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Star Trek: New Frontier

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The first Trek novel series not based on a television series, New Frontier began as a series of four short, interconnected novellas, then became full-length novels, and eventually expanded into other areas of Trek merchandise and literature.

  • 2.1 Tie-ins
  • 3 Characters
  • 4.1 USS Excalibur
  • 4.2 USS Excalibur -A
  • 4.3 USS Trident
  • 5 Background information
  • 6 External links

Premise [ ]

In Sector 221-G, the former Thallonian empire has recently collapsed in a popular uprising. The USS Excalibur under the command of Captain Mackenzie Calhoun is dispatched to fly the flag and offer aid to the inhabitants. The crew – a mixture of characters from Star Trek: The Next Generation and the Next Generation Starfleet Academy books , with some original characters thrown in – must learn to work as a team, creating friendships and relationships, as they confront a number of deadly foes.

  • House of Cards (Book 1 of 4)
  • Into the Void (Book 2 of 4)
  • The Two-Front War (Book 3 of 4)
  • Omnibus (reprints #1-4)
  • Fire on High
  • The Quiet Place
  • Dark Allies
  • Excalibur : Requiem
  • Excalibur: Renaissance
  • Excalibur: Restoration
  • Being Human
  • No Limits (anthology)
  • After the Fall
  • Missing in Action
  • Blind Man's Bluff
  • The Returned, Part 1
  • The Returned, Part 2
  • The Returned, Part 3

Tie-ins [ ]

  • #1: Worf's First Adventure
  • #2: Line of Fire
  • #3: Survival
  • Triangle: Imzadi II
  • #5 Once Burned (takes place between #6 and #7)
  • " Pain Management "
  • Double Time (graphic novel)
  • #55 Double or Nothing (takes place after Once Burned )
  • #6 Cold Wars (takes place between #11 and #12)
  • #7 What Lay Beyond (conclusion "Death After Life")
  • " Stone Cold Truths "
  • " Cutting Ties "
  • " Homecoming "
  • Turnaround ( IDW Comics miniseries; takes place between #16 and #17)

Characters [ ]

Uss excalibur [ ].

The USS Excalibur (NCC-26517) was an Ambassador -class Federation starship . In 2373 , the Excalibur was involved in the Borg incursion, fighting in the Battle of Sector 001 . The ship took heavy damage in the battle, and its captain, Morgan Korsmo, an old Academy classmate of Captain Picard, was killed in the attack, his final actions securing the safety of the ship and crew. Following the destruction of the Borg cube , the ship was taken to dry dock for repair and refit.

USS Excalibur -A [ ]

The USS Excalibur (NCC-26517-A) was a Galaxy -class Federation starship, commissioned in 2376 , following the destruction of the former vessel to carry the name. The vessel was originally assigned to Captain Elizabeth Shelby , but was given to Mackenzie Calhoun upon his return to active duty.

Excalibur -A was a late model Galaxy design, described as a "hot rod" in terms of speed and armament (at the expense of some of the earlier Galaxy starships' civilian arrangements). Some new features built into this vessel included holographic communications and a primary hull (saucer) warp drive .

USS Trident [ ]

The USS Trident (NCC-31347) was another Galaxy -class starship, assigned in 2376 as Captain Shelby's second command following her tenure aboard the USS Exeter . When Shelby was promoted to Admiral , first officer Kat Mueller was given command and promoted to the rank of captain . Andorian Commander Desma then served as first officer.

Background information [ ]

  • John Ordover commented: " One of the major problems with the novels at the time, because you have to remember this was way before the DS9 Relaunch and stuff like that, was you couldn't put any inherent continuity into them and you couldn't make any significant changes, so characters couldn't die. Bottom line is, as much as I love DS9, as much as I dislike Voyager , the problems, rating wise, with DS9 and Voyager is that they changed the concept. It's sort of like saying, CSI: The Forest Rangers. You know its not ST because the core of ST is a ship going from place to place having missions. The argument I made was to compare NYPD Blue to Hill Street Blues . New Frontier was an attempt to go back to the original concept but change the tone. And the tone was goofy and over the top and I like that. With more humor, with very flawed characters, and a lot more sex ". ( Voyages of Imagination [ page number? • edit ] )

External links [ ]

  • Star Trek: New Frontier at Memory Beta , the wiki for licensed Star Trek works
  • Curt Danhauser's Guide to New Frontier
  • 3 Ancient humanoid
  • Excalibur: Requiem

Excalibur: Requiem (Star Trek: New Frontier #9) by Peter David

When the U.S.S. Excalibur was suddenly and mercilessly destroyed, Starfleet lost one of its finest starships. But the crew members of the Excalibur lost their captain... and their home. Now, in mourning for their ship and Captain Mackenzie Calhoun, First Officer Elizabeth Shelby and the rest of the crew await new assignments

For Lieutenant Soleta, that means a painful reunion with her Romulan father, while Zak Kebron and Mark McHenry are sent undercover to investigate a series of mysterious alien abductions an a low-tech world. Going their separate ways throughout the Alpha Quadrant, the Excalibur's survivors must face diverse challenges and dangers on their own.

The ship is history, but the adventure continues...

Peter David

  • Peter David

Peter Allen David (born 1956) is an American author. He is best known for his work in comic books and Star Trek novels.

Peter David has also written novels under the pseudonym of David Peters .

  • Star Trek: New Frontier

Star Trek: New Frontier consists of sixteen primary books, and includes three additional books that complement the series but are not considered mandatory reads. The current recommended reading order for the series is provided below.

Main series Star Trek

House of Cards (Star Trek: New Frontier #1)

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Star Trek: New Frontier: Excalibur #3: Restoration

  • 4.3 • 10 Ratings

Publisher Description

From the universe of Star Trek The Next Generation® Peter David's bestselling novels of Star Trek: New Frontier have been a genuine publishing phenomenon. Now the series hits a new landmark with the first original hardcover to chronicle the adventures of Captain Mackenzie Calhoun and the valiant crew of the U.S.S. Excalibur. But the latest chapter begins with the future of Calhoun and his mission very much in doubt.... The Excalibur has been destroyed, the victim of insidious sabotage. Last seen on board only moments before it was blown to bits, Captain Mackenzie Calhoun was assumed lost with his ship. Now First Officer Elizabeth Shelby has been granted a command of her own, the U.S.S. Exeter, where she will discover exactly what kind of a captain she is meant to become. But what about Calhoun? Unbeknownst to Starfleet, the resourceful Xenexian officer escaped the cataclysmic demise of the Excalibur, only to end up marooned on the primitive outback world of Yakaba. There he eventually befriends Shula, a woman with the strange and inexplicable ability to summon rain for her parched and struggling frontier community. Shula's powers, however, have made her the target of jealous and avaricious enemies. They will stop at nothing to seize control of her special gifts -- or destroy them forever. Trapped on a hostile world, unable to contact Starfleet or even let Shelby and the others know he is still alive, Calhoun is drawn into a life-or-death struggle against relentless foes. Full of unexpected twists and surprises as only Peter David can devise them, Restoration is a major turning point in the ongoing saga of Star Trek®: New Frontier.

Customer Reviews

Unlikely premise for a great novel.

A western motif for the New Frontier? I really didn't expect to enjoy it, but Peter David really made it work.

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Star Trek: New Frontier: Excalibur #3: Restoration

Star Trek: New Frontier: Excalibur #3: Restoration

Excalibur #3.

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Table of Contents

About the book, about the author.

Peter David

Peter David is a prolific writer whose career, and continued popularity, spans more than twenty-five years. He has worked in every conceivable media—television, film, books (fiction, nonfiction, and audio), short stories, and comic books—and acquired followings in all of them.

Product Details

  • Publisher: Pocket Books/Star Trek (February 21, 2001)
  • Length: 432 pages
  • ISBN13: 9780743422420

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Star Trek, New Frontier

Star trek, new frontier publisher's summary.

Sector 221-G: For the whole of Federation history, this large volume of space has been controlled by the Thallonians, a cruel, militaristic race of whom little is known except that they rule the other races in their sector with an vicious iron hand. Now the Thallonian Empire has collapsed and the systems it once ruled are in chaos. Old hatreds are surfacing. Petty tyrants control deadly weapons. World after world is descending into disorder and self-destruction. The Federation must send a starship to help where it can and report what it finds. That ship is the U.S.S. Excalibur , a newly refit Ambassador-class starship manned by a crew of Starfleet's best and brightest, including some old friends from Star Trek, The Next Generation and some of the strongest new characters ever found on a Federation starship. Join Captain Calhoun and the crew of the Excalibur as they explore strange new worlds, seek out new life and new civilizations, and boldly go where no one has gone before!

You're getting a free audiobook.

Star Trek, New Frontier Audiobook By Peter David, John J. Ordover cover art

  • By: Peter David, John J. Ordover
  • Narrated by: Joe Morton
  • Length: 4 hrs and 34 mins
  • Overall 4 out of 5 stars 246
  • Performance 4 out of 5 stars 164
  • Story 4 out of 5 stars 163

A new ship, a new crew, a new mission! All four exciting New Frontier adventures are captured here in one program! The newly refit Ambassador-class Starship Excalibur is sent to Secter 221-G, which was once ruled by the vicious Thallonians but has now descended into chaos. Captain Calhoun and his crew - including some old friends from The Next Generation - must boldly go where no one has gone before!

  • 3 out of 5 stars

A good story, but mired in

  • By James E Kresge on 06-22-03
  • By: Peter David , John J. Ordover
  • Release date: 04-18-01
  • Language: English
  • 4 out of 5 stars 246 ratings

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Star Trek, New Frontier Audiobook By Peter David cover art

  • Excalibur: Restoration
  • By: Peter David
  • Length: 2 hrs and 58 mins
  • Overall 4 out of 5 stars 105
  • Performance 4.5 out of 5 stars 62
  • Story 4 out of 5 stars 63

Full of unexpected twists and surprises, Restoration is a major turning point in the ongoing saga of Star Trek, New Frontier . Read by Joe Morton!

  • 4 out of 5 stars

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  • By Victor on 01-11-11
  • Release date: 12-04-00
  • 4 out of 5 stars 105 ratings

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star trek new frontier excalibur

Star Trek: Best Book-Only Characters

  • The Star Trek novels introduce unique characters like Akaar and Treir, adding depth to the expansive Starfleet universe.
  • Characters like Nick Keller and Elias Vaughn bring new perspectives to the post- DS9 era, facing challenging galactic events.
  • Mackenzie Calhoun leads the USS Excalibur in a new hero ship series, showcasing tactical genius in the New Frontier books.

Just like the universe itself, the Star Trek franchise is huge and far-reaching, encompassing several television shows, and numerous video games, movies, and books. While many of Star Trek 's most iconic characters appear in various series and films, there are many other great characters who only feature in alternative media sources. For instance, the final frontier has spawned some memorable video game-based characters .

Star Trek: 8 Most Powerful Federation Starships, Ranked

Yet perhaps the richest source of characters is the now questionably canon series of books that take place following The Next Generation and Deep Space Nine . From fresh takes on classic species like the Andorians and Orions, to some of Starfleet's finest officers, the Star Trek novels are a treasure trove of notable figures.

Leonard James Akaar

First appearence: star trek mission gamma book one: twilight.

  • Author: David R. George III
  • Publication Date: September 2002

Leonard James Akaar is unique among novel-only characters in that he does, in fact, make a blink-and-you'll-miss-it appearance on televised Trek . "Friday's Child," an episode of The Original Series , ends with his birth; however, the Capellan royal would not be seriously fleshed out until 2002's Mission Gamma: Twilight . By the time of the Deep Space 9 novels, Akaar had risen through the ranks of Starfleet to become an influential admiral with the ear of the Federation president.

Akaar's strategic mindset and steely resolve proved essential in preserving the Federation through some of its darkest periods, including the Borg invasion depicted in the Star Trek: Destiny series. The Starfleet legend may have been born in The Original Series , but the Star Trek novels were where he made his name.

First Appearence: Star Trek: Demons of Air and Darkness

  • Author: Keith R. A. DeCandido
  • Publication Date: September 2001

Star Trek features many inspirational female characters, from Kira Nerys to Katherine Janeway. However, few are as resourceful or as motivated as Treir , an Orion Dabo girl who transformed Quark's Bar into a highly successful business during the post- DS9 novels. Following her escape from Orion servitude, Treir earned her place as Quark's right-hand woman by implementing a series of radical reforms, including hiring a Dabo boy to attract more customers.

Star Trek: The Fates Of Every Live-Action TV Show's Main Character

Treir may not play a significant role in the canon-shattering events depicted in the Deep Space 9 novels, but this ruthless businesswoman helped to make Star Trek 's prose universe feel like a living, breathing place. If anyone is capable of giving Quark a run for his latinum, it's her.

Nick Keller

First appearence: star trek new earth: challenger.

  • Author: Diane Carey
  • Publication Date: August 2000

New Earth , a series of six novels that take place between Star Trek: The Motion Picture and The Wrath of Khan , was intended to act as a backdoor pilot for a new narrative focusing on Commander Nick Keller . In the final novel, Keller takes command of a makeshift starship in order to defend the human colony of Belle Terre from alien attack. Keller was conflicted between overthrowing his inept captain and preserving the lives of his comrades, and it's a great shame that a full series based on the space cowboy's adventures never emerged.

Interestingly, author Diane Carey based Keller's appearance on Scott Bakula, who would go on to play Captain Jonathan Archer in Star Trek: Enterprise . Keller, however, would make only two more appearances in the Star Trek universe, with both being part of the multi-series Gateways crossover event.

Elias Vaughn

First appearence: star trek: avatar (book one).

  • Author: S. D. Perry
  • Publication Date: July 2001

Elias Vaughn was a Starfleet officer and intelligence operative who joined Deep Space 9's command staff following the end of the Dominion War . Despite only holding the rank of commander, Vaughn's expertise proved a boon to the Federation outpost, and he played a role in several key events, including the USS Defiant 's post-war exploration of the Gamma Quadrant (depicted in the Mission Gamma sub-series).

Star Trek: 8 Impressive Things Kirk Did Before Joining The USS Enterprise

Vaughn was haunted by the death of his wife, Ruriko, and his troubled relationship with his estranged daughter, Prynn. This relationship was complicated by the fact that Prynn was also assigned to Deep Space 9. However, father and daughter were eventually able to reconcile–but not without some bumps along the way.

Christine Vale

First appearence: star trek: the belly of the beast.

  • Author: Dean Wesley Smith

While William Riker's USS Titan has made notable appearances in Star Trek: Lower Decks , the starship's adventures were originally chronicled in a series of spin-off novels. These books featured Christine Vale , a former detective turned Starfleet officer, as Riker's second-in-command. Vale was initially unwilling to take the post, as she disliked the idea of Riker working so closely with his wife, Deanna Troi.

Luckily, Vale took the post, which allowed her to act as a counterweight to any of Riker's Troi-related biases. During her time aboard the USS Titan , she helped to explore the Beta Quadrant and fend off a Borg invasion. Indeed, her record was so good that, following Riker's promotion to admiral, she took command of the Luna -class starship.

Thirishar ch'Thane

From their initial appearance in 1967's "Journey to Babel" and 2001's "The Andorian Incident," references to Star Trek 's Andorians were true and far between. One important detail was disclosed in The Next Generation , however: Andorians have four sexes , with all four required for successful reproduction.

The character of Thirishar ch'Thane (or "Shar") was a response to this premise. Shar served as Deep Space Nine's science officer following the end of the Dominion War, but was torn between his commitments to Starfleet and to his mating group, who wished him to return to Andor. This dilemma was further complicated by a dangerous decline in Andorian fertility, which threatened to cause the Andorians' extinction in the long term. Shar was eventually able to use his scientific knowledge to help solve the Andorian fertility crisis.

The Jem'Hadar are one of Star Trek 's most iconic creations , a powerful race of warriors motivated by their addiction to the chemical ketracel-white. During the Dominion War of 2373–2375, the Jem'Hadar were central to the Dominion assaults which nearly overwhelmed the Federation Alliance.

8 Best Starfleet Ships During The Dominion War

After the war's conclusion, Taran'atar , a Jem'Hadar without a ketracel-white dependency, was sent to Deep Space Nine as a cultural observer. Taran'atar's struggle to adjust to the Alpha Quadrant during peacetime makes for fascinating reading, as does seeing the fearsome warrior growing closer to his former enemies. Taran'atar's story takes some strange twists and turns, but he remains a fascinating character.

Mackenzie Calhoun

First appearence: star trek new frontier: house of cards.

  • Author: Peter David
  • Publication Date: July 1997

In 1997, Pocket Books published the first of Peter David's New Frontier books. While these novels included several characters from TV Trek (mostly notably Commander Shelby from "The Best of Both Worlds" ), they focused on a new hero ship, the USS Excalibur , and a new captain: Mackenzie Calhoun . Calhoun, an alien warrior modeled after Mel Gibson, was depicted as a tactical genius capable of beating Starfleet's toughest challenges–including the infamous Kobayashi Maru test.

Calhoun soon became a fan-favorite, with his New Frontier series including over 20 volumes. The Xenanian captain was even popular enough to be made into an action figure, the only example of this honor being bestowed on a character originating from any of Star Trek 's novels.

Created by Gene Roddenberry

First Film Star Trek: The Motion Picture

Latest Film Star Trek Beyond

First TV Show Star Trek: The Original Series

Latest TV Show Star Trek: Strange New Worlds

Creation Year 1966

Star Trek: Best Book-Only Characters

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The final frontier is here for 'Star Trek's queerest crew

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After a television journey that’s lasted seven years, five seasons, and 65 episodes, the gays, queers, trans nonbinary, and even the straight characters of Star Trek: Discovery sashay away with a bang!

The first two action-packed episodes of the 10-episode final season of the science fiction drama are now streaming on Paramount+ ( and for free on YouTube ). The storyline this time around is pure adventure, mystery, intrigue, and a search for ancient clues (no more spoilers!) that continues this series’ intense focus on the characters’ relationships, but also calls back to Star Trek’s roots.

“There is action,” said actor Doug Jones, who plays the alien Saru . He paused briefly as he searched for the right word in a recent interview with Out. “Action mixed with, with family. The relationships in this show are so deep by now, by season five especially, that the action means something when there's so much at stake between all the characters and why we love each other and want to care for each other.”

Love was a theme repeated by everyone connected with the series who sat down to speak with Out recently.

“That's what we strive for in every episode and every season,” lesbian showrunner Michelle Paradise told Out . Discovery was nominated five times for Best Drama at the GLAAD Media Awards and won in 2021. Paradise is especially proud of how her series has been a beacon of LGBTQ+ representation, boasting a cast of at least seven out actors who are gay, queer, transgender and trans nonbinary playing roles not all that different from their actual lived experience.

“The representation is so important to us, and it's very, very intentional,” said Paradise. “Every season, every episode, it's intentional.”

When the series launched in 2017, it was intended to be a prequel to the original Star Trek series of the 1960s, set at least a decade before the 23rd century adventures of Capt. Kirk and Mr. Spock aboard the U.S.S. Enterprise . Discovery was the first spinoff whose central character was not a starship captain, and the first to revolve around the misdeeds, keen insights, and growth of a Black woman.

Sonequa Martin-Green plays Michael Burnham, a human orphan raised on Vulcan, the never-before revealed adopted sister of Spock, and Starfleet’s first mutineer — who did ultimately rise to the rank of captain by the end of the third season.

On a red carpet in 2017, Martin-Green told this reporter her hope was to stand up as a role model in the same way Nichelle Nichols did in the very first Star Trek series, as Lt. Uhura. She told Out that Nichols very much inspired her own performance in this leading role.

“I have been very grateful to stand, and I think I can say that I have at this point,” she said. “Everything that she did, the impact she made in front of the camera and behind it, in society, my goodness! She made it so that I could stand with her.”

When Star Trek: Discovery’s third season propelled the crew of the Starship Discovery into the 32nd century, it introduced two new queer characters: teenage lovers Adira (played by Blu del Barrio ) and Gray (played by Ian Alexander ), who are reunited in this fifth and final season. Del Barrio has a recurring starring role and Alexander returns as a guest star in the third episode. Although Alexander previously identified as a trans man, they and del Barrio told Out in 2022 they are both trans nonbinary.

For del Barrio, that evolution of identity occurred just as much in front of the camera on a soundstage in Toronto, as it did behind the scenes.

“I think it's been a really scary thing to do it through this show and to do it so openly and for lack of a better word, but transparently,” they told Out recently. “And at the same time, I'm incredibly grateful to have been able to start and go through the beginnings of my transition while also playing this character.”

As Star Trek’s first-ever recurring gender nonconforming character, and as a 26-year-old exploring their own trans nonbinary identity, del Barrio told Out they were glad for the good that it did for young viewers back on 21st century Earth to see themselves on that same trajectory.

“It really feels like a sacred thing to me,” they said. “This piece of work feels really sacred because there was a huge change going on for me emotionally. Medically transitioning, all of that was during the last four years. It's like a really crazy snapshot in time.”

But becoming a role model was never something del Barrio sought, they said.

“I really did not think that I deserved to be the person to do that. And I think I've now realized that I did not see other trans people in the media. I didn't necessarily see myself, someone that was maybe a little bit anxious and scared and nervous.”

Actor Wilson Cruz told Out that Star Trek: Discovery provides an answer to that feeling of anxiety that so many share in these troubled times.

“I think the best possible word, given this moment culturally and politically, is resilience. I think, if we can inspire you to be resilient in this moment and to show up for your communities, then I will have done my job.” Cruz plays Dr. Hugh Culber, the gay partner of and fellow “space dad” with Anthony Rapp’s character, Commander Paul Stamets.

“Wilson has used this phrase that I'm going to borrow from him,” Rapp told Out . “One of the things that this show is doing, is showing that we're in the future. The fact that two of the main crew members who are really good at their jobs have been there from the beginning.” There’s never actually been an episode dealing with Culber and Stamets’ orientation; it’s just a given that they are a gay couple, as it would be if they were straight.

“And then we brought into our family and crew this brilliant young person. Adira, that we keep kind of saving the universe, that we're among the ones that really make a huge difference. I do think that this sends this message loud and clear that, ‘Hey, we're still alive, we're still going to be here, hundreds of years into the future. We've always been here, throughout history, some of the major minds of the world have been queer folks throughout history. And that will continue to be the case.’”

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Rapp, who was in Tokyo performing his one man musical Without You at the time of our interview, said he and Cruz have heard repeatedly from fans the positive impact they’ve made.

“We've heard from so many people over these several years who've been profoundly impacted by that representation, by seeing the way that we are with each other and how much it's helped them, either young people themselves that were coming out, or just came out, seeing themselves in Adira, and parents of young people who are like Adira. Just seeing that it has been profoundly meaningful to them, that in turn, is very meaningful to us,” said Rapp.

His next statement is especially prophetic given the recent controversy over the International Transgender Day of Visibility. “It’s essential,” Rapp said. “Visibility is essential to the safety and equality of queer people. It always has been, and it is what has made the difference over the last 50, 60 years. People finally were saying, ‘We're here, we're queer, get used to it, etc.’ It's taken a while. In some places, there's still very far to go. But we've taken as much ground as we have because of that visibility.”

A character who became less visible in the prior season was Ensign Sylvia Tilly, always played with aplomb by out queer actor Mary Wiseman . And, without providing any spoilers, it’s a joy to say she is back and better than ever. “Super fun,” is how Wiseman described to Out what it’s like to return in a different capacity than what fans have seen Tilly do before.

“I think it's kind of nice for Tilly to be both inside of it and outside of it,” she said. “It just feels like she has a lot of autonomy. And for me, it's great, because I get to be there, and it's a nice character development that Tilly gets to come in almost as a consulting expert, instead of being just part of the crew, as she always was. I think it orients her in a different way, where she has a lot more agency, and has gained a lot of confidence by going off on her own and teaching at Starfleet Academy.”

Starfleet Academy is the name of the next Star Trek series, now in pre-production, under the supervision of executive producer and man in charge of all things Trek , Alex Kurtzman. He talked with Out about what made Discovery far more LGBTQ+ inclusive than any other iteration of the 58-year-old franchise.

“I think you hire different showrunners, so that they will give you their vision of Star Trek, right? Nobody wants the same vision for every show,” said Kurtzman. “There has to be certain common denominators, right? Trek is about an essential vision of optimism and inclusion and a sense that our future can actually be bright, even in times of darkness. But beyond that, part of what I love about Star Trek is that each writer of each show brings their own interpretation to it, and I think that's how it stays fresh. So, in no way, shape or form am I taking credit for being the one who's doing all of it, because I couldn't. This show doesn't exist without Michelle, just as every other show doesn't exist without the showrunners and all the amazing writers and crew that work on them.”

“That people are feeling seen and that people are seeing themselves, amidst all of the fun and the cool storytelling and the action and the adventure, that's wonderful,” added Paradise. “That is a wonderful thing about this show. And hopefully that's what people think of, among many other things, once the show finishes its run.”

James Dimmock/Paramount+

Even when the characters are in a binary male / female relationship, Star Trek: Discovery finds a way to draw parallels to contemporary issues of love across cultures and other barriers. Can a Kelpien ambassador and a Vulcan president find love in the 32nd century?

“Saru and President Karina, played by Tara Rosling, has been such a fun journey, and I think they're both in love for the first time ever as grown adults,” said Jones. “They've had such a sense of duty all these years that now it's like, ‘Wait, but my heart beats as well, so I can have both!’ That's been lovely to explore and unfold and see. Can career and duty and diplomacy and all of the things that they represent, can that also coincide with ‘I love you,’ and me finding out that I think it can.”

David Ajala is back as well, in the role of Cleveland “Book” Booker, also introduced in the third season. “I love the fact that Michael Burnham and Cleveland Book have been through so, so much, but yet they're in a place where they're able to just try to build bridges.”

The ending of the fourth season saw Burnham and Book separate, and the tension between them is palpable in the first four episodes of season five screened for reporters. Ajala said love is a central theme this go-round, in addition to all the Indiana Jones-style action.

“Love, that's my anchor,” he said. “Love has more currency when it is expressed in action. And I think going forward in season five, Cleveland Book is in a position where he's on a redemptive journey and his love is shown in his actions. He is a student of life and a student of love.”

Out asked Ajala where he stands in terms of the LGBTQ+ community, and the well-known mantra, “Love is Love.”

“Absolutely! You said it. So, I stand in the middle of all that love which everyone is deserving of.”

Martin-Green, the series lead, took the opportunity to frame the series’ end as the end of her own personal evolution, standing up as Nichols did, as Kate Mulgrew did, as Avery Brooks did. Each of them in their own way was a pioneer in the Trek universe, expanding what it means to be seen, and to lead.

“I understand now because of the journey that I've taken, because my journey as Sonequa has paralleled Burnham's in a lot of ways. And there's been so much evolution and maturation and growth. I understand now that I do stand, and that that is why the people before me went through what they went through, that they would want me to stand freely, they would want me to stand confidently. And I understand that that's what I do, and that's what I will continue to do in honor of them, and in honor of whoever might come after me.”

When the cast of Star Trek: Picard was introduced at New York Comic-Con in 2019, Martin-Green took a seat all alone in an empty Madison Square Garden theater mezzanine, watching from afar, but spotted by this reporter. For this story, Out asked her if she had any idea back then what her work on Star Trek: Discovery would make possible: The launch of not only Picard but four other Trek series, namely Strange New Worlds, Prodigy, Lower Decks and now Starfleet Academy .

“Oh, my goodness! We just never in a million years would have imagined,” said Martin-Green. “I don't think any of us could have imagined what we were going to be doing. You know, the fact that we were making television history, with me, with so many others, with our diversity, the fact that we were innovating the franchise and pushing it forward, doing it justice. Now, we've become this mothership. Apparently, fans call this, this time is now called the ‘Platinum Age.’ And so, we're the mothership of the Platinum Age, and now we have our own children, and that is mind blowing. It's mind blowing.”

Platinum, with a whole lot of glitter and rainbows on top.

Season 5 of Star Trek: Discovery is now streaming on Paramount+ , with new episodes dropping every Thursday.

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Why 'Star Trek: Discovery' deserves more credit as a barrier-breaking series

star trek new frontier excalibur

Starship Discovery will soon be ending its mission, and what a journey it's been.

“Star Trek: Discovery,” which premiered in 2017, is entering its fifth and final season Thursday on Paramount+. And you’ll need the Captain’s Log to remember all the twists, turns and transformations the show has gone through since it began.

One thing that hasn’t changed, though, is the hate the series has received from some Trek fans. (“Discovery” has an overall audience score of 37% on Rotten Tomatoes, a stark difference from the 87% critic rating.)

While the show is far from free of legitimate criticism, many of the complaints seem unfairly – though perhaps tellingly – placed on the show’s focus on a Black woman commander, its LGBTQ+ stars and allies and its inclusive storylines. “Woke agenda” and other dog whistles frequently surface on Reddit and social media posts about the series.

That so much of the negativity is rooted in a backlash against inclusivity raises questions. After all, the "Star Trek" franchise has long emphasized and celebrated culture, diversity and humanity coming together and preserving the integrity of beings they meet across the galaxy.

"It doesn't make any sense, because (these fans) say they love this franchise," series star Sonequa Martin-Green says in an interview. The show “has always been about breaking those boundaries. It's always been about diversity and equality. And our world has changed since the last iteration of 'Trek.' We have a responsibility to push that needle forward and to stay true to that."

More: Issa Rae says Hollywood needs to be accountable. Here's why diverse shows are so important

The series is originally set before the events of NBC's original “Star Trek: The Original Series” (later jumping to the future) and follows Michael Burnham (Martin-Green), who became the starship’s captain, and the rest of the crew of the USS Discovery: first officer Saru (Doug Jones), chief engineer Paul Stamets (Anthony Rapp), lieutenant and now Starfleet Academy teacher Sylvia Tilly (Mary Wiseman), medical officer Hugh Culber (Wilson Cruz), courier and Burnham’s love interest Cleveland “Book” Booker (David Ajala) and ensign Adira Tal (Blu del Barrio).

Many more characters have stood on the bridge, battled with Burnham, or otherwise make up the world of "Discovery." The series had some trouble finding the right footing, but it’s always had heart, especially in its recurring theme of redemption. And it deserves more support for what it has meant for the entire "Star Trek" franchise.

Here’s why “Star Trek: Discovery” deserves more credit:

Prioritizing diversity and inclusivity

A Vulcan philosophy (and one espoused by “Star Trek” creator Gene Roddenberry) is IDIC, or “infinite diversity in infinite combinations,” and many of the related series, movies and books underscore this belief. “Discovery” also has diversity at its core: the show focuses on a Black woman who becomes captain. Stamets and Culber are an openly gay couple, and engineer Jett Reno (Tig Notaro) is a lesbian. And the show introduced a few franchise firsts: Adira Tal as the first nonbinary character in "Star Trek ," and their boyfriend, Gray ( Ian Alexander ), is the first transgender character , both introduced in Season 3.

More: 'Star Trek' documentary unveils star Nichelle Nichols' impactful NASA connection

Starting a new age of Star Trek

“Discovery” helped launch the CBS All Access streaming platform, a CBS subscription service that would eventually become Paramount+, as well as a new era of "Star Trek" series including “Lower Decks” and “Picard.” Before “Discovery,” the last Trek series was “Star Trek: Enterprise,” which ended in 2005.

Exploring strange new worlds

The second season of “Discovery” also served as a launching pad for the well-received spinoff, “Star Trek: Strange New Worlds,” which resurfaced popular characters from the original series including Spock (Ethan Peck), Captain Pike (Anson Mount), Uhura (Celia Rose Gooding) and Number One (Rebecca Romijn).

Finding time for the simple things

In a few scenes scattered throughout "Discovery," we see characters like Culber and Stamets sharing a meal or talking about their day while brushing their teeth. It’s almost mundane, but there’s also something so lovely about watching LGBTQ+ characters who rarely are the focus in movies or television simply living their lives, being their whole selves. Burnham rocking braids at the beginning of Season 3 speaks cultural volumes. The subtle amid the big battles and overarching plots do have meaning, especially for those whose voices often go unheard.

Going boldly

The first season of “Discovery” went out of its way to highlight its connections to the original series: Burnham is Spock’s adopted sister, and there's a brief appearance by Spock’s father, Sarek. But it wasn’t always so neatly woven, sometimes seeming more like it was using franchise lore as a crutch. But “Discovery” wasn’t afraid to try new things, turning itself around after an overcomplicated first season and again after a very “TOS”-inspired second, slowly building up its own universe without relying too heavily on the old. 

The first episodes of Season 5 are a little rocky before it settles into a comfortable speed. 

"This time around, we wanted to bring in some levity," Martin-Green says. "But there's a grand sort of epicness to Season 5, even though we didn't know it was our last season when we were shooting it. I think looking back on it, and when we share it with the world, it'll seem that way because the season is so big. So people can expect a lot of fun. They can expect it to go really fast." 

It will be interesting to see if “Discovery” sticks the landing through the remainder of the season.

“The good outweighs the bad,” Burnham says in an upcoming episode about a mission, and that’s also true of “Discovery."

The fifth and final season of "Star Trek: Discovery" (two episodes now streaming, then weekly on Thursdays) streams on Paramount+.

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Peter David is the New York Times bestselling author of numerous Star Trek novels, including the incredibly popular New Frontier series. In addition, he has also written dozens of other books, including his acclaimed original novel, Sir Apropos of Nothing, and its sequel, The Woad to Wuin. David is also well known for his comic book work, particularly his award-winning run on The Incredible Hulk. He recently authored the novelizations of both the Spider-Man and Hulk motion pictures.He lives in New York.

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The Future of ‘Star Trek’: From ‘Starfleet Academy’ to New Movies and Michelle Yeoh, How the 58-Year-Old Franchise Is Planning for the Next Generation of Fans

“I can’t believe I get to play the captain of the Enterprise.”

“Strange New Worlds” is the 12th “Star Trek” TV show since the original series debuted on NBC in 1966, introducing Gene Roddenberry’s vision of a hopeful future for humanity. In the 58 years since, the “Star Trek” galaxy has logged 900 television episodes and 13 feature films, amounting to 668 hours — nearly 28 days — of content to date. Even compared with “Star Wars” and the Marvel Cinematic Universe, “Star Trek” stands as the only storytelling venture to deliver a single narrative experience for this long across TV and film.

In other words, “Star Trek” is not just a franchise. As Alex Kurtzman , who oversees all “Star Trek” TV production, puts it, “‘Star Trek’ is an institution.”

Without a steady infusion of new blood, though, institutions have a way of fading into oblivion (see soap operas, MySpace, Blockbuster Video). To keep “Star Trek” thriving has meant charting a precarious course to satisfy the fans who have fueled it for decades while also discovering innovative ways to get new audiences on board.

“Doing ‘Star Trek’ means that you have to deliver something that’s entirely familiar and entirely fresh at the same time,” Kurtzman says.

The franchise has certainly weathered its share of fallow periods, most recently after “Nemesis” bombed in theaters in 2002 and UPN canceled “Enterprise” in 2005. It took 12 years for “Star Trek” to return to television with the premiere of “Discovery” in 2017; since then, however, there has been more “Star Trek” on TV than ever: The adventure series “Strange New Worlds,” the animated comedy “Lower Decks” and the kids series “Prodigy” are all in various stages of production, and the serialized thriller “Picard” concluded last year, when it ranked, along with “Strange New Worlds,” among Nielsen’s 10 most-watched streaming original series for multiple weeks. Nearly one in five Paramount+ subscribers in the U.S. is watching at least one “Star Trek” series, according to the company, and more than 50% of fans watching one of the new “Trek” shows also watch at least two others. The new shows air in 200 international markets and are dubbed into 35 languages. As “Discovery” launches its fifth and final season in April, “Star Trek” is in many ways stronger than it’s ever been.

“’Star Trek’s fans have kept it alive more times than seems possible,” says Eugene Roddenberry, Jr., who executive produces the TV series through Roddenberry Entertainment. “While many shows rightfully thank their fans for supporting them, we literally wouldn’t be here without them.”

But the depth of fan devotion to “Star Trek” also belies a curious paradox about its enduring success: “It’s not the largest fan base,” says Akiva Goldsman, “Strange New Worlds” executive producer and co-showrunner. “It’s not ‘Star Wars.’ It’s certainly not Marvel.”

When J.J. Abrams rebooted “Star Trek” in 2009 — with Chris Pine, Zachary Quinto and Zoe Saldaña playing Kirk, Spock and Uhura — the movie grossed more than any previous “Star Trek” film by a comfortable margin. But neither that film nor its two sequels broke $500 million in global grosses, a hurdle every other top-tier franchise can clear without breaking a sweat.

There’s also the fact that “Star Trek” fans are aging. I ask “The Next Generation” star Jonathan Frakes, who’s acted in or directed more versions of “Star Trek” than any other person alive, how often he meets fans for whom the new “Star Trek” shows are their first. “Of the fans who come to talk to me, I would say very, very few,” he says. “‘Star Trek’ fans, as we know, are very, very, very loyal — and not very young.”

As Stapf puts it: “There’s a tried and true ‘Trek’ fan that is probably going to come to every ‘Star Trek,’ no matter what it is — and we want to expand the universe.”

Every single person I spoke to for this story talked about “Star Trek” with a joyful earnestness as rare in the industry as (nerd alert) a Klingon pacifist.

“When I’m meeting fans, sometimes they’re coming to be confirmed, like I’m kind of a priest,” Ethan Peck says during a break in filming on the “Strange New Worlds” set. He’s in full Spock regalia — pointy ears, severe eyebrows, bowl haircut — and when asked about his earliest memories of “Star Trek,” he stares off into space in what looks like Vulcan contemplation. “I remember being on the playground in second or third grade and doing the Vulcan salute, not really knowing where it came from,” he says. “When I thought of ‘Star Trek,’ I thought of Spock. And now I’m him. It’s crazy.”

To love “Star Trek” is to love abstruse science and cowboy diplomacy, complex moral dilemmas and questions about the meaning of existence. “It’s ultimately a show with the most amazing vision of optimism, I think, ever put on-screen in science fiction,” says Kurtzman, who is 50. “All you need is two minutes on the news to feel hopeless now. ‘Star Trek’ is honestly the best balm you could ever hope for.”

I’m getting a tour of the USS Enterprise from Scotty — or, rather, “Strange New World” production designer Jonathan Lee, who is gushing in his native Scottish burr as we step into the starship’s transporter room. “I got such a buzzer from doing this, I can’t tell you,” he says. “I actually designed four versions of it.”

Lee is especially proud of the walkway he created to run behind the transporter pads — an innovation that allows the production to shoot the characters from a brand-new set of angles as they beam up from a far-flung planet. It’s one of the countless ways that this show has been engineered to be as cinematic as possible, part of Kurtzman’s overall vision to make “Star Trek” on TV feel like “a movie every week.”

Kurtzman’s tenure with “Star Trek” began with co-writing the screenplay for Abrams’ 2009 movie, which was suffused with a fast-paced visual style that was new to the franchise. When CBS Studios approached Kurtzman in the mid-2010s about bringing “Star Trek” back to TV, he knew instinctively that it needed to be just as exciting as that film.

“The scope was so much different than anything we had ever done on ‘Next Gen,’” says Frakes, who’s helmed two feature films with the “Next Generation” cast and directed episodes of almost every live-action “Trek” TV series, including “Discovery” and “Strange New Worlds.” “Every department has the resources to create.”

A new science lab set for Season 3, for example, boasts a transparent floor atop a four-foot pool of water that swirls underneath the central workbench, and the surrounding walls sport a half dozen viewscreens with live schematics custom designed by a six-person team. “I like being able to paint on a really big canvas,” Kurtzman says. “The biggest challenge is always making sure that no matter how big something gets, you’re never losing focus on that tiny little emotional story.”

At this point, is there a genre that “Strange New Worlds” can’t do? “As long as we’re in storytelling that is cogent and sure handed, I’m not sure there is,” Goldsman says with an impish smile. “Could it do Muppets? Sure. Could it do black and white, silent, slapstick? Maybe!”

This approach is also meant to appeal to people who might want to watch “Star Trek” but regard those 668 hours of backstory as an insurmountable burden. “You shouldn’t have to watch a ‘previously on’ to follow our show,” Myers says.

To achieve so many hairpin shifts in tone and setting while maintaining Kurtzman’s cinematic mandate, “Strange New Worlds” has embraced one of the newest innovations in visual effects: virtual production. First popularized on the “Star Wars” series “The Mandalorian,” the technology — called the AR wall — involves a towering circular partition of LED screens projecting a highly detailed, computer-generated backdrop. Rather than act against a greenscreen, the actors can see whatever fantastical surroundings their characters are inhabiting, lending a richer level of verisimilitude to the show.

But there is a catch. While the technology is calibrated to maintain a proper sense of three-dimensional perspective through the camera lens, it can be a bit dizzying for anyone standing on the set. “The images on the walls start to move in a way that makes no sense,” says Mount. “You end up having to focus on something that’s right in front of you so you don’t fall down.”

And yet, even as he’s talking about it, Mount can’t help but break into a boyish grin. “Sometimes we call it the holodeck,” he says. In fact, the pathway to the AR wall on the set is dotted with posters of the virtual reality room from “The Next Generation” and the words “Enter Holodeck” in a classic “Trek” font.

“I want to take one of those home with me,” Peck says. Does the AR wall also affect him? “I don’t really get disoriented by it. Spock would not get ill, so I’m Method acting.”

I’m on the set of the “Star Trek” TV movie “Section 31,” seated in an opulent nightclub with a view of a brilliant, swirling nebula, watching Yeoh rehearse with director Olatunde Osunsanmi and her castmates. Originally, the project was announced as a TV series centered on Philippa Georgiou, the semi-reformed tyrant Yeoh originated on “Discovery.” But between COVID delays and the phenomenon of “Everything Everywhere All at Once,” there wasn’t room in the veteran actress’s schedule to fit a season of television. Yeoh was undaunted.

“We’d never let go of her,” she says of her character. “I was just blown away by all the different things I could do with her. Honestly, it was like, ‘Let’s just get it done, because I believe in this.’”

If that means nothing to you, don’t worry: The enormity of the revelation that Garrett is being brought back is meant only for fans. If you don’t know who the character is, you’re not missing anything.

“It was always my goal to deliver an entertaining experience that is true to the universe but appeals to newcomers,” says screenwriter Craig Sweeny. “I wanted a low barrier of entry so that anybody could enjoy it.”

Nevertheless, including Garrett on the show is exactly the kind of gasp-worthy detail meant to flood “Star Trek” fans with geeky good feeling.

“You cannot create new fans to the exclusion of old fans,” Kurtzman says. “You must serve your primary fan base first and you must keep them happy. That is one of the most important steps to building new fans.”

On its face, that maxim would make “Section 31” a genuine risk. The titular black-ops organization has been controversial with “Star Trek” fans since it was introduced in the 1990s. “The concept is almost antagonistic to some of the values of ‘Star Trek,’” Sweeny says. But he still saw “Section 31” as an opportunity to broaden what a “Star Trek” project could be while embracing the radical inclusivity at the heart of the franchise’s appeal.

“Famously, there’s a spot for everybody in Roddenberry’s utopia, so I was like, ‘Well, who would be the people who don’t quite fit in?’” he says. “I didn’t want to make the John le Carré version, where you’re in the headquarters and it’s backbiting and shades of gray. I wanted to do the people who were at the edges, out in the field. These are not people who necessarily work together the way you would see on a ‘Star Trek’ bridge.”

For Osunsanmi, who grew up watching “The Next Generation” with his father, it boils down to a simple question: “Is it putting good into the world?” he asks. “Are these characters ultimately putting good into the world? And, taking a step back, are we putting good into the world? Are we inspiring humans watching this to be good? That’s for me what I’ve always admired about ‘Star Trek.’”

Should “Section 31” prove successful, Yeoh says she’s game for a sequel. And Kurtzman is already eyeing more opportunities for TV movies, including a possible follow-up to “Picard.” The franchise’s gung-ho sojourn into streaming movies, however, stands in awkward contrast to the persistent difficulty Paramount Pictures and Abrams’ production company Bad Robot have had making a feature film following 2016’s “Star Trek Beyond” — the longest theaters have gone without a “Star Trek” movie since Paramount started making them.

First, a movie reuniting Pine’s Capt. Kirk with his late father — played in the 2009 “Star Trek” by Chris Hemsworth — fell apart in 2018. Around the same time, Quentin Tarantino publicly flirted with, then walked away from, directing a “Star Trek” movie with a 1930s gangster backdrop. Noah Hawley was well into preproduction on a “Star Trek” movie with a brand-new cast, until then-studio chief Emma Watts abruptly shelved it in 2020. And four months after Abrams announced at Paramount’s 2022 shareholders meeting that his 2009 cast would return for a movie directed by Matt Shakman (“WandaVision”), Shakman left the project to make “The Fantastic Four” for Marvel. (It probably didn’t help that none of the cast had been approached before Abrams made his announcement.)

The studio still intends to make what it’s dubbed the “final chapter” for the Pine-Quinto-Saldaña cast, and Steve Yockey (“The Flight Attendant”) is writing a new draft of the script. Even further along is another prospective “Star Trek” film written by Seth Grahame-Smith (“Abraham Lincoln: Vampire Hunter”) and to be directed by Toby Haynes (“Andor,” “Black Mirror: USS Callister”) that studio insiders say is on track to start preproduction by the end of the year. That project will serve as an origin story of sorts for the main timeline of the entire franchise. In both cases, the studio is said to be focused on rightsizing the budgets to fit within the clear box office ceiling for “Star Trek” feature films.

Far from complaining, everyone seems to relish the challenge. Visual effects supervisor Jason Zimmerman says that “working with Alex, the references are always at least $100 million movies, if not more, so we just kind of reverse engineer how do we do that without having to spend the same amount of money and time.”

The workload doesn’t seem to faze him either. “Visual effects people are a big, big ‘Star Trek’ fandom,” he says. “You naturally just get all these people who go a little bit above and beyond, and you can’t trade that for anything.”

In one of Kurtzman’s several production offices in Toronto, he and production designer Matthew Davies are scrutinizing a series of concept drawings for the newest “Star Trek” show, “Starfleet Academy.” A bit earlier, they showed me their plans for the series’ central academic atrium, a sprawling, two-story structure that will include a mess hall, amphitheater, trees, catwalks, multiple classrooms and a striking view of the Golden Gate Bridge in a single, contiguous space. To fit it all, they plan to use every inch of Pinewood Toronto’s 45,900 square foot soundstage, the largest in Canada.

But this is a “Star Trek” show, so there do need to be starships, and Kurtzman is discussing with Davies about how one of them should look. The issue is that “Starfleet Academy” is set in the 32nd century, an era so far into the future Kurtzman and his team need to invent much of its design language.

“For me, this design is almost too Klingon,” Kurtzman says. “I want to see the outline and instinctively, on a blink, recognize it as a Federation ship.”

The time period was first introduced on Season 3 of “Discovery,” when the lead character, Michael Burnham (Sonequa Martin-Green), transported the namesake starship and its crew there from the 23rd century. “It was exciting, because every time we would make a decision, we would say, ‘And now that’s canon,’” says Martin-Green.

“We listened to a lot of it,” Kurtzman says. “I think I’ve been able to separate the toxic fandom from really true fans who love ‘Star Trek’ and want you to hear what they have to say about what they would like to see.”

By Season 2, the “Discovery” writers pivoted from its dour, war-torn first season and sent the show on its trajectory 900-plus years into the future. “We had to be very aware of making sure that Spock was in the right place and that Burnham’s existence was explained properly, because she was never mentioned in the original series,” says executive producer and showrunner Michelle Paradise. “What was fun about jumping into the future is that it was very much fresh snow.”

That freedom affords “Starfleet Academy” far more creative latitude while also dramatically reducing how much the show’s target audience of tweens and teens needs to know about “Star Trek” before watching — which puts them on the same footing as the students depicted in the show. “These are kids who’ve never had a red alert before,” Noga Landau, executive producer and co-showrunner, says. “They never had to operate a transporter or be in a phaser fight.”

In the “Starfleet Academy” writers’ room in Secret Hideout’s Santa Monica offices, Kurtzman tells the staff — a mix of “Star Trek” die-hards, part-time fans and total newbies — that he wants to take a 30,000-foot view for a moment. “I think we need to ground in science more throughout the show,” he says, a giant framed photograph of Spock ears just over his shoulder. “The kids need to use science more to solve problems.”

Immediately, one of the writers brightens. “Are you saying we can amp up the techno-babble?” she says. “I’m just excited I get to use my computer science degree.”

After they break for lunch, Kurtzman is asked how much longer he plans to keep making “Star Trek.” 

“The minute I fall out of love with it is the minute that it’s not for me anymore. I’m not there yet,” he says. “To be able to build in this universe to tell stories that are fundamentally about optimism and a better future at a time when the world seems to be falling apart — it’s a really powerful place to live every day.”

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  2. Star Trek: New Frontier: Excalibur #3: Restoration eBook by Peter David

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  3. Star Trek New Frontier Excalibur # 3 Restoration by Peter David 2000 HCDJ 1st Ed 9780671042431

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  4. New Frontier cover art, Excalibur: Restoration

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  5. Star Trek: New Frontier: Excalibur #3: Restoration Audiobook by Peter David, Joe Morton

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  6. USS Excalibur (NX-90000)

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  1. Star Trek: New Frontier

    Star Trek: New Frontier - Excalibur is a three-novel miniseries that forms part of the Star Trek: New Frontier series, written by Peter David. Published by Pocket Books between 2000 and 2001, the series follows the Excalibur crew after the destruction of their ship and the loss of their captain, depicted in Dark Allies. NF #9: Requiem NF #10: Renaissance NF #11: Restoration

  2. STAR TREK: New Frontier

    The STAR TREK: New Frontier books are published by Pocket Books, a division of Simon & Shuster Inc., under exclusive license from Paramount Pictures. New Frontier concept by John J. Ordover and Peter David. Email: [email protected]. Detailed information on the starship Excalibur and its crew with many pictures and full blueprints.

  3. Star Trek: New Frontier

    Star Trek: New Frontier is a series of interlinked novels written by Peter David, published by Simon & Schuster imprints, Pocket Books, Pocket Star, and Gallery Books, from 1997 to 2015. New Frontier was the first Star Trek tie-in fiction property not to be based on a television series. The series was created by John J. Ordover.: 332 The novels explore life aboard the USS Excalibur, commanded ...

  4. Star Trek: New Frontier

    Star Trek: New Frontier is a novel and comic book series created by John J. Ordover and Peter David, and primarily written by Peter David. Published by Pocket Books, the series was released beginning in 1997. The first Trek novel series not based on a television series, New Frontier began as a series of four short, interconnected novellas, then became full-length novels, and eventually ...

  5. Guide to STAR TREK: New Frontier

    Welcome to my Guide to STAR TREK: New Frontier.This site is devoted to the several STAR TREK novels by Peter David that chronicle the adventures of the crew of the U.S.S. Excalibur.Mr. David has done it again! He and John Ordover, Senior Editor of STAR TREK fiction at Pocket Books, have created a family of Starfleet personnel that can rightfully take their place alongside the crews of the ...

  6. Excalibur: Requiem (Star Trek: New Frontier, #9)

    Star Trek: Lower Decks comes close but I feel the world of New Frontier is a bit better at managing it all. REQUIEM is the first of the three EXCALIBUR books that follow up a bold and perhaps strange choice by Peter David to break up the entirety of the Excalibur crew.

  7. Star Trek: New Frontier: Excalibur #3: Restoration (Star Trek: The Next

    Star Trek: New Frontier: Excalibur #3: Restoration (Star Trek: The Next Generation Book 11) - Kindle edition by David, Peter. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading Star Trek: New Frontier: Excalibur #3: Restoration (Star Trek: The Next Generation Book 11).

  8. Excalibur: Requiem (Star Trek: New Frontier #9) by Peter David

    by Peter David. N/A. When the U.S.S. Excalibur was suddenly and mercilessly destroyed, Starfleet lost one of its finest starships. But the crew members of the Excalibur lost their captain... and their home. Now, in mourning for their ship and Captain Mackenzie Calhoun, First Officer Elizabeth Shelby and the rest of the crew await new assignments.

  9. Star Trek: New Frontier: Excalibur #3: Restoration

    Star Trek The Next Generation® Peter David's bestselling novels of Star Trek: New Frontier have been a genuine publishing phenomenon. Now the series hits a new landmark with the first original hardcover to chronicle the adventures of Captain Mackenzie Calhoun and the valiant crew of the U.S.S. Excalibur.

  10. Star Trek, New Frontier: Excalibur: Restoration

    Star Trek, New Frontier: Excalibur: Restoration Audible Audiobook - Abridged Peter David (Author), Joe Morton (Narrator), Simon & Schuster Audio (Publisher) & 0 more 4.5 4.5 out of 5 stars 108 ratings

  11. Into the Void (Star Trek: New Frontier, #2)

    NEW FRONTIER, NEW CREW The USS Excalibur begins its journey through a new frontier, the former Thallonian Empire, now known as Space Sector 221-G, ... So the concept of Star Trek New Frontier was born, with editor John J. Ordover and writer Peter David being the proud parents.

  12. Renaissance (Star Trek: New Frontier, #10) by Peter David

    Excalibur: Renaissance is book 10 of Star Trek: New Frontier, book two of the Excalibur Trilogy and chapter 13 overall series. It continues from where Excalibur: Requiem left off. Capt. Calhoun is still dead and the former crew of the destroyed USS Excalibur are still scattered across the galaxy.

  13. Requiem (Star Trek New Frontier: Excalibur, Book 9)

    Peter David is the New York Times bestselling author of numerous Star Trek novels, including the incredibly popular New Frontier series. In addition, he has also written dozens of other books, including his acclaimed original novel, Sir Apropos of Nothing, and its sequel, The Woad to Wuin.

  14. Star Trek: New Frontier: Excalibur #3: Restoration

    From the universe of Star Trek The Next Generation®—Book Three in the adventures of Captain Mackenzie Calhoun and the valiant crew of the U.S.S. Excalibur. This adventure begins with the future of Calhoun and his mission very much in doubt... The ever resourceful Captain Mackenzie Calhoun abruptly finds himself at a loss—marooned on he primitive outback world of Yakaba after his ship ...

  15. STAR TREK: New Frontier

    Leonard Garth, former fleet captain and commander of the U.S.S. Excalibur, attempts to escape from confinement on Elba II by taking over the penal colony when the Enterprise comes to deliver new medications. Garth's attempts are thwarted and new treatments given him begin to reverse his mental illness.

  16. Star Trek: New Frontier Series by Peter David

    Book 5-6. Prometheans. by Peter David. 4.34 · 29 Ratings · published 1998 · 2 editions. Omnibus for Star Trek New Martyr and Fire on High. Want to Read. Rate it: Author Peter David's novel-only Star Trek sagaFor:EnterpriseThe Original SeriesThe Next GenerationDeep Space NineVoyager House of Cards (Star Trek...

  17. Star Trek, New Frontier Audiobooks

    A new ship, a new crew, a new mission! All four exciting New Frontier adventures are captured here in one program! The newly refit Ambassador-class Starship Excalibur is sent to Secter 221-G, which was once ruled by the vicious Thallonians but has now descended into chaos. Captain Calhoun and his crew - including some old friends from The Next Generation - must boldly go where no one has gone ...

  18. Star Trek: Best Book-Only Characters

    The Star Trek novels introduce unique characters like Akaar and Treir, adding depth to the expansive Starfleet universe.; Characters like Nick Keller and Elias Vaughn bring new perspectives to the ...

  19. Restoration (Star Trek New Frontier: Excalibur, Book 3)

    It's no secret that I think New Frontier is the most exciting Star Trek series out today--television, movies, print or otherwise. Peter David has created a universe that positively hums and the best part is that we're allowed to watch the characters grow and develop over the course of the novels. And for once in a Trek series (outside of DS9 ...

  20. The final frontier is here for 'Star Trek's queerest crew

    The final frontier is here for 'Star Trek's queerest crew. Dawn Ennis. Wed, April 10, 2024, 8:04 AM EDT · 12 min read. After a television journey that's lasted seven years, five seasons, and 65 ...

  21. Restoration (Star Trek: New Frontier, #11) by Peter David

    Star Trek: New Frontier: Excalibur: Restoration, book 11 of the New Frontier series is the third of the Excalibur trilogy-within-a-series and the 14th chapter of what I like to refer to as Star Trek: The Prime-Time Soap. This time around we focus on the now Capt. Shelby and her first months of command onboard the USS Exeter alternating with ...

  22. 'Star Trek: Discovery': Why the barrier-breaking series is important

    Starship Discovery will soon be ending its mission, and what a journey it's been. "Star Trek: Discovery," which premiered in 2017, is entering its fifth and final season Thursday on Paramount+.

  23. Star Trek: New Frontier (15 book series) Kindle Edition

    New York Times bestselling author Peter David's unforgettable novels of Captain Mackenzie Calhoun and the crew of the Starship Excalibur remain one of Star Trek's most popular book series among fans. Now, David takes the New Frontier universe in a bold direction that will at once shock, thrill, and delight longtime and brand-new readers of this ...

  24. Star Trek's Future: 'Starfleet Academy,' 'Section 31,' Michelle Yeoh

    Noah Hawley was well into preproduction on a "Star Trek" movie with a brand-new cast, until then-studio chief Emma Watts abruptly shelved it in 2020. And four months after Abrams announced at ...