, who was 35 at the time, passed away after a long battle with heart disease. Her medical costs left the family in serious debt, and Pineda's father could no longer provide for Pineda and his three younger brothers, Russmon, Roderick and Joselito.

While relatives were able to take in his brothers, Pineda was left on his own. He spent the next few years homeless, often sleeping outside in public parks and scraping for any food or water that he could afford. When possible, he would stay at a friend's house, who offered him a cot outside. Eventually, Pineda was forced to quit school and take up odd jobs collecting scrap metal and bottles at the pier and selling newspapers to support his family.

Early Career

Pineda's love of music started at a young age. He began singing at just five years old, and had entered many singing contests as a child. In 1982, when he was 15, Pineda was introduced to a local band called Ijos, and was encouraged by his friends to try out as their new lead singer. He sang the Beatles' "Help" and Air Supply's "Making Love Out Of Nothing At All." Although they were concerned with his lack of training, Ijos members were wowed by Pineda's powerful voice, and took him on as the new front man of the band. One of the band member's friends even offered to pay Pineda's salary, 35 pesos a night, out of his own pocket, and Pineda was offered a tiny room to sleep under the guitarist's front stairs.

In 1986, some members of Ijos joined together to form the new pop-rock band Amo. The group found success covering songs by hit groups Heart, Queen and Journey. In 1988, they turned heads when they won the Philippines' leg of the Yamaha World Band Explosion Contest. Although they were disqualified in the finals due to a technicality, the event was broadcast on TV in Asia, widening their fanbase. The band continued performing at popular clubs and arenas around the Philippines.

In 1990, the members re-grouped yet again, under the new name Intensity Five, and re-entered the contest. The band came in as runner up and Pineda won the Best Vocalist Award. After a series of unfortunate health problems in the early '90s, including the brief loss of his voice, Pineda re-emerged in 1999 with a new solo album with Warner Brothers. The self-titled album had several hits in Asia.

After brief stints with a few different bands, Pineda found success again in 2006 with The Zoo, a band that he formed with Monet Cajipe, a guitarist/songwriter who had been in all his bands during over the previous 20 years. The Zoo performed at several popular clubs in the area and, in 2007, released an album by MCA Universal titled Zoology . Soon the band began covering songs by groups such as Journey, Survivor, Aerosmith, Led Zeppelin, The Eagles and more, with more than 200 performances uploaded to YouTube.

On June 28, 2007, Neal Schon, guitarist and member of the band Journey, saw a video of Pineda on YouTube and immediately contacted him. The band had been looking for a new lead singer, and Pineda's voice sounded strikingly similar to Steve Perry, Journey's legendary former front man. After speaking with Schon on the phone, Pineda made arrangements to fly to the United States and audition with the band in San Francisco. On December 5, 2007, Pineda was welcomed as the band's new lead singer.

Right away, Pineda went on tour with the band, performing two shows in Chile and two in Las Vegas. Both were a huge success. After a series of guest show appearances and magazine features, Pineda gained popularity within the American public. On June 3, 2008, the newly organized Journey released their first album, Revelation , which came in at No. 5 on the U.S. charts. The album was their highest charting album since Trial by Fire (with Steve Perry), and reached platinum status by October 2008.

Soon after the album's release, the band continued touring around the world with Pineda. The documentary, Don't Stop Believin': Everyman's Journey , slated to be released in 2012, will chronicle the band's "Revelation Tour," and Pineda's first years with the band.

Personal Life

When he is not on tour, Pineda resides in the Philippines with his wife, Cherry, their children, Cherub and Thea. He has two other sons—Matthew, 19, and Angelo, 13—from past relationships.

QUICK FACTS

  • Name: Arnel Pineda
  • Birth Year: 1967
  • Birth date: September 5, 1967
  • Birth City: Sampaloc, Manila
  • Birth Country: Philippines
  • Gender: Male
  • Best Known For: Arnel Pineda is best known as the new lead singer for the rock group Journey.
  • Astrological Sign: Virgo
  • Nacionalities

CITATION INFORMATION

  • Article Title: Arnel Pineda Biography
  • Author: Biography.com Editors
  • Website Name: The Biography.com website
  • Url: https://www.biography.com/musicians/arnel-pineda
  • Access Date:
  • Publisher: A&E; Television Networks
  • Last Updated: July 20, 2020
  • Original Published Date: April 2, 2014

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Who Sang the Most Journey Songs? Lead Vocal Totals

Journey will always be associated most closely with Steve Perry . Over the years, however, they've actually had a total of six frontmen. Four other members, including stalwart Neal Schon , have also taken a turn at the mic.

Gregg Rolie (1973-80) was the group's first singer, though his role quickly diminished when Perry arrived in 1977. Over the next 20 years, Perry would take Journey to unprecedented commercial heights, though it ultimately became an off-and-on relationship: Journey were inactive from 1987-91 and then again until 1995.

A pair of those other lead singers, Robert Fleischman (1977) and Jeff Scott Soto (2006-07), didn't last long enough to do much in the recording studio. Journey also had a second Steve as their singer – Steve Augeri (1998–2006) – before settling in with Arnel Pineda , their longest-tenured frontman, in 2007.

Which one sang the most Journey songs? We dove into their official catalog to find out, focusing on officially released new songs, including B-sides, soundtrack recordings, bonus tracks and a live song that appeared only on 1981's Captured . We stayed away from re-recordings and in-concert versions of earlier songs, as well as the leftover demos that dotted Journey's expansive Time3 box set, since those don't count as original material.

Journey (1975)

Gregg Rolie - 5: "Of a Lifetime," "In the Morning Day," "To Play Some Music," "In My Lonely Feeling/Conversations" and "Mystery Mountain"

Journey debuted with co-founder Gregg Rolie firmly entrenched as their frontman, but this self-titled debut also made room for two lengthy fusion-rock instrumentals – "Kohoutek" and "Topaz." The former, co-written by Rolie and Neal Schon, became an in-concert staple for years. Still, these musical flights of fancy ultimately cut into Rolie's lead-vocal totals, as did Journey's subsequent decision to showcase other singers.

Look Into the Future (1976)

Gregg Rolie - 8: "On a Saturday Nite," "It's All Too Much," "Anyway," "She Makes Me (Feel Alright)," "You're on Your Own," "Look into the Future," "Midnight Dreamer" and "I'm Gonna Leave You"

The best effort from the pre-Perry lineup is also Rolie's most consistent showcase, with a most-ever eight vocals. Look Into the Future found the band in an appropriately forward-thinking mood, as it took a more song-oriented approach. That said, Journey still unleashed an eight-minute title track – the longest song they'd ever recorded – and the titanic closing song , "I'm Gonna Leave You."

Next (1977)

Gregg Rolie - 5: "Spaceman," "People," "Here We Are," "Hustler" and "Next" Neal Schon - 2: "I Would Find You" and "Karma"

Rolie began sharing the mic well before Steve Perry arrived, as guitarist Neal Schon takes over for two of his four career lead vocals. They also returned to instrumentals, including "Nickel and Dime" – which manager Herbie Herbert consistently described as the uncredited inspiration for Rush 's "Tom Sawyer." It was a sign of things to come: Rolie continued with Journey for five more releases, but never had another solo vocal.

Infinity (1978)

Steve Perry - 10: "Lights," "Feeling That Way" (with Rolie), "Anytime (with Rolie), "La Do Da," "Patiently," "Wheel in the Sky," "Somethin' to Hide," "Winds of March," "Can Do" and "Opened the Door" Gregg Rolie - 2: "Feeling That Way" (with Perry) and "Anytime" (with Perry)

The addition of Perry shifted the vocal focus decisively, as Rolie's total makes clear. Within just two albums, the new guy almost eclipsed Rolie for career lead songs. In fact, Journey would release eight more records – including a movie soundtrack and a live project – before anyone not named Steve Perry sang another note. Fans responded by sending Infinity to the edge of the Top 20, a best-ever finish at the time.

Evolution (1979)

Steve Perry - 10: "Too Late," "Lovin', Touchin', Squeezin'," "City of the Angels," "When You're Alone (It Ain't Easy)," "Sweet and Simple," "Lovin' You Is Easy," "Just the Same Way" (with Rolie), "Do You Recall," "Daydream" and "Lady Luck" Gregg Rolie - 1: "Just the Same Way" (with Perry)

They switched out a member, as former Ronnie Montrose drummer Steve Smith took over for Aynsley Dunbar, but otherwise kept apace with a huge musical shift. This album confirmed Journey's move from hard-rocking jam band to multi-platinum pop stars: "Lovin', Touchin', Squeezin'" from Evolution became their first Top 20 hit single.

Departure (1980)

Steve Perry - 12: "Any Way You Want It," "Walks Like a Lady," "Someday Soon" (with Rolie), "People and Places" (with Schon), "Precious Time," "Where Were You," "I'm Cryin'," "Line of Fire," "Departure," "Good Morning Girl," "Stay Awhile," "Handmade Love" Gregg Rolie - 1: "Someday Soon" (with Perry) Neal Schon - 1: "People and Places" (with Perry)

Rolie shares the mic one last time on the utterly gorgeous "Someday Soon," but this album's No. 8 finish had everything to do with Perry's turn on the radio favorite "Any Way You Want It." Like both of its predecessors, Departure sold 3 million copies – an impressive figure, but also one that indicated a commercial plateau. Journey issued two place-keeping projects, including a movie soundtrack and a concert recording, while plotting their next move.

Captured (1981)

Steve Perry - 2: "Dixie Highway" and "The Party's Over (Hopelessly in Love)"

This live document celebrating Journey's early years included two previously unreleased songs, both featuring Perry at the mic. Rolie had already exited by the time Captured arrived, so "The Party's Over" – a new studio addition – featured a different keyboardist: Stevie Roseman later worked with Schon and Valory on solo projects.

Escape (1981)

Steve Perry - 10: "Don't Stop Believin'," "Stone in Love," "Who's Crying Now," "Keep On Runnin'," "Still They Ride," "Escape," "Lay It Down," "Dead or Alive," "Mother, Father," "Open Arms"

Keyboardist Jonathan Cain came over from the Babys to give Journey another creative voice, but he didn't possess the vocal chops of his predecessor. Steve Perry continued to dominate every subsequent Journey album he appeared on. Together, however, they found another commercial gear as the career-making Escape sold as many copies in the U.S. as Infinity, Evolution and Departure combined.

Frontiers (1983)

Steve Perry - 10: "Separate Ways (Worlds Apart)," "Send Her My Love," "Chain Reaction," "After the Fall," "Faithfully," "Edge of the Blade," "Troubled Child," "Back Talk," "Frontiers," "Rubicon"

Journey entered a period of stops and starts. The next trio of albums all sold very well. In fact, they scored the band's highest-ever chart position in the U.K. with Frontiers . But success can sometimes be a double-edged sword: Their subsequent total of nine platinum awards in the states only equaled what Escape had done all by itself. Under enormous pressure, Journey's most successful lineup fracturing along the way.

Raised on Radio (1986)

Steve Perry - 11: "Girl Can't Help It," "Positive Touch," "Suzanne," "Be Good to Yourself," "Once You Love Somebody," "Happy to Give," "Raised on Radio," "I'll Be Alright Without You," "It Could Have Been You," "The Eyes of a Woman" and "Why Can't This Night Go On Forever"

Now trimmed to a core trio of Jonathan Cain, Steve Perry and Neal Schon, Raised on Radio  featured drummer Steve Smith on only three of its 11 tracks – and didn't include co-founding bassist Ross Valory at all. The project ended up producing four Top 20 singles, becoming the fourth of five consecutive Top 10 Journey albums, but a lengthy split followed.

Trial by Fire (1996)

Steve Perry - 15: "Message of Love," "One More," "When You Love a Woman," "If He Should Break Your Heart," "Forever in Blue," "Castles Burning," "Don't Be Down on Me Baby," "Still She Cries," "Colors of the Spirit," "When I Think of You," "Easy to Fall," "Can't Tame the Lion," "It's Just the Rain," "Trial by Fire," and "Baby I'm a Leavin' You"

Journey reformed a decade later with their Escape / Frontiers -era lineup intact, scoring a No. 12 hit with the Grammy-nominated "When You Love a Woman." Unfortunately, the good times wouldn't last: Perry elected not to take part in a companion tour. Journey decided to move on without him.

Arrival (2000)

Steve Augeri - 15: "Higher Place," "All the Way," "Signs of Life," "All the Things," "Loved by You," "Livin' to Do," "World Gone Wild," "I Got a Reason," "With Your Love," "Lifetime of Dreams," "Live and Breathe," "Nothin' Comes Close," "To Be Alive Again," "Kiss Me Softly" and "We Will Meet Again."

Journey found a new guy who could manage the old songs in concert, and he was even named Steve. At the same time, tracks like "All the Way" showed Augeri could maintain the band's now-signature pop-rock sound. "Higher Place" even recalled some of their proggier early moments. But fans apparently weren't sold, as Arrival became the first Journey album not to at least go gold since 1977's Next .

Red 13 (2002)

Steve Augeri - 4: State of Grace," "The Time," "Walkin' Away From the Edge" and "I Can Breathe"

This is a tour-de-force EP for Augeri, who got to show off his vocal prowess on songs that delve into Journey's career-spanning penchant for jam-band excursions, melodic rock, hard-rocking blues and soaring balladry. ("Walkin' Away From the Edge" was co-written by an uncredited Geoff Tate from  Queensryche .) The only knock is that those four things happen over the course of just four songs.

Generations (2005)

Steve Augeri - 8: "Faith in the Heartland," "The Place in Your Heart," "Butterfly (She Flies Alone)," "Believe," "Knowing That You Love Me," "Out of Harms Way," "Better Together" and "Beyond the Clouds" Neal Schon, 1: "In Self-Defense" Deen Castronovo, 1: "A Better Life" Jonathan Cain - 1: "Every Generation" Ross Valory - 1: "Gone Crazy"

The underrated Augeri ends his time in Journey with an album where everybody – literally everybody , even bassist Ross Valory – gets a turn at the mic. Augeri managed to eke out a minor hit with "Faith in the Heartland," but only drummer Deen Castronovo really stands out among the others on Generations . Adding insult to injury for Augeri: This is Journey's worst-charting U.S. album ever.

Revelation (2008)

Arnel Pineda - 9: "Never Walk Away," "Like a Sunshower," "Change for the Better," "Wildest Dream," "After All These Years," "Where Did I Lose Your Love," "What I Needed," "What It Takes to Win," "Turn Down the World Tonight"

Stuck in a commercial dive, Neal Schon turned to YouTube to find Augeri's replacement. Arnel Pineda, a big-voiced Filipino unknown, ended up becoming Journey's longest-tenured singer. But not before being asked to redo a whopping 12 previously recorded songs on Revelation , including the very-recent "Faith in the Heartland." He fared much better on the originals, finally pushing Journey back to platinum-selling status.

Eclipse (2011)

Arnel Pineda - 11: "City of Hope," "Edge of the Moment," "Chain of Love," "Tantra," "Anything Is Possible," "Resonate," "She's a Mystery," "Human Feel," "Ritual," "To Whom It May Concern" and "Someone"

Eclipse initially rose to No. 13 on the album chart before everybody realized it lacked enough of the signature ballads that pushed Journey to out-sized fame in the '80s. Still, Pineda showed he could go toe-to-toe with a resurgent Schon on a series of songs that recalled the furious energy of Journey's earliest recordings. The album ends, appropriately enough, with an instrumental.

Soundtracks, B-Sides and Bonus Tracks

Steve Perry - 10: "Destiny," "Sand Castles" and "Little Girl" from 1980's 'Dream, After Dream'; "Natural Thing" (b-side, 1981's "Don't Stop Believin'"); "La Raza del Sol" (b-side of 1982's "Still They Ride"); "Only Solutions" from 1982's 'Tron'; "Ask the Lonely" from 1983's 'Two of a Kind'; "Liberty" (bonus track from 1983's 'Frontiers'); and "Only the Young" from 1985's 'Vision Quest'; "I Can See It in Your Eyes" from 1996's 'Trial by Fire' Steve Augeri - 1: "Remember Me" from 1998's 'Armageddon' Deen Castronovo, 1: "Never Too Late" from 2005's 'Generations' Jonathan Cain - 1: "Pride of the Family" from 2005's 'Generations' Arnel Pineda - 1: "Let It Take You Back" from 2008's 'Revelation'

Dream, After Dream was a forgotten, mostly instrumental 1980 soundtrack that included Rolie's final studio work with the group, but the three tucked-away vocals were all reserved for Perry. "Little Girl," the rare moment that tried to connect their updated pop sound , was later included as a bonus track on an expanded reissue of Departure . "Only the Young," "Ask the Lonely and "Only Solution," key songs recorded during sessions for Frontiers , ended up on contemporary soundtracks instead. "I Can See It in Your Eyes" was a Japanese-only bonus track from Perry's finale with Journey. Augeri actually made his Journey debut on the soundtrack for Armageddon . Castronovo and Cain's songs were extras attached to Generations . "Let It Take You Back" was a bonus cut on Pineda's first album.

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Journey group shot

They are one of the biggest rock bands of all time, and their most famous song is the best-selling digital track from the 20th century. But for Journey, global stardom might never have happened if not for a hard-hitting ultimatum from their record company back in 1977. As the band’s original drummer Aynsley Dunbar recalled: “We were told: ‘Get a singer, get some hit songs or you’re off the label.’”

At that time, the San Francisco-based band had made three albums for Columbia Records, and all three had stiffed. Guitarist Neal Schon and vocalist/keyboard player Gregg Rolie had previously played in Santana , but Journey’s early music, mixing Santana-style jazz fusion and progressive rock, was a hard sell, and Rolie’s voice wasn’t the strongest.

Everything changed when Steve Perry joined the band after they’d tried out another singer, Robert Fleischman. With a richly expressive voice, Perry could hit high notes that other singers could only dream of. His first album with the band, 1978’s  Infinity , reinvented Journey as a mainstream rock act. The album promptly went platinum, and from there, the only way was up.

In the 80s, Journey became one of the biggest bands in America, with the Holy Trinity of AOR albums:  Escape ,  Frontiers  and  Raised On Radio . Perry also had a huge hit in 1984 with his first solo album, Street Talk . But the pressures of fame led Perry to quit the band in 1987, leaving Journey on hiatus until his return in 1995. And when he quit again two years later, he was gone for good.

How to replace the irreplaceable? Journey survived by finding the best Steve Perry impersonators on the planet. They made two albums in the early 2000s with Steve Augeri, formerly the singer in cult AOR band Tall Stories. And in 2007, when Journey’s classic hit  Don ’ t Stop   Believin ’  was featured in The Sopranos - making the song more famous than ever before, and putting the band’s name back in the spotlight - they unveiled a new singer who had been discovered via YouTube.

Filipino Arnel Pineda’s performance of Journey songs in covers band The Zoo was enough to secure him his dream job. He sounds uncannily like Steve Perry, and has now made three albums with Journey, including Freedom , released in 2022.

Perry, meanwhile, had withdrawn from public view for many years after leaving the band. But in 2018 he made a comeback with a solo album Traces , his first full-length recording since Journey’s Trial By Fire back in 1996. And if something had been lost over time - the power he’d had in his youth - it was still, unmistakably, the voice that made Journey the greatest AOR band of them all…

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18. Journey: Look Into The Future (Columbia, 1976)

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In the credits to Journey’s 1979 album  Evolution , the band stated, gratefully: “Columbia Records stands alone in the field of developing new artists.” The company’s ‘tough love’ approach certainly worked for Journey, who couldn’t buy a hit record until Columbia ordered them to find a proper singer and write some tunes.

Tellingly, the catchiest number on Look   Into The Future, the band’s second album, is a cover of The Beatles ’ It’s All Too Much . The other tracks run like a loose jam session, veering from prog to psychedelia, jazz to heavy rock. Despite the album’s title, the sound is stuck in the 60s.

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17. Journey: Eclipse (Frontiers, 2011)

Journey got off to a strong start with Arnel Pineda on 2008’s million-selling Revelation, but the follow-up was an outright flop.  Eclipse was by design a heavy, guitar-focused album. As keyboard player Jonathan Cain said: “If people want to hear ballads, they can certainly find them on other records.”

But aside from the opening track, the mighty anthem City Of Hope , there is nothing on this album with the melodic power of a classic Journey banger like Separate Ways (Worlds Apart) . It’s all so much hot air. And if this album’s ballads slipped Cain’s mind, it’s hardly surprising.

16. Journey: Journey (Columbia, 1975)

“A strong beginning” said Rolling Stone magazine of Journey’s debut album. It certainly sounded as if some strong stuff was being smoked when they recorded it. With two former members of Santana in Neal Schon and Gregg Rolie, and an accomplished drummer, Englishman Aynsley Dunbar, who had played for John Mayall , Jeff Beck and Frank Zappa , this was a new band with an impressive pedigree. 

Their musicianship dazzled on the instrumentals Kohoutek and Topaz, the latter written by rhythm guitarist George Tickner, who left the group after this album. But all that jazz-rock fusion showboating wears thin over 35 minutes.

15. Journey: Next (Columbia, 1977)

The band’s third album was the last before Steve Perry joined, and in its opening track from there was a hint of what was to come. Spaceman was a simple ballad, although Perry would never have sung, as Gregg Rolie did, “ I’m a cosmopolitan, right-handed wingless man .”

Another significant track was Hustler , as Journey moved towards a more straightforward hard rock sound, with shades of Deep Purple . And as the band’s first phase ended, they delivered the most bizarre song they ever recorded - People , a trippy number with Schon playing spaced-out licks and Rolie singing like John Lennon .

14. Steve Perry: Traces (Fantasy, 2018) 

“I know it’s been a long time comin’,” Perry sang in the first line of the opening song, No Erasin’ . No shit. The release of Traces came 24 years after his previous solo album, and 22 years since his Journey swan song Trial By Fire .

Perry’s comeback, at the age of 69, was greeted as the AOR equivalent of the Resurrection, and amid such hysteria, Traces proved underwhelming, its blend of soft rock, pop and soul drifting into blandness here and there. But in No Erasin’ , the old magic was still there in what may be the last great song he’ll ever sing.

13. Journey: Generations (Sanctuary, 2005)

Singer Steve Augeri’s first album with Journey, 2001’s Arrival , was the best they ever made without Steve Perry. The follow-up, Generations , also had its moments - notably Faith In The Heartland and The Place In Your Heart , both of which were re-recorded with Arnel Pineda on 2008’s Revelation .

But in 2006 Augeri was out of the band. A serious throat infection had damaged his voice, and he was dismissed amid rumours that he had lip-synced on stage. His exit may have been ignominious, but Augeri’s contribution to Journey’s legacy should not be underestimated.

12. Journey: Freedom (BMG, 2022)

On Journey’s first album in more than a decade, only Neal Schon and Jonathan Cain remain from the band’s glory days. What’s more, two key contributors to this album - bassist Randy Jackson and drummer/songwriter/co-producer Narada Michael Walden - have since departed.

But as our own Geoff Barton stated: “ Freedom  passes the  Classic Rock  AOR test with flying colours.” The opening song Together We Run is quintessential Journey, and the epic Beautiful As You Are delivers a grand finale. And as Schon told Classic Rock , there is more to come. “As long as I’m here,” he said, “we’re gonna keep creating.”

11. Journey: Revelation (Frontiers, 2008) 

Lightning can strike twice. In 2005, Foreigner found in Kelly Hansen a singer whose voice was a close match for that of the great Lou Gramm. And two years later, Journey discovered a young Filipino guy who could sing like Steve Perry.

It was a big ask for Arnel Pineda to make the giant leap from Journey covers band to the real thing, but he performed heroically on the aptly named Revelation - from the triumphant anthem Never Walk Away to the beautiful ballad Turn Down The World Tonight . Revelation became the band’s first million seller without Perry. For Pineda, there was surely no greater vindication.

10. Steve Perry: For The Love Of Strange Medicine (Columbia, 1994)

Perry’s first solo album Street Talk was a huge hit in 1984. Ten years later, his second solo record reached the US top 20 but failed to make much of an impact in a world dominated by alternative rock.

For The Love Of   Strange Medicine  had some fine songs - the dynamic opening one-to punch of You Better Wait and Young Hearts Forever , and the epic title track. But the ballads were unremarkable, and the album, as a whole, was somewhat overwrought and overproduced. Within two years, Perry’s return to Journey yielded the comeback album Trial By Fire . But the reunion wouldn’t last.

9. Journey: Trial By Fire (Columbia, 1996)

The second coming of Steve Perry ended in disappointment. With the definitive Escape -era line-up reunited, Journey should have delivered a great album. They managed only half that. On opener  Message Of Love  and the ready-made wedding song  When You Love A Woman , Journey achieved something close to peak form. 

But the big rock epics,  Castles Burning  and  Can ’ t Tame The Lion , were all bluster. Trial By Fire  hit No.3 in the US, but the band’s comeback tour was aborted after Perry injured his hip in a hiking accident. Tragically, he never sang for Journey again.

8. Journey: Arrival (Columbia, 2001)

They were big shoes to fill, but New Yorker Steve Augeri proved a more than capable replacement for Steve Perry in Journey. With the new singer performing at such a high level, Arrival was the band’s best album since Raised On Radio .

Four tracks came right out of the top drawer: powerful opener Higher Place , one of several songs on the album co-written with Night Ranger’s Jack Blades; Signs Of Life , an anthem for the brokenhearted; and two majestic ballads,  All   The Way  and  Loved By You. Augeri had passed the test. And Journey had proved there was life after Steve Perry.

7. Journey: Departure (Columbia, 1980)

At the dawn of the 80s, Journey still sounded, and looked, somewhat dated. Van Halen ’s  Women   And   Children First  was released in the same month as  Departure  – March 1980. But where Van Halen sounded like the future, with the image to match, Journey were stuck in the 70s. 

But no matter, a great song will always hit the spot, however old-fashioned the delivery. And there are many on Departure, including the jubilant  Any Way You Want It . Departure  was aptly titled. With Gregg Rolie set to quit, this was the last hurrah of the old Journey. Within a year the flares were gone and Journey were setting the template for 80s arena rock.

6. Journey: Evolution (Columbia, 1979)

Steve Perry’s pain was Journey’s gain. The band’s first Top 20 single,  Lovin ’ ,   Touchin ’ , Squeezin ’, was written after the singer saw his girlfriend kissing another guy. Perry described the song as “love justice”, but it was the sweetest kind of revenge; with its slinky blues groove and a killer ‘ na-na-na ’ coda, the song became a genuine rock standard.

Parent album  Evolution  was the second of two that Journey recorded with producer Roy Thomas Baker, whose previous clients Queen are echoed in the knowingly titled pomp-rock fanfare  Majestic . Also featured here is  Daydream , a long-forgotten masterpiece.

5. Journey: Infinity (Columbia, 1978)

Steve Perry was not a unanimous choice as Journey’s new singer. But when Perry presented the bluesy  Lights  to the band, everyone sensed the possibilities. Tellingly,  Lights  was chosen as  Infinity ’s opening track – an introduction to the new Journey – and it remains one of the band’s best-loved songs, as does this album’s  Wheel In The Sky .

Under pressure from Columbia Records, who’d done their bit by hiring Queen’s producer Roy Thomas Baker, the refocused Journey delivered their first set of accessible mainstream rock songs. The payoff was instant.

4. Steve Perry: Street Talk (Columbia, 1984) 

The dreaded solo album signals the end for many a band. Steve Perry returned to Journey after making  Street Talk , but the balance of power had shifted; Perry would remodel Journey’s music on this album’s soul-influenced soft rock.

Perry relished the freedom of a solo project, crafting slick adult pop songs inspired by vintage soul music:  I Believe  a Motown tribute,  Captured By The Moment  mourning Sam Cooke and other lost heroes. The single Oh Sherrie hit number three on the US chart, powering Street Talk  to platinum status. The album is widely acknowledged as an AOR classic.

3. Journey: Raised On Radio (Columbia, 1986)

With Steve Perry heartbroken by his mother’s terminal illness, and bassist Ross Valory and drummer Steve Smith leaving due to “creative differences”, 1985 was Journey’s annus horribilis. But out of turmoil came the last classic Journey album.

After Perry’s solo debut  Street Talk  went platinum, the singer took control of the group. Neal Schon was sidelined as Perry’s pop and soul influences prevailed. Raised On Radio  was recorded three times before Perry was satisfied. But every nickel and dime they spent is audible in the deluxe soft rock of  Girl Can ’ t Help It  and  I ’ ll Be Alright Without You .

2. Journey: Frontiers (Columbia, 1983)

After the huge success of 1981’s Escape , Journey hit another home run with Frontiers . The album reached No.2 in the US and included two classic hits:  Separate Ways (Worlds   Apart) , one of the heaviest and most emotive tracks the band have ever recorded, and  Faithfully , the greatest power ballad of all time.

Journey never rocked harder than on  Frontiers , with Neal Schon really ripping on  Edge Of The Blade  and  Rubicon . The album would have been even better if  Ask The Lonely  and  Only The Young , two brilliant tracks, hadn’t been dropped in favour of  Troubled Child  and  Back Talk  the latter a real stinker. (The two discarded songs appeared on the album’s 2006 reissue.)

1. Journey: Escape (Columbia, 1981)

The greatest AOR album of all time, Journey’s first US No.1 made them stadium-filling superstars. And pivotal to its success was their new keyboard player: Jonathan Cain co-wrote every song on  Escape . “What changed about Journey,” Cain said, “is that I started writing about the people that cared about the band.” 

Don ’ t   Stop Believin ’, an evocative tale of ‘ streetlight people, living just to find emotion ’, became an American classic.  Open   Arms  – rejected by his previous band The Babys – was a monster hit. With nine million copies now sold,  Escape  is Journey’s definitive statement.

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Freelance writer for Classic Rock since 2005, Paul Elliott has worked for leading music titles since 1985, including Sounds, Kerrang!, MOJO and Q . He is the author of several books including the first biography of Guns N’ Roses and the autobiography of bodyguard-to-the-stars Danny Francis. He has written liner notes for classic album reissues by artists such as Def Leppard, Thin Lizzy and Kiss, and currently works as content editor for Total Guitar . He lives in Bath - of which David Coverdale recently said: “How very Roman of you!”

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Steve Perry Walked Away From Journey. A Promise Finally Ended His Silence.

singers with journey

By Alex Pappademas

  • Sept. 5, 2018

MALIBU, Calif. — On the back patio of a Greek restaurant, a white-haired man making his way to the exit paused for a second look at one of his fellow diners, a man with a prominent nose who wore his dark hair in a modest pompadour.

“You look a lot like Steve Perry,” the white-haired man said.

“I used to be Steve Perry,” Steve Perry said.

This is how it goes when you are Steve Perry. Everyone is excited to see you, and no one can quite believe it. Everyone wants to know where you’ve been.

In 1977, an ambitious but middlingly successful San Francisco jazz-rock band called Journey went looking for a new lead singer and found Mr. Perry, then a 28-year-old veteran of many unsigned bands. Mr. Perry and the band’s lead guitarist and co-founder, Neal Schon, began writing concise, uplifting hard rock songs that showcased Mr. Perry’s clean, powerful alto, as operatic an instrument as pop has ever seen. This new incarnation of Journey produced a string of hit singles, released eight multiplatinum albums and toured relentlessly — so relentlessly that in 1987, a road-worn Mr. Perry took a hiatus, effectively dissolving the band he’d helped make famous.

He did not disappear completely — there was a solo album in 1994, followed in 1996 by a Journey reunion album, “Trial by Fire.” But it wasn’t long before Mr. Perry walked away again, from Journey and from the spotlight. With his forthcoming album, “Traces,” due in early October, he’s breaking 20 years of radio silence.

Over the course of a long midafternoon lunch — well-done souvlaki, hold all the starches — Mr. Perry, now 69, explained why he left, and why he’s returned. He spoke of loving, and losing and opening himself to being loved again, including by people he’s never met, who know him only as a voice from the Top 40 past.

And when he detailed the personal tragedy that moved him to make music again, he talked about it in language as earnest and emotional as any Journey song:

“I thought I had a pretty good heart,” he said, “but a heart isn’t really complete until it’s completely broken.”

IN ITS ’80S heyday, Journey was a commercial powerhouse and a critical piñata. With Mr. Perry up front, slinging high notes like Frisbees into the stratosphere, Journey quickly became not just big but huge . When few public figures aside from Pac-Man and Donkey Kong had their own video game, Journey had two. The offices of the group’s management company received 600 pieces of Journey fan mail per day.

The group toured hard for nine years. Gradually, that punishing schedule began to take a toll on Journey’s lead singer.

“I never had any nodules or anything, and I never had polyps,” Mr. Perry said, referring to the state of his vocal cords. He looked around for some wood to knock, then settled for his own skull. The pain, he said, was more spiritual than physical.

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As a vocalist, Mr. Perry explained, “your instrument is you. It’s not just your throat, it’s you . If you’re burnt out, if you’re depressed, if you’re feeling weary and lost and paranoid, you’re a mess.”

“Frankly,” Mr. Schon said in a phone interview, “I don’t know how he lasted as long as he did without feeling burned out. He was so good, doing things that nobody else could do.”

On Feb. 1, 1987, Mr. Perry performed one last show with Journey, in Anchorage. Then he went home.

Mr. Perry was born in Hanford, Calif., in the San Joaquin Valley, about 45 minutes south of Fresno. His parents, who were both Portuguese immigrants, divorced when he was 8, and Mr. Perry and his mother moved in next door to her parents’. “I became invisible, emotionally,” Mr. Perry said. “And there were places I used to hide, to feel comfortable, to protect myself.”

Sometimes he’d crawl into a corner of his grandparents’ garage with a blanket and a flashlight. But he also found refuge in music. “I could get lost in these 45s that I had,” Mr. Perry said. “It turned on a passion for music in me that saved my life.”

As a teen, Mr. Perry moved to Lemoore, Calif., where he enjoyed an archetypally idyllic West Coast adolescence: “A lot of my writing, to this day, is based on my emotional attachment to Lemoore High School.”

There he discovered the Beatles and the Beach Boys, went on parked-car dates by the San Joaquin Valley’s many irrigation canals, and experienced a feeling of “freedom and teenage emotion and contact with the world” that he’s never forgotten. Even a song like “No Erasin’,” the buoyant lead single from his new LP has that down-by-the-old-canal spirit, Mr. Perry said.

And after he left Journey, it was Lemoore that Mr. Perry returned to, hoping to rediscover the person he’d been before subsuming his identity within an internationally famous rock band. In the beginning, he couldn’t even bear to listen to music on the radio: “A little PTSD, I think.”

Eventually, in 1994, he made that solo album, “For the Love of Strange Medicine,” and sported a windblown near-mullet and a dazed expression on the cover. The reviews were respectful, and the album wasn’t a flop. With alternative rock at its cultural peak, Mr. Perry was a man without a context — which suited him just fine.

“I was glad,” he said, “that I was just allowed to step back and go, O.K. — this is a good time to go ride my Harley.”

JOURNEY STAYED REUNITED after Mr. Perry left for the second time in 1997. Since December 2007, its frontman has been Arnel Pineda, a former cover-band vocalist from Manila, Philippines, who Mr. Schon discovered via YouTube . When Journey was inducted into the Rock & Roll Hall of Fame last April, Mr. Pineda sang the 1981 anthem “Don’t Stop Believin’,” not Mr. Perry. “I’m not in the band,” he said flatly, adding, “It’s Arnel’s gig — singers have to stick together.”

Around the time Mr. Pineda joined the band, something strange had happened — after being radioactively unhip for decades, Journey had crept back into the zeitgeist. David Chase used “Don’t Stop Believin’” to nerve-racking effect in the last scene of the 2007 series finale of “The Sopranos” ; when Mr. Perry refused to sign off on the show’s use of the song until he was told how it would be used, he briefly became one of the few people in America who knew in advance how the show ended.

“Don’t Stop Believin’” became a kind of pop standard, covered by everyone from the cast of “Glee” to the avant-shred guitarist Marnie Stern . Decades after they’d gone their separate ways, Journey and Mr. Perry found themselves discovering fans they never knew they had.

Mark Oliver Everett, the Los Angeles singer-songwriter who performs with his band Eels under the stage name E, was not one of them, at first.

“When I was young, living in Virginia,” Mr. Everett said, “Journey was always on the radio, and I wasn’t into it.”

So although Mr. Perry became a regular at Eels shows beginning around 2003, it took Mr. Everett five years to invite him backstage. He’d become acquainted with Patty Jenkins, the film director, who’d befriended Mr. Perry after contacting him for permission to use “Don’t Stop Believin’” in her 2003 film “Monster.” (“When he literally showed up on the mixing stage the next day and pulled up a chair next to me, saying, ‘Hey I really love your movie. How can I help you?’ it was the beginning of one of the greatest friendships of my life,” Ms. Jenkins wrote in an email.) Over lunch, Ms. Jenkins lobbied Mr. Everett to meet Mr. Perry.

They hit it off immediately. “At that time,” Mr. Everett said, “we had a very serious Eels croquet game in my backyard every Sunday.” He invited Mr. Perry to attend that week. Before long, Mr. Perry began showing up — uninvited and unannounced, but not unwelcome — at Eels rehearsals.

“They’d always bust my chops,” Mr. Perry said. “Like, ‘Well? Is this the year you come on and sing a couple songs with us?’”

At one point, the Eels guitarist Jeff Lyster managed to bait Mr. Perry into singing Journey’s “Lights” at one of these rehearsals, which Mr. Everett remembers as “this great moment — a guy who’s become like Howard Hughes, and just walked away from it all 25 years ago, and he’s finally doing it again.”

Eventually Mr. Perry decided to sing a few numbers at an Eels show, which would be his first public performance in decades. He made this decision known to the band, Mr. Everett said, not via phone or email but by showing up to tour rehearsals one day carrying his own microphone. “He moves in mysterious ways,” Mr. Everett observed.

For mysterious Steve Perry reasons, Mr. Perry chose to make his long-awaited return to the stage at a 2014 Eels show at the Fitzgerald Theater in St. Paul, Minn. During a surprise encore, he sang three songs, including one of his favorite Eels tunes, whose profane title is rendered on an edited album as “It’s a Monstertrucker.”

“I walked out with no anticipation and they knew me and they responded, and it was really a thrill,” Mr. Perry said. “I missed it so much. I couldn’t believe it’d been so long.”

“It’s a Monstertrucker” is a spare song about struggling to get through a lonely Sunday in someone’s absence. For Mr. Perry, it was not an out-of-nowhere choice.

In 2011, Ms. Jenkins directed one segment of “Five,” a Lifetime anthology film about women and breast cancer. Mr. Perry visited her one day in the cutting room while she was at work on a scene featuring real cancer patients as extras. A woman named Kellie Nash caught Mr. Perry’s eye. Instantly smitten, he asked Ms. Jenkins if she would introduce them by email.

“And she says ‘O.K., I’ll send the email,’ ” Mr. Perry said, “but there’s one thing I should tell you first. She was in remission, but it came back, and it’s in her bones and her lungs. She’s fighting for her life.”

“My head said, ‘I don’t know,’ ” Mr. Perry remembered, “but my heart said, ‘Send the email.’”

“That was extremely unlike Steve, as he is just not that guy,” Ms. Jenkins said. “I have never seen him hit on, or even show interest in anyone before. He was always so conservative about opening up to anyone.”

A few weeks later, Ms. Nash and Mr. Perry connected by phone and ended up talking for nearly five hours. Their friendship soon blossomed into romance. Mr. Perry described Ms. Nash as the greatest thing that ever happened to him.

“I was loved by a lot of people, but I didn’t really feel it as much as I did when Kellie said it,” he said. “Because she’s got better things to do than waste her time with those words.”

They were together for a year and a half. They made each other laugh and talked each other to sleep at night.

In the fall of 2012, Ms. Nash began experiencing headaches. An MRI revealed that the cancer had spread to her brain. One night not long afterward, Ms. Nash asked Mr. Perry to make her a promise.

“She said, ‘If something were to happen to me, promise me you won’t go back into isolation,’ ” Mr. Perry said, “because that would make this all for naught.”

At this point in the story, Mr. Perry asked for a moment and began to cry.

Ms. Nash died on Dec. 14, 2012, at 40. Two years later, Mr. Perry showed up to Eels rehearsal with his own microphone, ready to make good on a promise.

TIME HAS ADDED a husky edge to Mr. Perry’s angelic voice; on “Traces,” he hits some trembling high notes that bring to mind the otherworldly jazz countertenor “Little” Jimmy Scott. The tone suits the songs, which occasionally rock, but mostly feel close to their origins as solo demos Mr. Perry cut with only loops and click tracks backing him up.

The idea that the album might kick-start a comeback for Mr. Perry is one that its maker inevitably has to hem and haw about.

“I don’t even know if ‘coming back’ is a good word,” he said. “I’m in touch with the honest emotion, the love of the music I’ve just made. And all the neurosis that used to come with it, too. All the fears and joys. I had to put my arms around all of it. And walking back into it has been an experience, of all of the above.”

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Journey – The Brilliant Band Members, Stories & Struggles

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The best part was watching Journey grow into this monster. The band was huge, playing these enormous gigs – Neal Schon

Key Takeaways From the History of Journey Band

Table of Contents

  • Journey’s success and fame can be attributed to their journey of growth, evolving from a jazz-heavy progressive rock fusion band to a mainstream rock sensation.
  • Guitarist Neal Schon, a founding member, played a crucial role in the band’s inception and continued to be a driving force throughout their career.
  • The addition of Steve Perry as lead vocalist brought commercial success to Journey, with albums like “Infinity” and “Escape” achieving significant chart positions and producing hit singles like “Wheel in the Sky” and “Don’t Stop Believin’.”
  • The band faced challenges and conflicts, resulting in significant lineup changes, a temporary hiatus and legal disputes. But, they managed to reconcile and continue their musical journey with new releases and a dedicated fan base.
  • The band’s legacy is a reminder that success in the music industry often comes with personal and financial sacrifices, but their passion for music has kept them going, even in the face of challenges.

In The Road Not Taken , Robert Frost popularised the idea that the choices that an individual makes and the path that they choose to follow determines who they will eventually become and whether they’ll fall by the wayside of fate, or end up changing the world.

Neal Schon, guitarist extraordinaire and sole remaining original member of Journey, was according to Bobby Whitlock who first met him in 1970, and played with him briefly when he jammed with Derek And The Dominoes, always going to succeed thanks to his incredible talent and drive. 

Even though Schon didn’t end up joining Eric Clapton and Whitlock in their short-lived supergroup,  he did impress another guitar legend enough for him to take the teenage virtuoso under his wing and give him his first high-profile, paying job as a guitarist. 

Journey band

That musician was Carlos Satana who believed in the then seventeen-year-old Schon enough to ask him to become a full-time member of his band. 

What does Santana have to do with Journey, one of the world’s biggest-selling and most famous hard rock bands?

Well, without the former the latter wouldn’t exist, and if Carlos hadn’t brought Schon into the fold, the band that would go on to sell eighty million records over the course of their, so far forty-eight-year career might not have followed the path that they found themselves on.

From Caravanserai To Journey

Schon stayed with Santana for two years and was part of the line-up that recorded Santana III and Caravanserai and after leaving the band at just 19 years old, found himself teaming up with a fellow Santana veteran, Greg Rolle under the guidance of Herbie Herbert.

A self-proclaimed flower child and Grateful Dead fanatic, Herbert was also Santana’s manager, and by default became Rolle and Schon’s manager when they left the band and the foundation on which he was planning to build his next project, a group of talented musicians who could serve as the backing band for any established artist in San Francisco who needed or required their services. 

The Golden State Rhythm Section, which also included former Frumious Bandersnatch members Ross Valory and George Tickner and Tubes drummer Charles “Prairie” Prince was, on paper at least, a great idea.

The musicians all had a flawless pedigree, and when they played together they gelled instantly, the problem with the band was the concept. After they played their first two shows, The Golden State Rhythm Section realized that the idea of being a backing band just didn’t work for them and that they wanted to stretch their creative wings and fly. 

And the name? That wasn’t working for them either but by the end of their first show in Hawaii, and after an abortive radio show contest to find them a new name was swiftly brushed under the carpet and forgotten, the solution to their moniker problem appeared out of the ether when one of their roadies suggested that they call themselves Journey . 

Journeying To Next 

Someone up there must have liked what they heard, as the newly named Journey’s debut mainland show was at a sold-out Winterland Ballroom in San Francisco in front of ten thousand people on New Year’s Eve, 1973.

From there, they jumped straight on a plane and flew back to Hawaii to play another gig, but before they returned to the Bay Area to play a showcase gig for Columbia Records, Prairie Prince left and returned to the Tubes and was replaced by Aynsley Dunbar.

That’s right, THE Aynsley Dunbar from The Mothers Of Invention and David Bowie’s band. As we’ve already said, somebody up there must have really, really liked what Journey was doing. 

Whoever it was up there that had taken a shine to the embryonic Journey wasn’t their only fan, Columbia Records liked what they heard too, and in November 1974, the American rock band formed together in the studio to record their debut album (also called Journey ) which was released in June 1975.

It entered the Billboard Chart at one hundred and thirty-eight, which was more than a little impressive, and while the direction of the debut bore little resemblance to the band that they would eventually become less than half a decade later, it did ensure that Journey became a fixture on the map that the rock hungry audiences of America regularly looked to for direction. 

The band then took their jazz-heavy progressive rock fusion out on the road to play to anyone and everyone they could to promote their debut to, and after the tour, George Tickner left as the touring schedule that the band had undertaken was just a little too much for him. 

Their hard work began to pay off though, as Journey’s sophomore album, Look Into The Future which was released in January 1976, entered the Billboard Top One Hundred shortly after it hit the record shop racks. Granted, it entered the chart at Number One Hundred, but it did make the cut. 

While the band was happy with their sure but steady progress, their label wasn’t quite as thrilled. 

When Journey recorded their third album, Next in 1977 they tempered their sound and made it a little more commercial in order to try and appeal to a broader audience, but even with a slightly more melodic approach, when it was released, Next entered the chart at Number Eighty-Five, and like it’s predecessors, sales began to fall after the initial week of release.

It seemed as though Journey had reached the height of their fame , and despite the band being “happy” with where they were, Columbia Records were seriously beginning to reconsider their investment. Something had to change, and it had to change fast if Journey wanted to stay with their, still relatively new, label. 

The Evolution Of Journey

Even Schon, who wrote most of the band’s early material, later admitted that he thought that their first three records were self-indulgent and should have been more focused than they were.

In an effort to appease their label and increase their record sales, Journey asked singer Robert Fleischman to join the band, reigned in some of their wilder musical impulses, and softened their sound even further.  Adopting a similar approach to bands like the, at the time, wildly popular Boston they hit the road with Judas Priest, Black Sabbath, and ELP. 

But everyone in the Journey camp wasn’t enamoured with Fleischman, and following a series of disagreements with Herbie Herbert, the singer was replaced by Steve Perry who Journey’s manager had met after hearing a demo by Alien Project, Perry’s old band. 

Perry joined the band just in time to record their fourth album, Infinity with them, which was produced by Roy Thomas Baker, who had flown in after working with Queen .

It was a vastly different album for the band, but the addition of Perry coupled with their new direction and having Baker at the helm paid dividends, and Infinity entered the Billboard Chart at Number Twenty-One in January 1978 and gave the band their first hit single, Wheel In The Sky, which entered the Billboard Hot One Hundred and eventually climbed to Number Fifty-Six.

It was enough to convince the band that their new musical direction was the right one to pursue and more than enough to persuade Columbia Records to keep them around. 

Change isn’t always easy, and Aynsley Dunbar wasn’t as keen on Journey’s new direction as the rest of his bandmates were, and following an awkward and difficult tour to promote Infinity , he was sacked by Herbert and replaced by former Montrose drummer Stevie Smith.

With Dunbar firmly in their rearview mirror, Journey with Smith in tow recorded their fifth album, Evolution in 1978 and released it in March 1979. It did slightly better than Infinity reaching Number Twenty in the Billboard Chart, but it did something that its forerunner didn’t. It gave Journey their first Top Twenty hit. 

Lovin’, Touchin’, Squeezin’ climbed to Number Sixteen and made sure that every rock fan with a radio in America knew who Journey was. They weren’t just a name on the map anymore, they were a rock and roll destination that an entirely new generation of fans decided to pack their bags and head directly toward for an extended vacation. 

Parting Is Such Sweet Sorrow 

The Evolution tour was a revelation for the band and was so successful that it saw them having to increase the size of the stage show and the venues that they were used to playing. It also added roughly five million dollars to the band’s bank balance, which just confirmed their status, both to the band and their label, as bonafide rock stars. 

By the time they recorded their sixth album, Departure, Journey was firing on all cylinders, and armed with 19 songs they embarked on a mission to solidify and magnify their success.

They succeeded and the resultant twelve-song record (the seven “weakest” numbers were dropped during the final mix) gave the band their first top ten album and their first top ten hit, as the lead single Anyway You Want It reached number eight in the Billboard Hot One Hundred. 

It was also the last Journey record that founding member Greg Rolle would play on, as he left the band shortly after the end of the Departure tour, to spend more time with his family and work on his own solo career.

But Rolle didn’t leave Journey high and dry, as he pointed them in the direction of the man he thought should replace him, and the individual who would help to shape the future sound of the band, Jonathan Cain. 

Escaping To The Frontier 

With Cain onboard, Journey’s meteoric rise to the upper echelons of rock and roll superstardom continued unabated, and their next record Escape was their most successful to date and remains a firm fan favorite.

Critically acclaimed and voted the best AOR (Album Oriented Rock) album of all time by the readers of British Heavy Metal Bible Kerrang! In 1988, Escape was Journey’s first album to soar straight to the top of the album charts when it was released in July 1981. 

It also gave Journey four top ten singles, Still They Ride On, Open Arms, Who’s Crying Now, and arguably the song that the band will be remembered for long after they and every single one of their first, second and third generation of fans are long gone, Don’t Stop Believin’.

Described as being the perfect rock anthem by music critic Mike DeGagne, Don’t Stop, despite what the bands fans and critics alike think, wasn’t Journey’s biggest hit. 

It wasn’t even the biggest hit on Escape, but thanks to the power of rock radio, and then-newcomer on the block, MTV it’s still the song that everyone remembers.

If you ask anyone to sing a Journey song , they’ll start smiling and either humming or singing Don’t Stop, as the tune has become a cultural phenomenon that has ensured that the band will never be forgotten. 

Escape led to Journey having to found their own fan club, it enabled them to support the Rolling Stones and pushed them to record a song for the soundtrack to Disney’s 1982 Science Fiction spectacular, Tron.

Journey had managed to do what few hard rock bands before them had done. They’d successfully crossed over into the mainstream and had become one of the most famous bands in the world. 

And the Journey ride didn’t stop there. It didn’t even pause for breath, and in the middle of their 1982 tour to support Escape , they returned to the studio to record their eighth album Frontiers, which like Escape before it, went straight to the top of the Billboard album chart when it was released in February 1983, spawned another four ( Separate Ways, Faithfully, Send Her My Love and After The Fall ) top thirty singles and went on to sell six million copies.

And the tour that the band undertook to support it saw them playing the sort of venues that only the NFL could fill and included a sold-out show in Philadelphia that saw eighty thousand rabid Journey fans singing along with the band. 

Raised On Radio 

Fearing that if they continued at the same sort of pace they’d burn out, Perry, Schon, and the other members of the band decided to take some time off in 1984.

During the lull in Journey activities, both Steve Perry and Neal Schon recorded and released solo albums, with Schon deciding to frame his as a band effort rather than using his own name to release the resultant record. 

The release of the solo, and sideband in Schon’s case, records did lead to some speculation in the music press that Journey might be over, to which Schon responded by telling the interviewer that the band was too important to all of the members to let go and the reason that they’d taken time out was ton esquire that it could, and would continue. 

When the band confirmed, following a conversation between Schon, Perry, and Cain, that they’d be returning to the studio to record a new album in 1986, their fans and the press heaved a collective sigh of relief.

Raised On Radio proved to be a difficult album to make, as singer Perry assumed production duties and a few months into making the record, with the assistance of Herbie Herbert he fired long time bass player Ross Valory and drummer Steve Smith, citing the age-old musical differences as the reason for their termination.

With a record to complete, Perry and Herbert drafted Randy Jackson and Larrie Londin to help Journey finish their ninth album. 

When the record was finally released in April 1986, despite yielding five singles and the top ten hit Be Good To Yourself and climbing to Number Four on the Billboard Chart, Raised On Radio was seen as a reluctant, rather than a triumphant success it failed to attain the same commercial high as Journey’s previous release. 

So Long Steve Perry

Undaunted by the commercial performance of Raised On Radio (which still sold millions of copies, but didn’t sell the additional millions that Columbia hoped a Journey record would), Journey hit the road for a sold-out stadium tour in 1986 that finally culminated in Alaska at the beginning of 1987. 

Things weren’t all great in the Journey camp though as Herbie Herbert and Steve Perry had continually clashed throughout the tour and by the time it was over, neither man wanted to spend any time in the other company.  A line needed to be drawn in the sand, and Perry was the one who picked up a stick and drew it. 

Perry decided that enough was enough, and told Schon and Cain that he wanted out, but the keyboard player being the most pragmatic member of the band told that rather than quitting, he should just take some time out. The singer agreed, and Journey decided that it was time that the band and its members needed to go on a break. 

Eight Years And A Few Bands Later

What was initially supposed to be a short time out, eventually turned into an extended eight-year hiatus, during which Schon, Cain, and Perry only played together once in 1991 at a Bill Graham memorial show.

As 1995 crawled into view, Steve Perry called Schon and Cain and told them that he’d be willing to return to Journey as long as Herbie Herbert wasn’t involved with the band anymore. Cain and Schon promptly fired their friend and manager and hired Eagles manager Irving Azoff to replace him. 

With a new manager in place, Journey, including the previously fired Stevie Smith and Ross Valory reunited and began to write and record their tenth album, Trial By Fire.

Even though the record delivered the top twenty hit single When You Love A Woman , when it was released in October 1996, it woefully underperformed and is still one of Journey’s worst-selling albums.

The band, especially Schon, rightly blamed the record’s lack of success on the fact that it was heavy on ballads and didn’t include the sort of uptempo, high-energy, hard rock anthems that the band’s fans expected them to write, record release, and play. 

And playing had also become a contentious issue for the band. Perry, following a hiking accident in Hawaii, had discovered that he needed a hip replacement and had kept putting the surgery off.

The singer, as it would later be discovered was also plagued by a number of other physical ailments, and rather than giving the band’s fans anything less than one hundred percent, he kept delaying the band’s muted tour plans.

Journey couldn’t tour to promote their record, which meant that the record, as far as the band being able to get out and play the songs from it for their fans was concerned, was dead in the water. 

Back On The Road

It had been more than twelve months since the band had released Trial By Fire, and as Perry was still reluctant to commit to any firm touring schedule, following a difficult conversation with Cain, Steve Perry stepped away from Journey for good and went into semi-retirement. 

Worried that the band wouldn’t be the same without Perry, Smith also announced that he was leaving Journey. In the aftermath of two of its longest-serving members leaving the band, Journey, or rather the other members of the band, set about finding replacements for their departed comrades. Deen Castronovo, a musical acquaintance of Schon and Cain became Journey’s new drummer while former Tyketto and Tall Stories singer Steve Augeri were brought in to replace Perry. 

The band finally started touring again in 1998 after contributing a new track to the soundtrack for the film Armageddon and as the millennium dawned they once again entered the studio to record their eleventh album, Arrival which was finally released in April 2001.

Whether it was due to the climatic shift in the musical landscape, or the fact that the band’s fans were just older and had moved on from their wild teenage rock and roll years, their latest opus failed to make the mark that the band hoped it would. It entered the Billboard Chart at Number 56, and its lead single fared even worse.

The future wasn’t as bright as it had once seemed and Journey, following a brief tour in 2001, decided to take 2002 off to rethink their future. 

From Then Until Now

Aguri’s tenure in the band was brief due to his deteriorating health, and he was eventually replaced by Jeff Soto from Talisman while the band was on tour with Def Leppard in 2006. Soto spent less than a year in Journey before he in turn was replaced by Arnel Pineda in 2007, who is still a member of Journey and is their second longest-serving vocalist. 

In recognition of their incredible contributions to the music industry, Journey was inducted into the Rock and Roll Hall of Fame in 2017.

Just when it looked like things were finally getting back on track with the band, it was following an ongoing dispute Journey fractured into camps with the official band being led by Schon and Cain and an unofficial version being led by Valory and Smith.

That’s when things started to get ugly with both parties threatening to sue each other and hurling lawsuits around like they were going out of fashion. It was an incredibly dark period in the band’s history that was finally resolved in April 2021, and both parties when the legalities were concluded were able to walk away feeling as though they had won a partial victory.

Success, as far as Journey is concerned, is an incredibly costly experience, both personally and financially.

Following the conclusion of their ongoing legal battle, Journey released a single The Way We Used To Be in June 2021 and Neal Schon has promised that the release will shortly be followed by a new album.  And when it does appear, we’ll be the first in line to buy it, as just like their millions of other fans, we’ll never stop believin’ in Journey. 

Journey Band Members Timeline

As you now know, Journey has had several notable members throughout its long and successful musical journey. From the early days to the present, the band has seen talented musicians come and go. Let’s take a look at the timeline of the prominent members, categorized by their respective roles in the band.

Founding Members of Journey:

1. neal schon (guitarist).

  • Joined Journey in 1973 as one of the founding members.
  • Continues to be an integral part of the band’s lineup till today.
  • Known for his exceptional guitar skills and iconic solos.

2. Gregg Rolie (Keyboardist, Vocalist, and Drummer)

  • Also a founding member of the band in 1973.
  • Contributed as the main vocalist, drummer, and keyboard player.
  • Played a significant role in shaping the band’s early sound.

3. Ross Valory (Bassist)

  • Joined the band in 1973 as a founding member.
  • Known for his melodic bass lines and occasional backing vocals.
  • Has had intermittent periods with the band, but remains an important member.

4. George Tickner (Guitarist)

  • One of the founding members who played guitar.
  • Actively contributed to the band’s early years until his departure in 1975.

Drummers from Journey:

1. prairie prince (1974-1978).

  • Joined the band, replacing Prairie Prince.
  • A renowned drummer from The Mothers Of Invention and David Bowie’s band.
  • Contributed to Journey’s early success and played on their debut album.

2. Aynsley Dunbar (1973-1974)

  • Joined Journey in 1974 after the departure of their original drummer.
  • Was an established musician and brought his solid drumming skills to the band.
  • Left the band in 1978, but played an essential role during their formative years.

3. Steve Smith (1978-1985, 1995-1998)

  • Known for exceptional drumming skills during Journey’s most successful era.
  • Featured on albums like “Escape” and “Frontiers” among others.

4. Larrie Londin (1985-1986)

  • Temporarily replaced Steve Smith during his departure from the band.
  • A short but notable tenure in Journey.

5. Mike Baird (1986-1987)

  • Filled in for Londin during Journey’s “Raised on Radio” Tour.

6. Deen Castronovo (1998-present)

  • Officially joined the band in 1998, known for versatile drumming and vocals.
  • Served as the band’s drummer until 2020 when he was briefly replaced by Narada Walden.
  • Rejoined Journey in 2021, becoming the current member.

7. Narada Walden (2020–2022)

  • Temporarily filled in for Deen Castronovo as the band’s drummer.
  • Made notable contributions during his tenure with Journey.

Lead Singers of Journey:

1. steve perry (1977-1998).

  • Joined Journey in 1977 and became the band’s lead vocalist.
  • Known for his powerful and distinctive voice, he played a pivotal role in the band’s success.
  • Perry’s tenure with the band lasted until 1998 and included hit albums like “Escape” and “Frontiers.”

2. Steve Augeri (1998-2006)

  • Joined Journey as the successor to Steve Perry.
  • Fronted the band for nearly a decade, releasing albums like “Arrival” and “Revelation.”
  • Departed from Journey in 2006 due to health issues.

3. Jeff Scott Soto (2006-2007)

  • Joined Journey as the lead vocalist following Augeri’s departure.
  • Performed with the band for a short period covering various international shows.

4. Arnel Pineda (2007-Present)

  • Became Journey’s lead vocalist after being discovered through YouTube.
  • With his remarkable vocal range, he helped the band regain popularity with new audiences.
  • Continues to captivate audiences worldwide as Journey’s current frontman.

Keyboardists of Journey:

1. stevie “keys” roseman (1980-1983).

  • Filled in for Rolie during Journey’s Departure Tour.
  • Assumed keyboard duties temporarily.

2. Jonathan Cain (1980-present)

  • Joined Journey in 1980 and became an essential member.
  • Took over keyboard duties and co-wrote many hit songs.

Bassists and Guitarists from Journey:

1. steve perry (1978 – 1987, 1995 – 1998).

  • Many fans might not know that Perry also played guitar on some of the band’s tracks
  • His contributions as a guitarist added depth and creativity to Journey’s music

2. Steve Smith (1978 – 1985, 1995 – 1998)

  • Steve Smith also proved his proficiency as a guitarist during his time with the band
  • His ability to switch between drums and guitar added a dynamic element to their performance

3. Randy Jackson (1986 – 1987)

  • Randy Jackson’s diverse musical background brought a fresh perspective to Journey’s sound
  • Jackson later became a well-known TV personality and one of the judges on American Idol.

4. Todd Jensen (2021-Present)

  • Joined Journey as a bassist for their Las Vegas residency, starting on December 2021.
  • A seasoned musician with an impressive resume, having played with artists like SEQUEL, HARDLINE, and HARLOW.
  • Filled in on bass for Journey during the six shows of their residency

Throughout the band’s history, Journey has seen multiple personnel changes, but their music and legacy have continued to resonate with fans across generations. These talented individuals have each made significant contributions, leaving an indelible mark on the band’s evolution and success.

Frequently Asked Questions about Journey

Q1: what is journey’s net worth.

As of July 2023, Journey Band’s net worth is $8.87B.

Q2: Is Arnel Pineda still with Journey?

Yes, Arnel Pineda is currently the lead singer of Journey.

Q3: Are any of the current Journey members originals?

No, none of the current members of Journey are original members. The original members of Journey include Gregg Rolie, Neal Schon, Ross Valory, and George Tickner.

Q4: When was the last time Steve Perry sang with Journey?

The last time Steve Perry sang with Journey was in 1991. After leaving the band in 1998, he rejoined briefly for a reunion album and tour in 1996-1997, but they parted ways again after that.

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Journey’s Bassist Ross Valory Opens Up About the Band’s Saga — And His Adventurous Solo Album

  • By Andy Greene

Andy Greene

Ross Valory has dreamed of making a solo album ever since he started gigging around San Francisco in the late Sixties, but other projects kept getting in the way. He was in the process of amassing original songs in 1971 when the Steve Miller Band brought him into the fold to play bass on Rock Love . Later, he teamed up with ex-members of Santana to form the Golden Gate Rhythm Section. Within a few months, they changed their name to Journey .

The upside to all this is that Valory has finally been able to finish his solo LP All of the Above, which arrives April 12. “I took the energy and the focus of what I was doing on tour with Journey and began recording my own material,” he tells Rolling Stone via Zoom from his home in East Bay, California. “All of these songs have been waiting. Some of them go back decades. I wanted to finish what I started.”

Growing up in Lafayette, California, Valory heard his parents playing Nat King Cole, Bing Crosby, Perry Como, and Andy Williams around the house at a young age. He sang with a men’s chorus while in high school, competed in a cappella tournaments around the state, and learned to play clarinet, ukulele, and guitar. He didn’t pick up the bass until he was 16 and a new kid at school invited him into his soul band under the condition he learn the instrument.

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Valory has done very few interviews over the years, preferring to let his bandmates tell the story of Journey. We took this opportunity to hear the saga from his perspective, and learn all about the creation of All of the Above.

You were briefly in the Steve Miller Band prior to Journey. What was your experience like making Rock Love ? Rock Love was very experimental. Steve Miller was going through his last throes with Mercury Records. So to him, Rock Love was an obligation. It didn’t matter whether they promoted it or sold it or not. But he met his contract, so he was very experimental.

How did you wind up in Journey? I’d known [guitarist] George Tickner since high school, and we played in Frumious Bandersnatch at different times. When I left the Steve Miller Band, George was floating in the area. Herbie Herbert had just left the Santana organization, as had [guitarist] Neal Schon and [singer/keyboardist] Gregg Rolie.

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You were a supergroup of sorts. This was a time when a lot of supergroups were forming. Known members of bands would get together and do an album project and even do a tour. But there was also a stigma attached to the supergroup thing. It was becoming very unpredictable. A lot of supergroups were getting together, they’d make an album, and then they’d split. They wouldn’t even play, or they’d do half a tour and then split up. So the supergroup idea only worked so far for us.

You guys made three records. You toured a ton. Did you start to get frustrated that the records weren’t selling better despite all the hard work? Actually, it’s quite the opposite. All three of those albums went gold, and gold in those days means 500,000 copies. The standard changed in later years to $500,000 worth of product. But for each of those three albums to sell 500,000 copies is no sharp stick in the eye. However, we were signed with a major record label who goes, “Okay, that’s fine, but let’s look at the long term here. Let’s see how we can sell more records.”

And so the band appreciably and agreeably was able to adapt, and it changed to a more popular music, song oriented, vocally oriented format, and the eventual arrival by 1978 of Steve Perry .

What’s your first memory of Steve Perry? I was in the position to actually hear the demo album that he had done with the band he had been working with prior to Journey, the Alien Project, in which the bassist had died in a car accident and the project fell apart. I had the opportunity to listen to that cassette, and I was simply amazed by it. What a voice.

Did you feel a spark the first time you played with him? Absolutely. Some of the first songs we developed were “Lights” and “Wheel in the Sky.” It was absolute magic.

“Wheel in the Sky” was partially credited to your wife at the time, Diane Valory. My now ex-wife was a part composer along with Gregg Rolie, Neal Schon, and Robert Fleischman, who briefly was in the band before Steve Perry. He began to work that song up until Perry’s involvement.

Why did Gregg Rolie leave the band? I think he just got tired of slogging it out. It was his second career after a lengthy one in Santana, and so it was time for him to bow out.

How did the addition of Jonathan Cain change the sound of the group? He completely added the magical combination that we already had with me, Neal, and Steve Perry. He had a different style of playing for sure. It solidified everything. That was obvious on Escape and Frontiers , which was some of the best work we ever did.

Were you stunned when the group suddenly scaled up into arenas and landed these giant hits on the radio? There was something that we all felt, especially with Steve Perry’s arrival. We knew that this was going to work. It was just intuitive, a gut feeling. But I must tell you, to be driving in a car and have the radio on and to hear “Wheel in the Sky” play was momentous. And then beyond that, to be performing in the larger venues and having audiences that were attuned to what we were doing and loving it was also momentous.

The tour schedule back then was pretty grueling. You went out for months and months without any breaks. Did it ever start to burn you out? I can’t say grueling, but it was certainly a lot of work. So many people have this impression of rock stars where it’s all la-dee-da and martinis by the pool. Not really. It’s a whole lot of work. And Journey was so busy from 1972 through at least 1984 or so. It was a lot of work. It can be tiring, especially for a singer.

When the group took that break after 1983 and Steve had those solo hits, did you think the band was over? No, I didn’t. But certainly people had their own solo projects that they wanted to pursue. I didn’t think it was over at the time.

How did you find out that you and Steve Smith were out of the band in 1986? Well, that was something that Herbie imparted, but it was pretty evident that the majority of the players wanted to take a different direction, a different approach in style, and that was their prerogative.

Steve Perry said later that it was a mistake and he regrets it. Well, good for him. But you can look back at all that…it’s so long ago. There’s no judgment at this point. It was probably a wrong move, but it was a short move. It was one album and one tour. There were some good songs on that album, and it did keep the band’s brand alive.

Why didn’t the band last longer? We were the first band signed to Interscope Records. They loved the album. They did pretty well promoting it. We landed a very good spot opening up for Bryan Adams for an entire tour. But then again, it was a Bryan Adams crowd, and I can’t say that the audiences were entirely tuned into the Storm and its music, but as the tour progressed, it started to really work.

Then we went back and recorded the second album and presented it to Interscope, and they said, “This is great. This is brilliant. It’s even better than the first one. But while you were away, we no longer have a promotional department for that kind of music.”

The industry decided way back then, “We don’t want to sell this. We’d rather get new bands that we can get a lot less expensively and that we can get a piece of their publishing on. And if it doesn’t work, we have not lost an investment. And if it does, we are in the money.” That’s a very cynical but accurate outlook of what the industry was at the time.

A few years later, you reunited with Steve Perry and Journey for Trial by Fire. What a pleasant surprise. What a great idea. And it was by the efforts of John Kalodner, a major exec at CBS/Sony. It’s a project that I’m very proud of with some great music. What a great occasion to bring those people back together and accomplish what we did.

It was the thing everyone wanted to see, which was the five of you back in a room together. Yeah. There was some good material with “When You Love a Woman,” Message of Love,” and “If He Should Break Your Heart.” Unfortunately, Steve was suffering from systemic arthritis that attacked his hips. He just could not continue well enough to do the subsequent tour. So the project for the five of us ended with the recording of the album and the one video for “When You Love a Woman.”

Steve Smith decided that without the original members, it would not be worth his while. But there’s another aspect there. Steve is a major jazz artist. So that’s when we brought in Deen Castronovo from Bad English. And Steve Augeri, to answer your question, I think was a great, great candidate.

You guys toured like maniacs and really built the band up again. Right. It was just reinventing ourselves. We continued to work with Steve Augeri until 2006 when his voice failed. Now I should comment about this to give perspective on why and how something like that happens. At that point, we were not flogging it as much as we were in the old days. We were paying more attention to spacing out the number of shows, especially the number of consecutive shows in a week, to give the singer a break.

There are about 18 hits that any given audience would generally like to hear. To perform all of those songs in one night, four to five nights a week, is something that not even Steve Perry could have done.

This is not to disrespect his talent and his strength in those days, but to perform all of those hits in one night, I wouldn’t want the job. It is no surprise that Steve Augeri’s voice failed. That’s a big workload.

Many fans felt Steve Augeri was lip-syncing in his final shows. Is that true? Oh, that’s not true. But that’s the old Milli Vanilli thing. Not at all.

You brought in Jeff Scott Soto after that. He’s a great singer, but maybe not quite right for that material. Jeff is a fine singer and a great entertainer, but it just was a little different. And in the process of writing new material for another album, Jeff and the other writers didn’t really fall into sync. There was not enough in common. So Jeff certainly stepped in and did what he did on short notice. What a guy.

And then suddenly the band is on Oprah and seemingly everywhere. It was just this crazy resurgence. Yes, it was. All that time and energy in building the band’s presence and validity from 1998 to around 2008, that played a big part in it. I think all the time and energy spent by all of us, including Steve Augeri, really helped. The arrival of Arnel is striking and notable, but it is really based on all the footwork we had done to work our way back into the industry.

Did you talk to Steve Perry during the band’s Rock and Roll Hall of Fame induction? I sure did. I went and paid a little visit. He had a little room in the back. And what a pleasant experience that was. On a side note, there was a very brief soundcheck, and I was having problems hearing my own instrument. There was distortion and glitches in the system, and the soundcheck ended before I could sort that out. It was like, “I’m sorry, we’re out of time.” So the performance likewise was equally difficult for me.

That’s just the way it goes. It was like, “Gee, here it is. This is the moment, and I don’t have time to fix a problem.” That’s a distraction from the greater magic of that night.

A few years later, all these feuds erupt in the press between members of the band. You were largely on the sidelines, but it must have been painful to watch. Yeah. It was painful for everybody involved.

Do you regret visiting the Trump White House with Arnel and Jonathan? Not at all. My intention there was to privately have a VIP tour of the White House, regardless of who was sitting in the Oval Office. That’s what I wanted. It was an opportunity. I wanted to see the White House and get the special tour, which I did. It was amazing. I didn’t see any of it as a political statement or an alignment, whatever.

Do you miss the concerts and being part of the band? Of course. What an amazing experience. I am so blessed to have spent the better part of 50 years in a band that’s remarkable. All the fine players and singers that have come through the room that I had the privilege of performing with, including the current players. These are all brilliant, talented people, whether they are present in the band or not. What an experience, from this experimental fusion band into one of the top-rated popular bands. This is a band that reinvented itself twice. But to answer your question, certainly I miss it. I miss performing, and eventually I will be doing so on my own.

Tell me about the history of your solo album All Of The Above. It goes back a long time, and it does stem from all the influences I’ve taken on since childhood. I was very busy for decades with Journey and other bands. The material that I’d been writing over the years since 1970 began piling up on the back shelf and were just sitting there. Many of these songs were complete or at least a solid concepts for songs. And I decided about 10 years ago, “Why wait till I retire? Why not get started now?” So I took the energy and the focus of what I was doing on tour with Journey, and began recording my own material here in the East Bay 10 or 12 years ago.

Who plays on it with you? It begins with [keyboardist] Eric Levy. He’s an amazing talent that played in the [jazz fusion band] Garaj Mahal. He’s been performing with Night Ranger for many years. The first song we recorded together for the album was “Wild Kingdom.” And he’s the only player besides myself who appears on all the songs.

He came in, and Eric and I had put together a demo of the arrangement. Karl brought in Walfredo de los Reyes Jr., a fine Cuban-American drummer who had played with Santana before. And both of them laid down the basic tracks for that song. Eric and I worked our parts up, and then we brought in Marc Russo of the Yellowjackets and the Doobie Brothers to do the saxophone work.

What’s the oldest song on the album? “Tomland” goes back to about 1970.

Pretty amazing you’ve been working on this stuff for well over 50 years. There’s the date of inspiration or inception, and then there’s the date of recording that could be decades apart. And the order of the songs in the album is not chronological either.

It’s largely a collection of original instrumentals, but you also include a cover of War’s “Low Rider.” That was just almost willy-nilly. It just so happened that I had the availability of Les Stroud, the harmonica player who’s better known as Survivorman on television. He happened to be rolling through town. I got his harmonica parts laid down. I also had the benefit of having [drummer] Greg Errico from Sly Stone. That’s the perfect guy for that kind of song. It just all happened very, very quickly.

After all these years or being in a band, how did it feel to finally be the one calling the shots? There’s so many aspects of the project, in terms of not just writing and arranging the songs, but also publicizing it. I’m familiar with all of that, but it’s surreal because I’m doing it on my own. I’m talking to a guy from Rolling Stone right now. It’s not like this is my first rodeo, but it’s my first rodeo by myself.

Are you going to tour it? Not at this time. Right now I’m in the process of promoting the album. I’m also at the same time, in my off hours, working on the new material, so there’s this balance there. I’d love to play shows, but I am not yet equipped to do that. I would want it to be right. I would want it to be sophisticated. I would want to have the right players for the right songs in the same room at the same time.

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Are you contact with any of them? No. We’ve all moved on. That’s not to say that I couldn’t or wouldn’t. It just happens to be that way at this time. They continue to play and they will do well. I wish everyone the best.

Is it a strange thought that they’re onstage most every night with someone else playing your parts? It’s not strange anymore. It’s become something that was a long time ago. I’m immersed into something now that’s equally fulfilling to me.

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JOURNEY's JONATHAN CAIN: 'We're Very Happy With ARNEL PINEDA'

In a new interview with Steve King of the 105.3 The Bone radio station, JOURNEY keyboardist Jonathan Cain spoke about the band's current working relationship with its longtime vocalist Arnel Pineda . Pineda was a bar and club singer working in Manila, Philippines in 2007 when he got an e-mail from JOURNEY guitarist Neal Schon who had seen videos of Pineda performing on YouTube and asked him to come to San Francisco and audition to become the band's new frontman.

"Yeah, Arnel 's 16 years celebrating — this is his 16th year [with JOURNEY ]," Cain said. "[It's] probably the longest tenure of any lead singer for the band. So, he's been crushing it for us. He's got his kids on the road with him this time, and he seems really content and happy. And we're really proud of everything he's done up to this point. And we see some years left. There's definitely still some gas in the tank. But we're very happy with Arnel . He's amazing."

Classic JOURNEY singer Steve Perry left the band in 1998 and was replaced by Steve Augeri . Jeff Scott Soto replaced Augeri in JOURNEY in December 2006 after Augeri began suffering throat problems on the road. But Soto lasted less than a year, and in December 2007, JOURNEY hired Pineda , who fronts the band to this day.

Back in August 2022, Schon was asked what it had been like to work with Pineda for the prior 15 years. He responded: " Arnel is just a gem. He's more amazing right now than he was when I first found him in Manila 15 years ago, when he was homeless and he was in dire straits. I was searching for the new singer for JOURNEY and I chose YouTube to look all over the world for the singer. When I heard his voice, I knew that he was it — with no other thought. It hit me emotionally in my heart. I went, 'That is the voice. He is the voice. I know he can do it.' And so I stuck to my guns, with a lot of resistance from many — from within the band and from management. They all thought I was crazy. I said, 'I know I'm right. So get him over here.' We got him over. And he proved that I was right again."

Neal continued: "The show we just played the other night, he sounded phenomenal through the whole show. We finally got his in-ears sorted out; we've got a great mixer in front now. It sounds like a record every night. And he's sounding phenomenal every night. And he's very excited about some of the new direction that we took that allows him to show how creative he can be without having to emulate our other albums, which is a requirement for any singer that would come into JOURNEY . It's either that or you throw away all your hits that you ever had. And what do you do? Start from ground zero again? It doesn't make sense.

"So I knew when I found Arnel that I had found a true chameleon like no other singer I've ever heard. He is amazing. I love him. He's a true warrior."

Born in the Philippines, Pineda has been fronting the legendary rockers since 2007. A vocal doppelganger for JOURNEY 's longtime vocalist Steve Perry , Arnel has helped put JOURNEY back in arenas once again. But some fans were not happy about the addition of Pineda , complaining about his ethnicity and dismissing his voice as a "copycat" of Perry .

Pineda and Perry finally crossed paths when JOURNEY and its former singer shared the stage at their induction into the Rock And Roll Hall Of Fame in April 2017. While accepting the award, Steve spoke warmly about his former bandmates, as well as the man who replaced him. "I must give a shout-out to a man who sings his heart out every night, Arnel Pineda ," Perry said.

Although Pineda did not get inducted with his bandmates, he did get up and join them at the Hall Of Fame induction ceremony, singing "Don't Stop Believin'" and "Lights" .

Six years ago, Perry told SiriusXM that he didn't perform with JOURNEY at the Rock Hall ceremony because he is "not in the band. I haven't been in the band for quite some time," he explained. " Arnel 's been in the band for almost 10 years, I think. He's a sweet kid — he's a wonderful kid. He sings his heart out every night. It's his gig."

As for meeting Pineda before the induction, Perry said: "There was something endearing about the way he looked at me. He was meeting, like, a grandfather. [ Laughs ] He's got the gig. It's his gig. He's doing great."

Pineda has overcome a tremendous number of obstacles throughout his life, including the loss of his mother at a young age, homelessness and borderline starvation, making him an inspiration and providing hope for millions of people around the globe. Blessed with the ability to give back, Pineda mobilized his team to join the battle against poverty and its ensuing havoc on Philippine youth.

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In Celebration of the Human Voice - The Essential Musical Instrument

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Songbooks, Arrangements and/or Media

Displaying 1-5 of 5 items.

Journey : Greatest Hits (Updated Edition)

Pianists will delight in this updated songbook, in which the piano/vocal arrangements have been notably improved (compared to older published sheet music renditions) to accurately reflect what was played on the band's original hit recordings. Basic guitar chord grids are also included. (A note-for-note guitar tablature edition is also available; sold separately.) Titles: Only the Young * Don't Stop Believin' * Wheel in the Sky * Faithfully * I'll Be Alright Without You * Any Way You Want It * Ask the Lonely * Who's Crying Now * Separate Ways (Worlds Apart) * Lights * Lovin', Touchin', Squeezin' * Open Arms * Girl Can't Help It * Send Her My Love * Be Good to Yourself.

Alan Billingsley : Any Way You Want It: Journey's Greatest Hits

Wow! Five and a half minutes of Journey's greatest hits, as featured in the 2010 finale of Glee (cleverly entitled the "Journey" episode). These four killer tunes were performed by New Directions as their set-list for regionals. A sure-fire hit for your kids, plus a fabulous tribute to one of America's greatest rock bands!

Roger Emerson : Don't Stop Believin'

Performed by the cast of 20th Century Fox Television's new hit musical comedy Glee and debuting at #4 on the Billboard Hot 100, your singers will love to recreate the sounds from the show as Mr. Schuester (Matthew Morrison) attempts to transform the Glee Club and inspire a group of ragtag performers to make it to the Show Choir Nationals! Available separately: SATB, SAB, SSA, 2-Part, ShowTrax CD. Combo parts available digitally (tpt 1, tpt 2, tsax, tbn, syn, gtr, b, dm). Duration: ca. 3:45.

Kirby Shaw : Open Arms

Capturing the deep emotion of two people in love, this heartfelt ballad by Journey was a top pop hit in 1982. One of the signature songs of its time, it makes a great nostalgia feature! Available separately: SATB, SAB, SSA, ShowTrax CD. Rhythm parts available digitally (gtr, b, dm). Duration: ca. 4:00.

Alan Billingsley : Don't Stop Believin'

Developing 2-part choirs will have a blast performing this shortened and kid-friendly version of Journey's monster hit from the pilot episode of Glee.

Individual Folios

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Trisha Yearwood’s Weight Loss Journey: The Secrets Behind Her Success

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Trisha Yearwood is one of the most popular country singers in America, and she’s known for her soulful voice and sultry looks. But you may be surprised to learn that she struggled with her weight and had to lose a significant amount before she could begin her career as a successful singer. In fact, Trisha was so self-conscious about her size that she’d hide in the bathroom so no one could see what was under her clothes. But now that she’s lost all that weight, it’s clear that this is one woman who knows how to take care of herself—and still stay beautiful! So what are some of the secrets behind Trisha’s success? In this article we’ll explore them all: from tips on starting your day off right (or wrong), to strategies for eating well throughout the day without getting bored or tired of healthy food choices. Let’s dive in!

Importance of discussing celebrity weight loss journeys

There are several reasons why discussing celebrity weight loss journeys can be important:

  • Inspiration: Celebrity weight loss stories can be a source of inspiration for people who are struggling with their own weight loss journey. Seeing someone who has successfully lost weight and improved their health can motivate others to make positive changes in their own lives.
  • Education: By sharing their weight loss journey, celebrities can also provide valuable insights into the methods and techniques they used to achieve their goals. This can be helpful for people who are looking for guidance and advice on how to lose weight in a healthy and sustainable way.
  • Awareness: Celebrity weight loss journeys can also help raise awareness about the importance of maintaining a healthy weight and taking care of one’s health. When a celebrity shares their story, it can help to break down some of the stigma and shame that can be associated with weight issues.
  • Empowerment: Finally, sharing their weight loss journey can also empower celebrities to take control of their own health and well-being. By publicly acknowledging their struggles with weight and their efforts to improve their health, celebrities can inspire others to do the same and feel more confident in their own bodies.

Trisha Yearwood’s early career and rise to fame

Trisha Yearwood is a country music singer, actress, and author. She was born on September 19, 1964, in Monticello, Georgia. Yearwood grew up in a musical family and began singing at a young age. She attended the University of Georgia and earned a degree in music business.

After graduating, Yearwood moved to Nashville, Tennessee, to pursue a career in music. She worked as a demo singer, recording demos of songs written by other songwriters to showcase their work to record labels. Yearwood eventually caught the attention of Garth Brooks, who signed her to his new record label, Pearl Records, in 1991.

Yearwood’s debut single, “She’s in Love with the Boy,” was released in 1991 and became a number one hit on the country charts. This was followed by a string of successful singles, including “The Woman Before Me,” “Walkaway Joe,” and “XXX’s and OOO’s (An American Girl).”

In addition to her successful music career, Yearwood has also pursued acting and writing. She has appeared in several television shows and movies, including JAG, The Passion: Live, and the film The Thing Called Love. She has also written several cookbooks and hosted her own cooking show, Trisha’s Southern Kitchen, on the Food Network.

Her struggles with weight and body image

Trisha Yearwood has been open about her struggles with weight and body image throughout her career. In interviews, she has spoken about feeling pressure to maintain a certain image as a female country music artist, and about struggling with emotional eating and binge eating.

Yearwood has also talked about the impact that her busy touring schedule and the stress of the music industry had on her health and well-being. She has said that she often turned to food as a way to cope with the pressures of her career.

In 2013, Yearwood decided to make a change and prioritize her health. She started working with a personal trainer and nutritionist, and began making lifestyle changes to improve her diet and exercise habits. Through a combination of healthy eating and regular exercise, Yearwood was able to lose weight and improve her overall health and well-being. She has since maintained her weight loss and continues to prioritize her health through diet and exercise.

Trisha Yearwood’s Weight Loss Journey

Trisha Yearwood’s weight loss journey began in 2013, when she decided to prioritize her health and make lifestyle changes. She started working with a personal trainer and nutritionist, who helped her develop a plan for healthy eating and regular exercise.

One of the key components of Yearwood’s weight loss plan was portion control. She learned to eat smaller, more frequent meals throughout the day, and to focus on foods that were high in protein and fiber. She also made a point to stay hydrated by drinking plenty of water throughout the day.

In terms of exercise, Yearwood began working out regularly with her personal trainer. Her workouts included a combination of cardio and strength training, and she also incorporated activities like yoga and Pilates into her routine.

In addition to these lifestyle changes, Yearwood also made a point to prioritize her mental health and well-being. She started practicing mindfulness and meditation, and made a conscious effort to manage stress in healthy ways.

Through these changes, Yearwood was able to lose weight and improve her overall health and well-being. She has since maintained her weight loss and continues to prioritize her health through diet and exercise. She has also been vocal about the importance of making sustainable lifestyle changes rather than pursuing fad diets or extreme weight loss methods.

Secrets Behind Trisha Yearwood’s Success

Trisha Yearwood’s weight loss success can be attributed to a number of factors. Here are some of the secrets behind her success:

  • Sustainable lifestyle changes: Rather than pursuing fad diets or extreme weight loss methods, Yearwood focused on making sustainable lifestyle changes that she could maintain over the long term. This included a focus on portion control, healthy eating, and regular exercise.
  • Support systems: Yearwood worked closely with a personal trainer and nutritionist, who provided guidance and support throughout her weight loss journey. She also had the support of her family, who encouraged her and helped her stay accountable to her goals.
  • Self-care: Yearwood made a point to prioritize her mental health and well-being, which helped her manage stress and stay motivated throughout her weight loss journey. She practiced mindfulness and meditation, and made time for activities that she enjoyed, like cooking and spending time with loved ones.
  • Public accountability: Yearwood’s decision to share her weight loss journey publicly helped to keep her accountable and motivated. She used social media to share updates on her progress and to encourage others who were on their own weight loss journeys.

By focusing on sustainable lifestyle changes, seeking support from experts and loved ones, prioritizing self-care, and sharing her journey publicly, Yearwood was able to achieve her weight loss goals and improve her overall health and well-being.

The key to weight loss is consistency.

The key to weight loss is consistency. If you can be consistent in your actions, then there’s a good chance that you will lose weight. However, if you’re not consistent in your actions, then it’s likely that your efforts will be fruitless and ultimately end up discouraging you from continuing on with them at all. To avoid this problem and ensure success with any new endeavor–whether it’s losing weight or starting a business–you need to make sure that every day feels like an accomplishment instead of just another day spent trying (and failing) at something new.

So what does “consistency” mean exactly? Well first off: don’t be afraid! Don’t let fear hold back from trying new things because fear often leads us into making bad decisions which ultimately lead nowhere good at all… unless we’re talking about horror movies because those can be pretty entertaining sometimes too!

Secondly: don’t give up! Just because something doesn’t work out right away doesn’t mean there isn’t another solution waiting somewhere down the road just waiting for someone like yourself who has great ideas but lacks confidence due primarily due lack experience working within certain industries/professions where these skillsets would otherwise come naturally over time through practice alone (which means no matter how much money they spend hiring consultants beforehand).

It’s important to start your day with a healthy breakfast.

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The key to weight loss is consistency. You can’t just try to lose weight once every few months and expect it to work. It takes a lot of effort and discipline, but if you’re willing to commit yourself fully then there’s no reason why you shouldn’t see results!

Mette says Taylor Swift's 'prowess is unreal' ahead of her opening London Eras Tour slot

singers with journey

When Mette takes the Wembley Stadium stage to open the first of Taylor Swift's Eras Tour of five shows, it won’t be her debut at one of the most famous venues in the world. But it will be the first time she’s there with a microphone in hand.

Starting in 2014, Mette toured the world with Pharrell Williams as one of The Baes, his renowned dance troupe. Summer Sonic in Japan, Glastonbury in England and other massive festivals around the globe – Mette has had plenty of opportunities to perform in front of tens of thousands.

But when she becomes part of the Eras Tour lineage on June 21, it will be different.

“I’m going to be so present on that stage,” she says. “Twenty-five minutes is going to go by fast .”

Mette’s debut EP, “METTENARRATIVE,” arrived last fall and launched the world-beat-pop single, “Mama’s Eyes,” which earned her a prestigious Ivor Novello award nomination this year. Her single, “Bet,” is a slice of irresistible dance-pop with a funk groove, and she’s readying the release of three more songs, “Muscle,” “Coming of Age” and “Small World.”

Need a break? Play the USA TODAY Daily Crossword Puzzle.

But despite her quickly thriving musical pivot, she and Swift initially crossed paths when both were exploring a film opportunity – the critically mauled 2019 film version of “Cats .”

So who is Mette and why did Swift choose her for a coveted opening slot?

Mette admires Taylor Swift's ‘creative prowess’

Mette, 33, says the combination of performing at a show with not only the biggest artist in the world, but fellow opening act Paramore is “one of the many incredible circles of life surrounding me right now.”

She recalls attending the Vans Warped Tour in the mid-'00s and seeing Paramore perform and also remembers the year she turned 22 while at a dance camp in Duluth, Minnesota. Swift’s anthem in tribute to her age at the time was ubiquitous on radio and Mette happily bounced on her bed, singing along.

Though she hasn’t seen the Eras Tour live yet – Mette plans to head into the audience as soon as she can after performing – she’s watched key moments online , with a keen eye toward Swift’s dancers as well as the woman in the spotlight.

“Her work ethic, I admire it so much,” Mette says of Swift. “Her creative prowess is unreal. People talk about the fandemonium, but it’s a true passion connecting people around the world and she’s delivering it in a 3 ½-hour show. She’s an athlete.”

More: Taylor Swift announces she'll end the Eras Tour this year with Indianapolis the final stop

Mette touts the inspiration of Beyoncé and Shakira

Born Mette Towley, she spent her childhood in the small town of Alexandria, Minnesota, and Baltimore, where she attended dance camp and learned about musical theater in movies such as “Singin’ in the Rain.” It’s also where Mette, whose Scandinavian name references her father’s roots, found her “tribe in the performance world.”

Growing up mixed race in a provincial area of the Midwest (her recent song “Darling Drive” harkens to a place where she felt protected by her white father and Black mother but also dealt with “challenging and sometimes unfair” experiences) and then finding comfort in the diversity of artsier Baltimore, Mette refers to her background as “stark intersections.”

She listened to pop and rock, appreciating the brilliance of Prince and also running home from school to watch “TRL” on MTV and be awed by the women owning the video world at the time – Shakira, Destiny’s Child, Nelly Furtado, Gwen Stefani – and soaking in their auras.

Beyoncé and Shakira left impressions on her creative brain and remain idols – Mette can recollect Beyoncé’s “Ring the Alarm” VMAs performance with awed clarity.

“They rent space in my head,” she says with a laugh. “I’m always impressed by artists who continue to evolve and be unbridled by ideas when people say they’re too old or they had a child or whatever. It’s incredible to watch artists I grew up loving continue to strive for excellence.”

‘Barbie’ movie opened Mette’s mind ‘to how fun music can be’

Mette still has a foot in film and appears briefly in the Greta Gerwig blockbuster "Barbie" as Video Girl Barbie, sporting a tuft of long black curls and a hot pink zip-up jacket with zebra-stripe inlays.

She says her current hairstyle is inspired by her celluloid counterpart, but she also gleaned deeper lessons from her monthlong-plus time on set.

“Those costumes were so fun and I accessed a level of camp that informed my video for ‘Van Gogh,’ ” she says. “Working on that set opened my mind to how fun music can be. I want to be taken seriously, yes, but the fun and the costumes and the hair and the makeup … ‘Barbie’ was just really inspiring for the look I’ve been rocking.”

Mette also recalls quietly watching Gerwig at work and marveling at how the director never raised her voice to make a point.

“The way she would reference a scene in a movie, like ‘The Wizard of Oz,’ she’d draw you in with what was in her brain and bring that out of you. She’s so talented, so smart, such a badass,” Mette says. “I’m so grateful for the people I’ve met in my journey through film and dance and music who are so inspiring, but they can be so humble.”

More: Taylor Swift's ex Joe Alwyn breaks silence on their split and 'long, loving' relationship

Mette’s concert journey continues through the summer

The summer of Mette will continue as she hits the festival circuit in Europe, as well as Lollapalooza in Chicago in August.

Her second EP – home to the aforementioned singles – will be out in a few months and she’s invigorated by the “launching pad” that her moment in the Swift-iverse might bring.  

“It’s really incredible to me that all of these seeds I planted are really starting to grow,” Mette says. “There are so many points in my life that are electrifying me and making me believe in my journey.”

singers with journey

Inside Céline Dion’s Health Journey With Stiff-Person Syndrome

Céline Dion was in the middle of her Taking Chances World Tour—one of the pop star’s biggest ever, spanning 25 countries and drawing more than 3 million fans —in 2008 when she initially felt something wrong with her voice. With a visit to an ear, nose, and throat doctor revealing nothing , Dion continued performing. But it was hardly the last time her ill health would impact her singing.

Though “The Power of Love” singer was unaware, that concert experience was only the start of a prolonged battle with the neurological disorder stiff-person syndrome. It would be more than a decade until doctors finally diagnosed the five-time Grammy winner with SPS, a rare condition affecting about only one in every 1 million people according to a 2021 study in the journal Case Reports in Neurological Medicine .

Afflicted with painful spasms and muscle stiffness throughout her body, which altered her ability to sing and walk, Dion has had no choice but to halt her music career. Despite her dire prognosis, the singer remains adamant she hopes to eventually return to the stage. “I have this strength within me. I know that nothing is going to stop me,” she recently told Vogue France .

Dion began experiencing symptoms in 2008

The vocal spasms Dion experienced during that 2008 tour were some of her earliest signs of SPS, she recently told Vogue France . However, “[the doctors] looked at my [vocal cords] from every angle, and they said it was pristine,” she said.

Dion continued on with her shows and remained active on stage over the next few years, completing a residency in Las Vegas and additional tours. But behind the scenes, she had developed muscle stiffness that made it difficult to walk without holding onto things. Despite her worsening condition, Dion attempted to hide her symptoms amid husband René Angélil’s own treatment for a recurrence of throat cancer starting in 2014.

Watch I Am: Celine Dion , a chronicle of the singer’s career and health journey, on Amazon Prime Video

Angélil died in January 2016, leaving Dion to care for the couple’s three sons, then-14-year-old René-Charles and 5-year-old twins Nelson and Eddy. Now more than ever, she was determined to work and live as normal despite her mysterious symptoms. “I should have stopped, taken the time to figure it out,” she told Today . “I had to raise my kids. I had to hide. I had to try to be a hero. Feeling my body leaving me, holding on to my own dreams.”

The singer’s initial treatments were dangerous

The singer’s condition only worsened, dramatically affecting her ability to sing and go about her normal life. “It’s like somebody is strangling you,” Dion told Today , adding she has suffered broken ribs from spasms and experienced total immobilization of her hands and feet.

Still, Dion tried to continue performing. She was advised to take muscle-relaxing medications, including Valium. Starting off with a 2-milligram dose, she eventually increased it to as many as 90 milligrams—a potentially fatal amount—to make it through a concert. “I did not question the level, because I don’t know medicine. I thought it was going to be okay,” she told People . “It worked for a few days, for a few weeks, and then it doesn’t work anymore.”

Eventually, the situation became untenable. In October 2021, Dion postponed 21 performances scheduled over the next four months and delayed the opening of her new Las Vegas residency . But come January 2022, she canceled the rest of her North American tour because of severe muscle spasms.

Dion felt she’d been “lying” about her condition

Following years of what she called “playing hide-and-seek with myself” and downplaying her condition around friends and family, Dion resolved to prioritize her health following the start of the COVID-19 pandemic. She scheduled more frequent and detailed examinations to rule out possible causes of her symptoms.

Finally, in August 2022, Dion’s physician Dr. Amanda Piquet determined she had SPS, which is incurable but can be managed through medication and other treatment methods, according to Johns Hopkins Medicine .

Despite the shock of her diagnosis, the singer quickly felt she needed to be forthcoming. By December of that year, she decided to publicly reveal her condition in an emotional Instagram video .

“The burden was, like, too much. Lying to the people who got me where I am today, I could not do it anymore,” Dion recently told Today about her decision.

Her announcement and the media coverage surrounding it sparked a rise in awareness of SPS, nicknamed the “Céline effect.” Speaking to the Montreal Gazette in March 2023, Dr. Scott Newsome, director of the Johns Hopkins Stiff Person Syndrome Center in Baltimore, expressed hope Dion’s revelation could ultimately lead to more funding for SPS research.

Dion offers an even more intimate look into her health journey in the new documentary I Am: Celine Dion , which releases to Amazon Prime Video on June 25. Director Irene Taylor filmed Dion at some of her most vulnerable moments, including a “crisis episode” in which muscles throughout her body stiffen with severe pain.

Today, Dion is committed to focusing on her health

This April, Dion told Vogue France she is still learning to live with the condition. In addition to taking medication, the singer undergoes physical, vocal, and athletic therapy five days each week. Her physician, Dr. Piquet, has described the treatment plan as a “full-time job.”

“The way I see it, I have two choices. Either I train like an athlete and work super hard, or I switch off and it’s over, I stay at home, listen to my songs, stand in front of my mirror and sing to myself,” Dion said .

Dion has felt healthy enough to make a couple of notable public appearances. The singer was spotted at a Boston Bruins NHL game in March, dancing to a Bon Jovi song from a luxury box and even visiting the team’s locker room. She also surprised viewers and attendees at February’s Grammy Awards by presenting the Album of the Year trophy to pop star Taylor Swift . Most recently, the singer attended the June 17 premiere of I Am: Celine Dion in New York City.

Although she’s still unsure if she’ll ever tour again, Dion has continued to express optimism. Marking International Stiff-Person Syndrome Awareness Day on March 15, she shared a (now-deleted) photo of herself and her three sons to Instagram. In the caption, she wrote , “I remain determined to one day get back onto the stage and to live as normal of a life as possible.”

Singer Céline Dion was diagnosed with the rare neurological disease stiff-person syndrome in 2022, but her symptoms started more than 10 years earlier.

COMMENTS

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