voyagers film konusu

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Gezginler, özel bir görev için uzaya gönderilen bir grup genç astronotun hikayesini anlatıyor. Özel olarak yetiştirilmiş bir grup genç astronot, yeni keşfedilmiş bir gezegene koloni kurmak için gönderilir. Ancak yolculuk sırasında uzay gemisinin yetişkin olan kaptanı, gizemli bir şekilde öldürülür. Bu durum genç mürettebatın kaosa sürüklenmesine neden olur. İlkel ve kabilesel bir hayata geri dönen gençler, en vahşi ve hayvani isteklerine boyun eğer.

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Gezginler Film Konusu

İnsan ırkının geleceği tehlikedeyken, zeka ve itaat için yetiştirilmiş bir grup genç erkek ve kadın, uzak bir gezegeni kolonileştirmek için bir keşif gezisine çıkar. Görevle ilgili rahatsız edici sırları ortaya çıkardıklarında, eğitimlerine meydan okurlar ve en ilkel doğalarını keşfetmeye başlarlar. Gemideki hayat kaosa sürüklenirken, kısa sürede korku, şehvet ve doyumsuz bir güç açlığı tarafından tüketilirler.

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Voyagers / Gezginler

Neil Burger tarafından yönetilen Voyagers ; Senaryo anlamında başarılı, kurgu ve kamera hareketleri olarak başarılı bir filmdir. Filmin birçok başarısı ve memnun edici bir sürü olgusunun yanı sıra işlenilen senaryo ve içerik derin bir anlam içererek genç kitleyi ele alır. Genç kitlenin yaş itibariyle getirdiği his ve duyguların kontrol altında tutulmaması ve serbest bırakılması doğrultusunda meydana gelecek karmaşa ve kaos ortamını ele alır. Zac karakteri bu kaos olgusuna en iyi örnek olabilir, Zac karakterinin kaosa önderlik etmesi ve her bir karakteri ayrı bir şekilde maniple ederek, kendi tarafını kuvvetlendirmesi, karakterin başarılı ve güçlü bir şekilde kurgulandığının kanıtıdır.

Çoğu zıt karakterli filmler içerisinde kötü karakterin genel yapı itibariyle motivasyonu düşük olarak sunuluyor, anlaşılır daha doğrusu iyi işlenmiş bir motivasyonlu kötü karakter az sayıda mevcuttur, elbette başarılı bir sürü örnek vardır. Batman: Dark Knight filminde Heath Ledger ’ın canlandırdığı Joker karakteri buna en iyi örnektir. Zac karakteri maalesef o kadar başarılı değil, Zac karakteri Arrow dizisinde 5.sezon kötüsü olan Prometheus karakteriyle benzer özellikleri tam anlamı ile olmasa dahi mevcuttur. İki karakterde eylemlerini gerçekleştirirken küçük adımlarla ilerleyerek çevrede bulunan kişileri kendi safına çekmektedir.

Filmin kendine has, orijinal bir konuya sahip olmasının yanı sıra bu konuyu dengeli ve başarılı bir şekilde seyirci karşısına sunması takdir edilebilir. Konu yabancılık barındırmayan normal bir konu olarak görülse de, yönetmenin konu içerisinde ekleme ve kurgulama yapması filmi başarılı bir film konumuna yükseltiyor.

Filmin başlangıç konularından biri olan Blue adlı içecek ve bu içeceğin genç kitlenin doğal dürtülerini baskılaması ve Star Wars ’ta bulunan Jedi ’lar gibi duygusal bağ veyahut hislerden uzak bir hale getirip, dürtüleri bastırması ve bunun neticesinde ise karakterlerin duygularının sağlıklı bir şekilde yaşayamaması ve bu durum ortadan kalktığında tecrübesiz bir şekilde serbestçe ve kontrolsüzce davranmaları, karakterlerin insanı daha doğrusu fıtri/doğal duygular konusunda tecrübesiz olmasından kaynaklandığını yönetmen başarılı bir şekilde anlatmaya gayret göstermiştir. Bunun en büyük örneği ise karakterlerin duygu patlamaları sırasında araya atılan kesitler bunun en iyi örneğidir.

Zac ve Christopher karakteri iki ayrı zıt karakter olmasına rağmen, filmin başında arkadaş konumunda gösteriliyor lakin arkadaşlık olgusu çıkar ilişkisine kadar sürüyor. İki karakter Blue’u içmeyi bıraktıklarında gerçek karakterleri ortaya çıkarak Zac’in (Kimi seyirciyi rahatsız edici.) kontrolsüzce bulunduğu eylemler, Christopher karakterine ters düşerek ikili arasında ki çatışmayı arttırması yönetmenin her o yaşta ki insanın aynı düşünce ve dürtülere sahip olmadığını ve genel genç-ergen konumun aksine çıkarak yeni bir bakış açısı getirmiştir.

Sonuç olarak yönetmenin Limitless (Limitsiz) filminde ki gibi etkileyici ve devamlı kamera hareketleri ve sınırların ötesine çıkma teması dengeli ve başarılı bir anlatımın doğrultusunda normal izlenebilecek bir film olmaktan çıkartıp, normalin üzerinde olan başarılı ve gerçekten izlenebilecek ve memnun kalınabilecek bir film konumuna getirmiştir.

Misafir Yazar : BERK ANIL YAVUZ

Yönetmen / Senaryo : Neil Burger

Görüntü Yönetmeni :  Enrique Chediak  

Kurgu :  Naomi Geraghty  

Müzik :  Trevor Gureckis

Oyuncular : Colin Farrell, Tye Sheridan, Isaac Hempstead Wright, Lily-Rose Depp, Viveik Kalra, Fionn Whitehead, Archie Renaux, Chanté Adams, Madison Hu, Quintessa Swindell, Veronica Falcón, Rafi Wilder

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Vahşi Duygular: Voyagers

Buğra Şendündar 18 Eylül 2021 Film İncelemeleri Bir yorum bırakın

İlk yüksek bütçeli yapımı The Illusionist (2006) ile önemli bir çıkış yakalamayı hedefleyen Neil Burger , Christopher Nolan ’ın benzer temaya sahip The Prestige ’i karşısında istediği amaca ulaşamamıştı. Kimi zaman Hollywood’da benzer konuya sahip filmleri aynı yıl içerisinde görebiliyoruz; söz konusu durum, yapımların bir “kıyas” yarışı içine girmesine sebebiyet veriyor. Dolayısıyla iyi olan kazanıyor. Nihayetinde Amerikalı yönetmen, bir roman uyarlaması olan Divergent (2014) ile kısmen de olsa bir başarı yakalamıştı. Son olarak Voyagers ile huzurlarımıza çıkan Burger, distopya soslu bir bilimkurgu ile huzurlarımızda. Limitless (2011) ve Divergent ile bilimkurgu türüne şerbetli olan yönetmen, öte bir gezegene giden kolonistlerin tek yönlü yolculuklarını gözler önüne seriyor.

Voyagers akıllara aynı temaya sahip Passengers ’ı (2016) getirebilir; ama Burger farklı bir rotada yol izliyor. Üç nesil sürecek bir yolculuğun konu edildiği yapımda, ötegezegende yapay döllenme yoluyla koloni kurulacağı bilgisine ulaşıyoruz. Dünya’da yaşam koşullarının giderek tehlikeli bir yöne evrilmesi, insanlığı yaşam ihtimali bulunan başka gezegenleri aramaya itiyor. Nihayet 2036 yılında, bilim insanları yaşam olma ihtimali yüksek bir ötegezegen keşfediyor. Hükümetin de desteğiyle bir koloni programı oluşturuluyor: Yapay döllenme yoluyla doğacak olan otuz kişi, üç nesillik uzay yolculuğu öncesinde, çevresel şartlardan izole biçimde özel bir eğitime tabi tutuluyor.

Bu otuz çocuk ile yakinen iletişim kurabilen tek kişi ise bilim insanı Richard  ( Colin Farrell ) . Onlar için adeta bir “baba” figürü olan Richard, bu geri dönüşsüz yolculukta yer almak için ısrarcı; genç mürettebatın başında bir “yetişkinin” olması gerektiğine ve güvenlikleri açısından önemine yürekten inanıyor. Dünya’da doğmalarına rağmen, bulundukları bilimsel tesisin dışına hiç çıkarılmamış olan çocuklar, kıskançlık, öfke ve cinsellik gibi dürtülerden arındırılmış olarak yetiştiriliyor. Uzay yolculuğu yapabilecek büyüklüğe eriştiklerinde ise Richard’ın önderliğinde  Humanitas uzay gemisiyle serüvenlerine başlıyor. Ne var ki Richard’ın zamansız ölümü otorite kaybına yol açıyor  ve genç grubun ilaçlar ile uyuşturulduklarını fark edip kimyasalları almayı reddetmesiyle sonuçlanıyor. Tabii çok geçmeden temel insani dürtüler kendini gösteriyor; cinsellik, öfke ve kıskançlık gibi duygular bu uzun yolculuğun kaderini ciddi anlamda zedelemeye başlıyor…

Neil Burger, hikâyesini distopik temeller üzerinde kurguluyor. George Orwell ’ın 1984 ’ünü andıran bir felsefeyle büyütülen çocuklar, tek tip bir biçimde ve görev odaklı eğitim alıyor. Uzay yolculuğunda ilaçları almayı reddettiklerinde ise distopik ortam yavaşça anarşizme evriliyor. Yapım, Christopher ( Tye Sheridan ) ve Zac ( Fionn Whitehead ) arasındaki güç çekişmesine odaklanıyor. Çok iyi arkadaş olan ikilinin arası, ilaçları kesmeleri ile giderek bozulmaya başlıyor. Zac’in narsist kişiliğinin ortaya çıkması ve Christopher’ın yakın arkadaşı Sela’yı ( Lily-Rose Depp ) cinsel anlamda takıntı hâline getirmesi, geminin de dengesini bozuyor.

Filmin aynı zamanda senaristliğini de yapan Burger, genç bireyler arasında gerçekleşen kıskançlık ve güç savaşlarını ana eksene alıp, izleyicinin asıl ilgilendiği ötegezegen ve kolonileşme fikrine yeteri kadar yer veremiyor. Dolayısıyla kağıt üzerinde bilimselliği ve insan davranışlarını ön plana alırmış gibi görünen senaryo olay örgüsünde tökezliyor. Burger, geminin uzun koridorlarını tek nokta perspektifleriyle tekrarlı olarak gösteriyor. Koridorlar zamanı, uç noktalar ise nesil geçişlerini simgeliyor.

Cinsellik, hikâyede önemli bir yerde duruyor; neredeyse cinsiyetsiz ve temel duygulardan yoksun eğitilen genç mürettebat, aşk ve şehvet gibi duyguları keşfetmeye başlıyor. Bu duyuların keşfedildiği sahnelerde Burger, avcının avını yakalaması gibi yabanıl doğadan bazı kısa kesitler gösteriyor: Yönetmen, kimi benzer anlarda gerçek doğa görüntüleriyle insanın vahşi içgüdülerine vurgu yapıyor. Yapay döllenme yoluyla koloni kurmayı gündeme getiren yapım, dogmatizme yüz vermiyor. Dolayısıyla bilimsel öngörüleri olan bir fikri etik kurallar ile boğmuyor. Yılın önemli yapımlarından biri olamayan eser, ne yazık ki temellerini de sağlam bir zeminde inşa edemiyor.

Bunu paylaş:

Etiketler Colin Farrell Film İncelemesi Fionn Whitehead Gezginler Humanitas Koloni Lily-Rose Depp Neil Burger Tye Sheridan Uzay Voyagers Voyagers Konusu

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Gezginler (Voyagers)

Neil burger, gezginler (voyagers) konusu.

Gezginler (Voyagers) izle , filmi izlemek için Hemen İzle tuşuna basarak izleyebilirsiniz.

Bilim kurgu, gerilim ve macera filmleri arasında yer alan Gezginler (Voyagers) filminin yönetmen ve senaristliği Neil Burger tarafından yapılmıştır. Filmin başrol oyuncuları arasında ise Tye Sheridan, Lily-Rose Depp ve Fionn Whitehead yer alıyor.

Gezginler, özel bir görev için uzaya gönderilen bir grup genç astronotun hikayesi üzerine kuruludur. Özel olarak eğitilmiş plan bir grup genç astronot, yeni keşfedilmiş bir gezegene koloni kurmak için gönderilir. Fakat yolculuk esnasında uzay gemisinin yetişkin olan kaptanı, gizemli bir şehir içerisinde öldürülür. Bu durum ise genç mürettebatın kaosa sürüklenmesine sebep olur.  İlkel ve kabilesel bir hayata geri dönen gençler, en vahşi ve hayvani isteklerine boyun eğer.

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Bilinen Yapımları: Neil Burger

Gezginler (Voyagers) Oyuncuları, Yönetmeni ve Ekibi

Tye Sheridan

Lily-Rose Depp

Fionn Whitehead

Colin Farrell

Chanté Adams

Viveik Kalra

Archie Madekwe

Victoria Hill

Basil Iwanyk

Stuart Ford

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Voyagers (film)

Voyagers (2021)

PG-13 | Adventure, Mystery, Sci-Fi, Thriller

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It has a game cast and a premise ripe with potential, but Voyagers drifts in familiar orbit rather than fully exploring its intriguing themes.

It has a decent cast and some interesting twists on its Lord of the Flies -inspired story, but Voyagers is slow to get going and sputters out in the end.

Critics Reviews

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Neil Burger

Tye Sheridan

Christopher

Lily-Rose Depp

Fionn Whitehead

Colin Farrell

Chanté Adams

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Voyagers (2021)

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A crew of astronauts on a multi-generational mission descend into paranoia and madness, not knowing what is real or not. Starring Colin Farrell and Tye Sheriden.

Set in the near future, the film chronicles the odyssey of 30 young men and women who are sent deep into space on a multi-generational mission in search of a new home. The mission descends into madness, as the crew reverts to its most primal state, not knowing if the real threat they face is what's outside the ship or who they're becoming inside it.

Voyagers Review: A Gen Z Lord of the Flies in Space

A young crew breaks down into factions on a journey to a distant planet in Voyagers, starring Lily-Rose Depp, Tye Sheridan and Colin Farrell.

Voyagers Trailer Embarks on a Chaotic Space Mission with Lily-Rose Depp & Colin Farrell

Voyagers follows a multi-generational space mission gone anarchic, as the men and women aboard the odyssey begin to fall prey to their primal instincts.

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• "'Voyagers' shows that Burger can still move a story along with craft, pace, and skill, even if that story is, in the end, awfully predictable (...) Rating: ★★½ (out of 4)"  Ty Burr : Boston Globe
• "A smart and effective little sci-fi thriller (...) the results are genre cinema that’s both thrilling and thought-provoking."  Alonso Duralde : The Wrap
• "Outer space is not the best place to hit puberty (...) Even with ace performers and heady thoughts, "Voyagers" is a clever trip that, like its crew, unfortunately goes primal at the wrong time (...) Rating: ★★ (out of 4)"  Brian Truitt : USA Today
• "[It] sputters mid-flight (...) Farrell provides some gravitas, taking his role seriously in a movie that cannot be taken seriously (...) Rating: ★★½ (out of 4)"  Richard Roeper : Chicago Sun-Times
• "A youth sci-fi action movie doesn't make any obvious wrong moves, but it's more dutiful than exciting."  Peter Debruge : Variety
• "Despite the familiar nature of the themes writer-director Neil Burger is exploring, his film still offers plenty of tension and his trademark visual panache. (...) Rating: ★★½ (out of 4)"  Christy Lemire : rogerebert.com
• "Lacks oxygen (...) Despite its descent into nihilistic disorder, Voyagers ultimately doesn't travel far from familiar conflicts."  David Rooney : The Hollywood Reporter
• Show 9 more reviews

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Voyagers Ending, Explained: What Happens to Sela and Christopher?

Neil Burger’s hefty portfolio of features might include the likes of a few you’ve seen or perhaps heard of. However, each feature is as memorable as it gets. From 2002’s ‘Interview With The Assassin’, to his ever popular ‘ Divergent ’, Burger has paved the way for like-minded filmmakers to explore nuances that drift away from the typical.

One such sci-fi feature is 2021’s Voyagers ,’ a film that tells the tale of Earth’s inevitable demise and the journey of a future generation to a planet that will serve as its successor. The journey is stricken with mishaps and challenges as the crew navigates not only the vastness of space but also the complexity of human nature. What happens when they have to experience all that in the close quarters of the ship? SPOILERS AHEAD

Voyagers Plot Synopsis

The Earth is ravaged by heat and drought. Humanity’s only hope is to find Earth’s successor, a planet that could be colonized by the future generations of the planet. Scientists find this planet in the year 2063. The journey to the planet will take 86 years, and hence, only the first crew’s grandchildren will be able to set foot on the planet. Richard Alling, played by Colin Farrell, is the lead scientist on the mission. The crew is trained in isolation to survive the confines of the ship.

The crew is bred through IVF and, at a young age, are launched within a ship to their destined planet. After a decade of being onboard crew members, Christopher and Zac discover that “the blue” they’ve been consuming is actually a drug that suppresses their pleasure response and sex drive, keeping them docile and manageable.

Both Christopher and Zac stop taking the chemical. The duo begins feeling a resurgence of adolescent hormones. Their pleasure response has also seemingly been reactivated. Soon, others also stop consuming the blue chemical. Raging hormones aboard the confines of the ship spell a recipe for disaster as the young men and women give into their most primal urges. The film explores many themes, such as adolescence, hierarchy, a lust for power, and the importance of human communication.

Voyagers Ending: Does the Alien Really Exist?

While the existence of the alien could have been an intriguing turn of events in the film, the alien does not exist. Here’s what we know about the alien. Over the course of time, the crewmates begin to hear strange noises on the ship. Nothing peculiar comes up when they check the surveillance systems onboard. Upon asking Richard about these noises and what they could be, he explains that it’s just the ship contracting due to negative temperatures. The crewmates, particularly Zac and Christopher, already know that they’re being drugged by consuming the Blue. Hence, they do not trust Richard’s explanation even in the slightest.

Curious to know what’s really happening, they begin hypothesizing possibilities. After hearing the noises again, Christopher and Zac go to the main surveillance room. Edward is stationed there and is also curious to know where these noises are coming from. While Christopher believes there’s a logical reason for it, Zac thinks there might be an external force at hand. Edward additionally hypothesizes that if the planet they’re going to has life, then there is a possibility of it existing out in space where the ship is.

This essentially plants a seed in Zac’s mind. He begins to believe that it could very well be alien life that’s making sounds somewhere within the ship. As the movie progresses, a malfunction in the communication systems outside the ship prompts Richard, accompanied by Christopher, to conduct a check-up. During the checkup, a bizarre energy is seen attacking Richard, which results in his death. At this time, the surveillance systems picked up something strange before corrupting its files. The only person to witness these events is Edward. He describes it as an entity or force that consumed Richard until he was unresponsive.

While others might have taken this information with a grain of salt, Zac had no trouble accepting it. As the story progresses, Christopher is elected as Chief Officer and is tasked with overseeing all the operations on the ship. This doesn’t sit well with Zac, as he believes he is a better fit. After convincing others to stop taking the Blue liquid, Zac forms his own group, rebelling against Christopher.

Zac has now fully embraced the idea that the alien exists and that it killed Richard. Christopher and Sela, on the other hand, do not believe in it. They set out in search of any missing surveillance footage of the incident, believed to be lost. Christopher, Sela, and others stumble upon footage of Kai in a control room operating an external instrument that he was assigned. With him is Zac, enraged by Richard’s decision to opt for Christopher instead of him.

Kai suggests to “Give him a little zap for his trouble…” indicating that the external equipment they’re handling could be manipulated to cause injuries. Within the footage, the same noises can be heard, but Zac dismisses it, saying it’s just noises from the ship. With this, Sela, Christopher, and others realize that Zac has been faking it all along. He sold this idea to the rest of the crew, claiming he could protect them from this alien.

As the footage plays out, Zac is seen manipulating the electricity surge to the external equipment, gradually increasing it. He does this until the surge is at its maximum, electrocuting Richard. The Surge also damages many other systems aboard the ship. Christopher, Sela, and the others now have firm proof that Zac was the one who killed Richard and doesn’t believe in the alien. They back the footage up in a memory drive and hide it so no one tampers with it.

They use the opportunity to play the footage on a display in the dining room, where everyone meets for meals. Christopher plays the footage and explains to the rest of the crew that Zac is the origin of all the issues. Even after the footage is shown, Zac seemingly convinces his group that the alien could be anywhere, and he wants to protect them from it. To prove his point, he randomly selects crewmate Peter and begins interrogating him on the spot. He says that Peter has the alien in him and that he should be killed.

Zac’s group needs little to no convincing of this. They chase him down and brutally beat Peter to death. Christopher, trying to stop them, also gets hurt in the process. The group realizes what they have done, but Kai persuades them they did the right thing. Directly from the story, we get a clear image of how power-hungry Zac really is. He is equipped and ready to fabricate any story that will keep him on top. He even goes to the extent of killing Richard.

The alien is nothing but a mere made-up story driven by its mysterious setting and unsettled listeners. It all began when Edward initiated the possibility of it being an external influence to Zac, using the story for his power-hungry needs. He actually didn’t even need to convince the rest of the crew; the noises helped him without trying. It just goes to show how gullible people can be within a herd mentality. In this setting, the alien is really Zac’s lust for power; although intangible, it can become a reality if the need for it is larger than life.

What Was in the Secret Compartment of the Ship?

When Christopher figures out the real composition of the Blue, he also stumbles upon another secret that the mission withheld from the crew. Within the bounds of the ship is a secret compartment, Pod-23 , that contains something mysterious. Christopher found the compartment in the ship’s plans. Curious about this, he discloses this information to Zac and some others.

Later on in the film, Christopher and Sela recognize that the compartment actually contains weapons. Sela mentions to Christopher that Richard had provided this information earlier. Hiding from the rest of Zac’s followers, Christopher ventures out searching for this compartment, but to the dismay of his stealth skills, is unable to and leads Zac and his followers straight to it. The weapon’s cache is now in the hands of Zac and his peers, adding even more chaos.

The reason behind the weapons cache existing on the ship is clearly mentioned in the film. The mission integrated the weapons into the ship, only to be used by the generation that reached the planet. They would use these weapons for self-defense if they encountered any threat on the planet. After all, it is imperative for the crew of the ship to survive on the planet if they are meant to colonize it. Therefore, having weapons is a must.

The secret compartment helps us understand how intelligent the crew members really are. Anything that is kept secret will eventually be unearthed, especially when confined to a particular space, which in this case is the ship. It paints a picture of adolescent curiosity, something that can uncover several mysteries if it wants to. Human ingenuity knows no bounds, and considering the crew members are genetically enhanced for their intellect, it would be concerning if they didn’t find the cache.

Purely from a narrative perspective, the weapons play a vital role in storytelling. Without the guns, the intensity and thrill displayed towards the end of the film would not exist. In the hands of these young adults, the weapons are a symbol of power. Others would fear them because they possess it. This is precisely what Zac wanted: power, and he got even more of it with the weapons. Zac tells his peers that he’ll protect them from the alien, and with the acquisition of the weapons, Zac can carry out his claims.

The secret compartment of weapons isn’t just there to add a feature to the narrative. It has systematically been placed by the writers to help its viewers understand the scenario onboard the ship. It is a symbol of intelligence, power, fear, and hatred, traits that readily appear in the film.

Are Sela and Christopher Alive at the End?

Details about Sela and Christopher dwindle towards the end of the film after the birth of their children. While it is unknown whether they survived the journey in its entirety, from a purely cinematic perspective, this could be plausible. The odds aren’t necessarily in their favor. To understand if they survived, we must know how old they could be at the end of the film.

Using the information provided at the beginning of the film, it is assumed that the children were conceived right after the exoplanet was found. We can confirm from the movie itself that it is an exoplanet, as displayed during the initial presentation by the mission director at the start of the film. The chart indicates that the spacecraft will be traveling to Alpha Centauri, which in reality is the nearest solar system from ours, about four light-years away.

Using the information provided in the film, the children were conceived right after the exoplanet was found. This means the children are born approximately one year after the planet was found in 2063. If the children were born in 2064, they were launched within Humanitas (the spacecraft) only during their pre-teen years, ages 9 to 12. If the average age of the children is nine years, they were launched into space in 2073.

After the 10-year jump, Sela and Christopher are 19 years old. While most of the film is accompanied by suitable answers, time-frames have fallen short. Information about the time frame between Richard’s death and Sela becoming Chief Officer is quite foggy. However, if the time frame lies between a few months to a year, Sela and Christopher could have given birth to their child at the age of 21.

If they stuck to the designated age provided by the rules of the mission of 24 years, it would alter the trajectory of their ages. Sela would have ample time to re-adjust the state of affairs onboard the ship and bring consensus and peace among the crew after the events that took place when they were 19. Sticking to this route, Sela would give birth to her child at the age of 24, 15 years after the launch of the mission.

If the crew sticks to the same pattern, then Sela’s children will also give birth at the age of 24. Sela would be 48 years old during the birth of her grandchildren, 39 years into their journey. Gen 1 would give birth to Gen 2 at the age of 24; Gen 2 would give birth to Gen 3 when Gen 1 is 48 years. Sela and Christopher would need to survive another 47 years before landing on the exoplanet at the age of 95.

The average life expectancy worldwide is around 73.4 years, which means Sela and Christopher would be in a minimal percentage of people who live to the age of 95. According to other academic records, the centenarian (people who are 100 years old and above) percentage around the world is around 0.017%. This could indicate that Sela and Christopher have a very minute chance of living that long, irrespective of other conditions.

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The Ending Of Voyagers Explained

Voyagers , the latest science fiction film starring Tye Sheridan and Lily-Rose Depp is, in a way, a sort of Lord of the Flies set on a starship far from the reaches of Earth and human civilization. While the children in Lord of the Flies wind up trapped on an island by accident, the young people onboard this starship (which is more of an ark) are there by design. In both cases, the adolescent ensemble has to reckon with the chaos of a world without adult rules.

On its face, Voyagers has a familiar sci-fi premise: The Earth's time is running out. Richard ( Colin Farrell ), a scientist with a plan, takes a crew of young people who have never interacted with the rest of the world into space, where they will live and eventually breed the next generation of humans. The hope is that their children will eventually arrive on a new world for humanity to populate. So, a pretty standard execution of the generation ship trope.

The stars of Voyagers will never see that new world. They are the intermediary generation between the humans of Earth and their children, who will hopefully be the ones to kickstart human civilization all over again someplace new. The end of Voyagers and its meaning are tied to the chaos of what happens aboard that lonely vessel in the blackness of space. Here's the ending of  Voyagers explained.  Major spoilers ahead.

Voyagers ending isn't about the future, it's about right now

Richard's big plan once everyone's on the ship is to trick the kids into self-medicating with something called "The Blue," which is essentially a cocktail of anti-androgens and other meds designed to keep everybody sexless and docile. But the kids find out about the drug, and they stop taking it. Without The Blue, the kids become volatile, which results in Richard's death, leaving the kids to fend for themselves.

These kids may not have experienced much of Earth, but they're still human, so they do exactly what humans do — they vie for power through violence and manipulation. They even create a pretend evil alien designed to explain away Richard's death. More crewmembers die and, for a while there, it seems like the entire mission will end with no survivors.

The movie actually ends with a détente, however. Two male leaders, Christopher (Tye Sheridan) and Zac (Fionn Whitehead), who have been struggling for control of the mission, accept the compromise that Sela (Lily-Rose Depp) the medic will take charge. Christopher and Zac step down and cease hostilities, but they agree that everyone will stop taking The Blue.

The movie ends showing that these people do age, and do indeed procreate. Their progeny do make it to a new world. The resolution is a major contrast with the rest of the chaotic and violent third act. It begs a metaphorical reading of the movie's plot: Earth is our vessel, and like the crew of the fictional starship, we are often manipulated by one another into doing self-harm. We have these periods of volatility, during which we wonder if the human species will make it to see another day, but even when our interests seem diametrically opposed, it's the process of reconciliation that guarantees our future.

Voyagers looks to this future, but it reminds us of our past, too. It reminds us that there has always been chaos caused by humanity, which carries the risk of extinction. We've survived wars, we've endured genocides, and we've navigated the creation of planet-destroying weapons. All of these wounds are self-inflicted, and yet we are still here. What Voyagers is daring us to believe with its ending is that we will not only keep surviving, but that we'll thrive for so long that we'll reach out into the farthest parts of the galaxy to inhabit new worlds. It's an optimistic movie in the end.

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Set in the near future, the film chronicles the odyssey of 30 young men and women who are sent deep into space on a multi-generational mission in search of a new home. The mission descends into madness, as the crew reverts to its most primal state, not knowing if the real threat they face is what's outside the ship or who they're becoming inside it.

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Voyagers review: 2001 meets Ethics 101 in ponderous sci-fi drama

Bored teenagers take big moral arguments into space in this sci-fi drama heading for theaters.

Lily-Rose Depp and Tye Sheridan make space for the big questions.

When you're a teenager, everything can feel like the end of the world. But for the crew of adolescent astronauts in new sci-fi drama Voyagers, it literally could be -- because their teen angst threatens a mission to restart humanity.

These kids have been born and bred specially to head for space as the ravaged Earth dies behind them. But they don't take too kindly to learning that mission control is manipulating them, and the next thing you know, the rules have gone out the airlock and it's all turned Lord of the Flies.

Voyagers is in theaters now.

Colin Farrell headlines as a sad-eyed pied piper leading the flock of kids into space, showing a father's sorrow through a charismatically subdued performance. But when there's only one adult in the cast, you know he's on borrowed time, and that leaves the pouting but dead-eyed kids to carry the film. Having been raised in a sterile, high-tech environment that's cinematically appealing but quite clearly a bad idea for raising healthily balanced children, the little'uns grow into dour, affectless teenagers who eat and work out and pilot the ship in austere silence. Their recreation consists of listening to classical music -- probably because if they were allowed to watch literally any spaceship movie they'd know some kind of psycho freakout is clearly round the corner. The flattened, muttering performances and a motif of plodding down sterile corridors fits the eerie atmosphere but isn't terribly engaging.

Dunkirk actor  Fionn Whitehead and X-Men star Tye Sheridan show flashes of visceral excitement as their characters revel in the unexpected and heady sensation of becoming young men. Intoxicated by awakening urges and growing strength, Whitehead's volatile jock is whipped up by a roiling cocktail of ego, desire and jealousy. But Whitehead and Sheridan are oddly stuck with a deadened acting style even when they're supposedly free to develop personalities. Still, at least their roles have some passion -- unlike that of  Lily-Rose Depp , who gets stuck frowning a lot and telling off the naughty boys.

As all impulse control goes out the window, the kids challenge not only the mission but also the very basics of human morality. In fact, Voyagers takes on a commendable amount of issues: It begins as a climate change parable, exploring whether people have a responsibility to improve a future they won't live to see. But it's also a meditation on mortality. And a treatise on whether man is innately savage. It explores factionalism; the corrupting influence of demagogue leaders; free will; an individual's responsibility to society; parental authority and expectations; and the uncomfortable reality of how long it takes to travel through space. And it also finds time to touch on sexual consent.

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That's an awful lot of subtext. Although it hardly qualifies as subtext when the characters just flat-out state the big questions. Voyagers feels more like a YA primer on human nature, a hypermodern Lord of the Flies or Animal Farm packaging big questions in a way younger viewers can grasp. You can imagine a teacher showing this in school and then leading a class discussion about ethics until the bell rings for lunch.

As well as introducing big but fairly basic moral questions, the film also works as something of a sci-fi starter pack. An early montage of empty and echoing spaceship corridors directly cribs a visual motif from Alien. The pulsing synths recall Blade Runner. And it evokes the overall feel of countless going-nuts-in-space stories, from 2001 and Solaris to Moon and Passengers. Who knows, maybe a younger viewer will check this out and get more into sci-fi, like young Fall Out Boy fans discovering the Clash. Or Set It Off fans discovering Fall Out Boy. I dunno.

Speaking of genre trappings, though it's released in theaters, Voyagers feels much more like the many and various limited-budget sci-fi flicks on Netflix. There're a couple of perfunctory mysteries, and the single location becomes an increasingly scary place as the kids let their paranoia run riot. But these subplots never ignite into full-blown horror territory. Instead, they exist only to build an eerie atmosphere that motivates the kids in some of their darker decisions. The flick certainly never follows its train of thought to the end by spiraling into the sort of demented imagery seen in films like Event Horizon, Sunshine or High Life that might've justified a place on the big screen. Spectacle-wise, this is certainly no Godzilla vs. Kong .

Still, for those of you who can't (or won't) get to a theater, you'll be able to find Voyagers in its natural streaming habitat soon.

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Star Trek: Prodigy Has Doubled Down On Being The Voyager Sequel You've Always Wanted

The first season of "Star Trek: Prodigy" was tantalizing for fans of "Star Trek: Voyager." The central cast of teen characters — led by the plucky and overconfident Dal R'El (Brett Gray) — discovered a lost and abandoned Starfleet vessel called the U.S.S. Protostar, a ship that was equipped with a holographic version of the Voyager's Captain Janeway (Kate Mulgrew). It would be up to Janeway and the teens to return the Protostar to Federation space.

"Prodigy" marked Mulgrew's first return to canonical "Star Trek" in 19 years, her last appearance being a cameo in 2002's "Star Trek: Nemesis." Later in "Prodigy," Mulgrew would also appear as the real-life Admiral Janeway, letting the actress pull double duty.

Hologram Janeway was quite a bit different from the flesh-and-blood version, however. The artificial Janeway was a gentle, teacher-like figure who came to embrace the younger characters in a near-matronly way. Admiral Janeway was bitter and curmudgeonly, angry that she was medically forced to switch from her beloved coffee to tea. The Admiral was on a quest to rescue the Protostar from its very distant location, knowing that her old colleague, Captain Chakotay (Robert Beltran) was on board when it disappeared. 

This wasn't quite the grand "Voyager" reunion that many Trekkies might have wanted, but "Voyager" was clearly the most immediate predecessor to "Prodigy." In both cases, Janeway served as a central authority figure, serving with what she considered to be an ersatz family. 

But "Voyager" fans might want to note that they're closer than ever to a follow-up series. The second and final season of "Prodigy" dropped on Netflix on July 1, 2024, and the new season not only incorporates two additional "Voyager" characters into the mix, but also the new-and-improved Voyager-A as one of the show's central starships. 

The Voyager-A

At the end of the first season of "Prodigy," Dal and his friends managed to return to Federation space, and meet the real Admiral Janeway face-to-face. This was after a time-travel-based crisis had been averted, a battle was fought, and the Protostar destroyed. Janeway, however, was impressed that a ragtag group of teenagers, instructed only by a hologram, could not only learn to fly the ship, but operate it with responsibility. They were offered a chance to join Starfleet Academy, and Janeway was gearing up to take command of a brand new ship, the Voyager-A. 

The Voyager-A will serve as a central setting in the second season of "Prodigy." Indeed, although Janeway is an admiral, she's still permitted to take command and lead the new ship on its first mission. She quips, "I promised Admiral Picard I wouldn't get this one lost in the Delta Quadrant."

The Voyager-A is a science vessel just like its original namesake, has a cetacean ops department, as well as two full-functional schools. It's a much larger ship than the original "Voyager" as well, sporting 29 decks (the original only had 15) and a crew complement of over 800 (the Voyager only had 141), and can travel much faster. We also see that there are many Starfleet cadets on board — including the notorious Nova Squadron — implying that the Voyager-A is meant to be an educational vessel. 

This is the kind of legacy stuff that Trekkies love. We're not back on board the old-fashioned U.S.S. Voyager, but the next step in its evolution. As explained in both "Star Trek: Lower Decks" and "Star Trek: Picard," the original Voyager is mothballed in a museum. The adventures of a new Voyager is exciting to ponder. This is progress, and not (wholly) nostalgia.

(A brief aside: the idea of a high-tech school in space is a cooler "Star Trek" premise than both the pitches for "Star Trek: Legacy" and "Starfleet Academy" shows)

Not only are Trekkies treated to a U.S.S. Voyager with Janeway in the captain's chair, but her chief medical officer appears to be the Doctor (Robert Picardo) , the emergency medical hologram that served as the head doctor on board the original Voyager. Because he is a hologram, the Doctor has not aged (even though Picardo, now 70, does sound older than he did in 1995). His uniform has been updated, but he's the same Doctor. He even still wears the same mobile holographic emitter on his arm, allowing him, as a hologram, to go anywhere he pleases. The Doctor will be the one to show Dal and his friends around the Voyager-A. Rok-Tahk (Rylee Alazraqui) was excited to work in cetacean ops (whales and dolphins are intelligent members of the crew, and live in the underwater cetacean tanks). Zero (Angus Imrie) will work in the medical department. Jankom Pog (Jason Mantzoukas) will be an engineer. Dal will merely study. 

The Doctor will also be on the bridge of the Voyager-A often, giving Admiral Janeway advice. The current mission of the Voyager-A is to locate Chakotay. It seems that Chakotay, while testing out the Protostar last season, accidentally flew into a wormhole that threw him 52 years into the future. Janeway has located the hole, and is secretly planning a mission through it using a specialized time-proof runabout called the Infinity. 

We have the ship and three crew members already. We're well on our way to a proper "Voyager" reunion.

Where are the other Voyager crew members?

"Star Trek: Prodigy" takes place before the events of "Star Trek: Picard," and we learned from the latter show that Seven of Nine (Jeri Ryan) was still working as a violent bounty hunter. She would later rejoin Starfleet (at Janeway's encouragement), and even become the captain of the Titan-A, rechristened the Enterprise-G, but at this point, she was still murdering people for money. It's possible, however, that Janeway and Seven were still in contact at this time. 

Janeway would certainly be in touch with Tuvok (Tim Russ), her old Vulcan security officer. In "Picard," we learned that Tuvok had attained a high position at Starfleet Command. 

Kes (Jennifer Lien) would sadly have died of old age by the events of "Prodigy" (her species only lives nine years), and no one has bothered to catch up with the Tallaxian Neelix (Ethan Phillips). Tom Paris (Robert Duncan McNeill) and his wife B'Elanna Torres (Roxann Dawson) had just had a daughter named Miral at the end of "Voyager," but we never learned their fates. Give Tom's gadabout nature, it's unlikely he stayed in Starfleet. Their daughter would be grown by now. 

Given that poor Harry Kim (Garrett Wang) was never given a promotion on the U.S.S. Voyager, it would be edifying to see him as a Fleet Admiral, or even the Commander in Chief of Starfleet Command. That would make him Janeway's boss, which is wholly possible. 

The second season of "Prodigy" is embroiled in a time travel plot more closely related to its own main characters of course, but there's no reason the new series couldn't have reached out to a few old friends. As it stands, it's as close to a "Voyager" sequel as we may ever see. 

Screen Rant

Godzilla x kong sequel: release date & everything we know about the next monsterverse movie.

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• Godzilla x Kong Sequel: Further News & Info

Warning! This Post Contains Spoilers For Godzilla x Kong: The New Empire

• Godzilla x Kong: The New Empire is getting a sequel that is set to release in 2027.
• Dave Callaham attached to write the Godzilla x Kong sequel, while Grant Sputore will direct.
• The New Empire hints at possible ideas for the sequel with character relationships and potential Toho cameos.

The Monsterverse returns in Godzilla x Kong: The New Empire , and there will be more epic kaiju action in a Godzilla x Kong sequel. After sparring in 2021's Godzilla vs Kong , the two most famous massive monsters team up in the 2024 sequel to take on the villainous Skar King from the Hollow Earth, who threatens to destroy the entire surface world thanks to his ill-gotten magical powers. Upping the ante once again, Godzilla x Kong: The New Empire continues Legendary Pictures' wildly successful Monsterverse franchise that began with 2014's Godzilla .

Building upon the classic Toho Godzilla series that has run since the 1950s, the American Monsterverse franchise puts a distinctly Hollywood spin without sacrificing any of the world-smashing fun of traditional kaiju movies. Though Godzilla x Kong: The New Empire has received middling reviews , it has become a massive box-office hit and has been a crowd-pleaser with or without critical approval. With the two most recognizable giant monsters in cinematic history in one film, Godzilla x Kong isn't going to be the last Monsterverse movie.

How Much Godzilla x Kong: The New Empire Cost To Make & What Box Office It Needs

Godzilla x Kong: The New Empire is the latest in a line of successful Monsterverse movies, but it will need to go big at the box office to be a hit.

A Release Date is Revealed

New director Grant Sputore will oversee the project, but nothing is currently known about the plot of the next Legendary smash-hit.

Even after losing its original director, the next Monsterverse movie is already moving along nicely with the announcement of the release date for the Godzilla x Kong sequel . Though fans will have to wait a long time to see their favorite kaijus battle their way across the Hollow Earth, the Monsterverse sequel is now scheduled to arrive on March 26, 2027 . New director Grant Sputore will oversee the project, but nothing is currently known about the plot of the next Legendary smash-hit.

The Next Monsterverse Movie Arrives In 2027

Even though the gigantic financial success of Godzilla x Kong: The New Empire is still fresh, Legendary has wasted no time in green-lighting a sequel. On top of hiring a new director to replace the departing Adam Wingard, Legendary has also put the Godzilla x Kong sequel on the schedule, and the next Monsterverse movie is slated to arrive in theaters on March 26, 2027.

Godzilla x Kong: The New Empire was released on digital platforms on May 14, 2024.

Which Human Characters Will Return?

With so much still uncertain about a Godzilla x Kong sequel, the cast details are pure speculation. However, the human cast of The New Empire was made up of many returning faces from 2021's Godzilla vs Kong , and there's no reason to think they can't return for another film. Rebecca Hall's Dr. Ilene Andrews, along with her adoptive daughter Jia (Kaylee Hottle), form the beating human heart of the kaiju action films , and they could easily return for a future sequel. Likewise, comedy relief stalwart Brian Tyree Henry could be back as conspiracy theorist Bernie Hayes.

The most likely human cast members include:

Godzilla X Kong: The New Empire - New & Returning Character Guide

Godzilla X Kong: The New Empire introduces several new characters into the beloved MonsterVerse franchise while bringing back many familiar faces.

Was A Sequel Set Up?

The idea of a new Son of Kong movie has been floated since the cute ape was first revealed in the trailers for The New Empire , and Suko could team up with his new papa to stop a Titan threat

The ending of Godzilla x Kong: The New Empire was surprisingly conclusive, and it was the first Monsterverse movie to forgo a post-credits sequence to set up a sequel. That being said, The New Empire didn't close the door on a sequel and there are plenty of avenues for the next installment to go in. With all the characters and monsters having their own happy endings, Kong's is perhaps the most telling. The introduction of the young ape Suko gives Kong the family he has always wanted after the extinction of his people, and that relationship could take center stage.

The idea of a new Son of Kong movie has been floated since the cute ape was first revealed in the trailers for The New Empire , and Suko could team up with his new papa to stop a Titan threat. Meanwhile, the return of Mothra also opens up the possibility of an even bigger monster mash in the next movie, and there are a host of recognizable Toho characters that have yet to be introduced into the American Monsterverse. Whatever the Godzilla x Kong sequel becomes, it will have a hard time topping its action-packed predecessor.

Godzilla x Kong: The New Empire

After nearly destroying each other in 2021's Godzilla vs. Kong, the giant Titans are back to face a new dangerous threat, but this time, they are on the same side. Godzilla x Kong: The New Empire is the fifth film in Warner Bros.' growing Monsterverse franchise and will be directed by Adam Wingard.

Godzilla x Kong Sequel: Further News & Info

• Godzilla x Kong Box Office Roars Past Major Global Milestone In Less Than 1 Week
• Godzilla X Kong Sequel Seemingly Confirmed In Exciting Monsterverse Director Report
• Godzilla x Kong: The New Empire Sequel Chances & Future Story Teased By Director
• Godzilla X Kong Sequel Officially Moving Forward With MCU Writer
• Godzilla X Kong Sequel Hits Major Setback As It Loses Monsterverse Director
• Godzilla X Kong Sequel Finds Director In Monsterverse Newcomer

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